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[Seong Chan-eol's Comics] Can’t Die Even After Death? An XP Fever Time in ‘The Knight Only Lives Today’

[Seong Chan-eol's Comics] Can’t Die Even After Death? An XP Fever Time in ‘The Knight Only Lives Today’

I'm obsessed with subculture. Not just films, but webtoons, games, comics and animation — anything with fresh stories, settings or characters, I check it out first. I opened the world of fandom through comic books, moved on to e-books, and now read webtoons on my phone; I suppose I'm an "adult fan.
[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

I get hooked on the music in films. Music often reveals intimate emotions a picture or dialogue alone cannot convey. It can become a window into a creator's hidden intent. For me, listening to a film's music is one way to get closer to what the film is doing.
Added 19 Hidden Minutes… Park Chan-wook’s ‘It’s Not Like I Had a Choice’ Extended Edition VOD Released

Added 19 Hidden Minutes… Park Chan-wook’s ‘It’s Not Like I Had a Choice’ Extended Edition VOD Released

It includes a large number of previously unreleased scenes featuring Lee Byung-hun and Son Ye-jin that were not in the theatrical cut… Coming to living rooms starting April 16
The maestro’s hidden 19 minutes, a cold return beyond perfection A brutal yet elegant thriller woven by director Park Chan-wook, the film 'It’s Not Like I Had a Choice' is finally unsealed. CJ ENM, the distributor, will release an extended edition in the form of a Deep Cut—one step beyond the...
A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

Was the pathetic breadwinner secretly a special agent? The thrilling twist and box-office formula behind “middle-age” heroes from webtoon-based dramas including “Kim Bu-jang”
Power in the living room is shifting. Those who had been weighed down by the burden of an ordinary breadwinner responsible for the household are now waking the savage instincts they had buried when a crisis hits, and reinventing themselves as “middle-aged heroes”.
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
SBS’s 〈Agent Kim Reactivated〉 Hits No. 1 in Ratings and on Netflix Worldwide: A Review Through Episode 4

SBS’s 〈Agent Kim Reactivated〉 Hits No. 1 in Ratings and on Netflix Worldwide: A Review Through Episode 4

SBS drama 〈Agent Kim Reactivated〉 is dominating both television and streaming, drawing a 21. 6% rating for Episode 4 on July 4, according to Nielsen Korea, and reaching No. 1 globally among non-English Netflix series.
Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Kurosawa Kiyoshi’s ‘Black Thunder Castle’ and Other Buzzed-About Titles at BIFAN 2026

Marking its 30th anniversary this year, the Bucheon International Fantastic Film Festival will be held from July 2 to July 12 around Bucheon City Hall. As South Korea’s only fantastic genre film festival, BIFAN again presents works armed with genre playfulness and a bold experimental spirit.
Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
Why Guns Feature So Prominently in 〈Hope〉: What the Cast and Director Said at the Press Preview

Why Guns Feature So Prominently in 〈Hope〉: What the Cast and Director Said at the Press Preview

The film 〈Hope〉, among the most anticipated releases of 2026, finally opened domestically. Set to open on July 15, 〈Hope〉 held a press preview screening and press conference on Monday, July 6 , at Megabox COEX in Gangnam, Seoul.