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'Discharge' Song Kang 'Enlistment' Lee Jun-young, tvN 'For Hands' to Premiere on Aug. 29

'Discharge' Song Kang 'Enlistment' Lee Jun-young, tvN 'For Hands' to Premiere on Aug. 29

A rival setup of piano prodigies from an arts high school background. Song Kang’s comeback project and Lee Jun-young’s last work before enlisting
Fate of two prodigies crossing on the keys, tvN’s new weekend drama 'For Hands' makes a heavy entrance On the screen, classic melodies and a thick wave of youthful pathos rush in. tvN’s eagerly anticipated new weekend drama 'For Hands' will home in on viewers’ living rooms at 9:10 p. m.
| James choi
[Photo &] 60,000-Strong Army Takes Over Brussels—Heat Rises at BTS’s First Concert in Belgium Even as the Subway Grinds to a Halt, Fans Chant “Arirang” Together

[Photo &] 60,000-Strong Army Takes Over Brussels—Heat Rises at BTS’s First Concert in Belgium Even as the Subway Grinds to a Halt, Fans Chant “Arirang” Together

Brussels is roiling with K-food fever and fans who poured in from across Europe
A violet wave of thrills rippling through Europe’s core—Brussels grinds to a halt On the 1st , Brussels, the capital of the European Union, transformed into a giant melting pot. At King Baudouin Stadium, the area that hosted the first visit by the group BTS to Belgium since its debut, the scene was...
| James choi
[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

[Photo &] Netflix’s “Solo Dating 2” Passes 17,000 Applicants, Stronger Narrative Ahead

MC lineup including Seo In-guk and Lee Eun-ji takes the stage— A reality romance return upgraded with a fourfold surge in applicants compared with the previous season and the introduction of new rules.
Between purity and audacity, a reopened project to spark romance Last year, Netflix original variety show “Mother Sol, But I Want to Date” (hereafter “Solo Dating”) captivated global viewers with raw, unfiltered feelings and returns in Season 2 equipped with an even more solid narrative and twists...
| James choi
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
| Joo Seong-cheol
Review: 'Supergirl' Offers Space Adventure, a Coming-of-Age Arc and a Superman Companion Piece, but Lacks a Big Punch

Review: 'Supergirl' Offers Space Adventure, a Coming-of-Age Arc and a Superman Companion Piece, but Lacks a Big Punch

Opening June 24, 〈Supergirl〉 is the second theatrical outing in James Gunn's DC Universe and a loose follow-up to 2025's 〈Superman〉. With the DCU's No. 2 batter stepping up to the plate, the film poses the question of whether it can properly continue the DCU's momentum.
| Seongchan Eol
[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

▶ [Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2 — continues from Part 1. There’s also a romantic thread between Bong Geundae and Im Hanlim. At first there wasn’t any obvious romantic tension, but it intensifies in the back half of the series.
| Chua-young
52nd Seoul Independent Film Festival Unveils Submission Schedule for Short and Feature Films, Kicking Off a Season of Independent Cinema

52nd Seoul Independent Film Festival Unveils Submission Schedule for Short and Feature Films, Kicking Off a Season of Independent Cinema

Submissions open for short and feature categories starting July 13, with a slate of films selected for main competition at the Seoul Independent Film Festival in November Building on the record-breaking 51st edition, the 52nd Seoul Independent Film Festival promises the largest-ever showcase of the present and future of Korean independent film After completion in August 2025, films of all types and genres—including live-action features, documentaries, and animation—are eligible
The Seoul Independent Film Festival has released its film submission schedule and begun preparations for the event. Seoul Independent Film Festival 2026, the largest independent film recap festival in South Korea, announced its submission schedule on June 22.
| Seongchan Eol