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Search results for "Kang Seo-ha"

After 'Girigo,' Kang Mina Returns as an Office Worker in Drama 'See You at Work Tomorrow'

After 'Girigo,' Kang Mina Returns as an Office Worker in Drama 'See You at Work Tomorrow'

She co-stars with Seo In-guk and Park Ji-hyun as Kang No-a, an honest and upbeat office worker.
Kang Mina will return to the small screen in tvN's new Monday-Tuesday office romance, 〈See You at Work Tomorrow. 〉. Story J Company said on the 16th that Kang Mina will star as Kang No-a in 〈See You at Work Tomorrow. 〉, which premieres on the 22nd.
| Kim Ji-yeon
BTS Takes Over Busan…Foreigners Spend 2 Times More at Traditional Markets, Hotel Bills ‘Rip-Off Fees’

BTS Takes Over Busan…Foreigners Spend 2 Times More at Traditional Markets, Hotel Bills ‘Rip-Off Fees’

With foreign card payments up 73%, sales at traditional markets jump 2-fold…Data also sheds light on ‘rip-off pricing’ at lodging businesses
A pilgrimage for pop culture—and a find of the most ‘Korean’ kind of spending ‘Bangtan Sonyeondan’’s arrival in Busan sparked sociological meaning far beyond a massive concert. The fan frenzy that gathered from around the world—the so-called ‘ARMY’—was a giant testbed showing how modern pop culture...
| James choi
[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

[Box Office] Yeon Sang-ho’s “Gunche” Surpasses 5 Million Admissions… the Year’s Second Box-Office Hit Record

“Gunche” stays No. 1 at the box office for four straight weeks, as “Toy Story 5,” returning after seven years, leads in advance ticket sales
K-zombie thrillers that overwhelmed theaters in the off-season: Yeon Sang-ho’s “Gunche” conquers the 5 million mark “Gunche,” a new K-zombie apocalypse created by director Yeon Sang-ho, held its ground at the very top of the weekend box office even in its fourth week since release.
| James choi
[Photo &] Netflix No. 1 “Chamgyoyuk” director Hong Jong-chan interview: “Violence is fantasy—here’s hoping for an open public forum”

[Photo &] Netflix No. 1 “Chamgyoyuk” director Hong Jong-chan interview: “Violence is fantasy—here’s hoping for an open public forum”

On the third day after its release, Netflix’s “Chamgyoyuk” hits No. 1 globally. Director Hong Jong-chan draws a line amid controversy over glorifying corporal punishment, and lays out the real message the work is trying to send.
The global sensation sparked by daring retribution—handing the classroom a rod after it crossed the line ‘Netflix’ original series ‘Chamgyoyuk’ has swept through media markets worldwide. In just three days after release, it notched a staggering feat: No.
| James choi
Netflix Sets July 7 Premiere for Better Late Than Single Season 2

Netflix Sets July 7 Premiere for Better Late Than Single Season 2

Makeover dating series returns with contestants who have never dated
Netflix has set Season 2 of its original variety series 〈Better Late Than Single〉 to premiere July 7 and unveiled a teaser trailer. 〈Better Late Than Single〉 is a makeover dating reality series that follows so-called 'motae solo' contestants—people with no dating experience at all—as they attempt...
| Kim Ji-yeon
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Kim Ji-yeon
Meet Choi Seong-gon…“Wild Sing” Confirms Week 2 Stage Greetings Amid Hot Support

Meet Choi Seong-gon…“Wild Sing” Confirms Week 2 Stage Greetings Amid Hot Support

The film “Wild Sing,” which reunites a mixed-gender group Triangle—set to take the music scene by storm right after its debut—after 20 years, is in theaters with excellent showings. Riding on an outpouring of enthusiasm from audiences, a stage greeting has been confirmed for June 13 with Director Son Jae-gon and actor Oh Jeong-see, who plays the rival. In particular, Oh Jeong-see is expected to attend in the exact role of “Choi Seong-gon,” the drama’s ballad prince, proving the anticipation and buzz among viewers
The duo of Director Son Jae-gon and Oh Jeong-see, from “Wild Sing,” promised to meet with audiences, drawing attention. Released on June 3, “Wild Sing” depicts what happens when the mixed-gender group “Triangle,” which swept up public popularity right after its debut, reunites for the stage 20...
| Seongchan Eol
[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

[Interview] Park Ji-hoon, From Danjong to Kitchen Duty: Becoming an Actor Between Emerging and Established ①

It’s the first time a drama has leaned so fully into what the show dubs “chwiral” (a newly coined blend of "kitchen soldier" and "crazy"). After a single spoonful of seaweed soup, a sudden "god of seaweed" stages a mock "creation of heaven and earth," and after tasting a multicolored rice ball an...
| Kim Ji-yeon
[Kim Ji-yeon’s Jewel Box] Right Now Is Yoon Byung-hee’s Prime

[Kim Ji-yeon’s Jewel Box] Right Now Is Yoon Byung-hee’s Prime

I’m interested in people. Even actors already drawing attention may be less famous today than they will be tomorrow. 'Kim Ji-yeon’s Jewel Box' introduces performers reaching new highs by the day. Think of it as spotting a breakout before everyone else does.
Writing about an actor who seems to be everywhere on TV can feel almost too obvious, but Yoon Byung-hee is in the midst of another prime that is impossible to ignore. Yoon Byung-hee has recently appeared in 〈My Royal Nemesis〉, 〈Sold Out on You〉 and 〈21segi Daegunbuin〉 — three dramas that aired...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol