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Search results for "Korean Theaters"

Hirokazu Kore-eda’s Live-Action 〈Look Back〉 to Open in South Korea in October

Hirokazu Kore-eda’s Live-Action 〈Look Back〉 to Open in South Korea in October

Live-action adaptation of Tatsuki Fujimoto’s acclaimed manga, starring Natsuki Deguchi and Aju Makita.
The live-action film 〈Look Back〉 , directed and written by acclaimed Japanese filmmaker Hirokazu Kore-eda, will open in South Korea this October. Megabox JoongAng Co. , Ltd. , the importer and distributor, announced the release and unveiled a teaser trailer on Sept. 7.
| Kim Ji-yeon
'Direct Request' Christopher Nolan makes his first trip to Korea… with Matt Damon in tow

'Direct Request' Christopher Nolan makes his first trip to Korea… with Matt Damon in tow

Nolan, bringing his new film 'Odyssey' for the first time in his career, lands in South Korea for the first time… Hollywood’s top stars including Matt Damon and Charlize Theron will all arrive together on Aug. 3 next month.
A flawless reimagining of myth, Nolan’s team makes a powerful return—and makes its first landing in Seoul Hollywood’s undisputed titan, director 'Christopher Nolan', is finally stepping onto Korean soil. It’s his first time ever deciding to come to Korea, ahead of the release of his new film...
| James choi
Shin Min-a Takes the Lead in ‘The Eyes’ as It Tops 840,000 Viewers, Receives Official Invitation to the Panorama Section of the 59th Sitges Film Festival

Shin Min-a Takes the Lead in ‘The Eyes’ as It Tops 840,000 Viewers, Receives Official Invitation to the Panorama Section of the 59th Sitges Film Festival

A mystery thriller tracing a protagonist who is gradually losing her eyesight due to a genetic disease, ‘The Eyes’ is maintaining its grip on No. 1 at the South Korean box office for a second straight week Word-of-mouth immediately after release helped push total admissions past 840,000, showcasing its staying power at summer theaters With a spot in the competitive category at the world’s largest genre film festival, the film proves both its artistic merit and mainstream appeal
〈The Eyes〉 rode the wind of strong momentum from a string of favorable developments. 〈The Eyes〉 is a South Korean film released on June 24. It tells the story of Shin Min-a as Seo Jin, who tracks the secrets behind the death of her suicidal younger sibling.
| Seongchan Eol
[Box Office] ‘Toy Story 5’ Passes 2 Million Admissions

[Box Office] ‘Toy Story 5’ Passes 2 Million Admissions

Shin Min-a leads with ‘Eye-dongja’ at 359,000-plus viewers (32.7% share) in second; ‘Goonche’—a K-zombie tale—lands third; Timothée Chalamet’s ‘Matti Supreme’ takes fourth
Disney-Pixar’s masterpiece ‘Toy Story 5’ completely dominated the weekend theater scene in its third week of release, easily surpassing the 2 million-admissions mark. A comeback of the analog in the digital age—stealing the hearts of 2 million viewers According to data from the Integrated Ticketing...
| James choi
CGV·Megabox Movie Tickets Off 6,000 Won, to Release Another 2.05 Million Vouchers on the 8th

CGV·Megabox Movie Tickets Off 6,000 Won, to Release Another 2.05 Million Vouchers on the 8th

Starting at 10 a.m. on the 8th, major theater apps will hand out up to two tickets per person on a first-come, first-served basis… Watch for early sellouts
A 2.05 million-ticket gamble to jolt an ailing theater scene… The 'golden time' is 10 a.m. on the 8th The government’s large-scale theater “life support” is set to restart. The Ministry of Culture, Sports and Tourism and the Korea Film Council have confirmed a plan to distribute 'second movie...
| James choi
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.
| Kim Ji-yeon
Movie Industry “Big Deal” Falls Through as Lotte Cinema and Megabox Suspend Merger Talks

Movie Industry “Big Deal” Falls Through as Lotte Cinema and Megabox Suspend Merger Talks

Financial stress at Contentree JoongAng prompts the two companies to end their MOU, with Lotte Cinema pivoting to go it alone and focus on strengthening its content capabilities
A massive project that had been expected to shake up the Korean theater industry has ultimately collapsed. In a filing on the 1st, 'Lotte Shopping' declared that it will scrap the 'merger' process between 'Lotte Cultureworks' and 'Contentree JoongAng' involving 'Lotte Cinema' and 'Megabox' in full.
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

Yoo Eun-jeong on ‘Shadow Child’: Im Soo-jung Said ‘A Tale of Two Sisters’ Brought the Film to Mind

What if you met someone who looked exactly like a loved one you had lost? That familiar premise has been reshaped into an original film with a fairytale-like setting: 〈Shadow Child〉, which opened on July 1. 〈Shadow Child〉 follows Geum-ok (Im Soo-jung) after her eldest daughter, Su-ryeon — who was...
| Seongchan Eol
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정