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The “Salmokji” Legend: What Was Added During the Film Adaptation Process

The “Salmokji” Legend: What Was Added During the Film Adaptation Process

The chilling folktale “Salmokji,” which had audiences fired up across broadcasts including the MBC horror talk show 〈Midnight Spook Talk〉 and various horror channels, has been reborn as a movie. Director Lee Sang-min, who has steadily immersed himself in the horror genre—through shorts such as...
[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up With the Five Muses of “Bite me Sweet” ① Im Seong-gyun

[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up With the Five Muses of “Bite me Sweet” ① Im Seong-gyun

〈Bamis〉 is a K-dessert variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities form teams in pairs of two. They create creative desserts using K-style ingredients.
This time, it’s all about K-desserts. 〈Bite me Sweet〉(Bite Me Sweet, hereafter 〈Bamis〉) is a variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities team up in pairs of two to create creative desserts using K-style ingredients.
[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up with the Five Muses of ‘Bite Me Sweet’ ② Cha Ju-won

[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up with the Five Muses of ‘Bite Me Sweet’ ② Cha Ju-won

〈Bamis〉 is a variety competition where five popular Korean rising male celebrities and five top Asian pastry chefs team up in pairs to create brand-new K-style desserts.
“Momentum. ” Actor Cha Ju-won summed up his strengths in one word like this. Cha Ju-won, as he put it, was an actor whose charm—completely “filter-free”—stood out. Even after becoming a global star through 〈Zone of Love, Unrivaled〉, he kept a cool head and diagnosed where he stood.
Jeong Juri Director ‘Dora’ Invited to Directors’ Fortnight at the 79th Cannes Film Festival

Jeong Juri Director ‘Dora’ Invited to Directors’ Fortnight at the 79th Cannes Film Festival

Starring Sakura Ando and Kim Do-yeon, an original narrative inspired by Freud’s ‘Dora’ case study Directors’ Fortnight Committee Chair Julien Rege praises the film as “a bold and original exploration within the context of Korean cinema”
Director Jeong Juri’s third feature film ‘Dora ’ has been officially invited to the 79th Cannes International Film Festival under Directors’ Fortnight (Quinzaine des Cinéastes). With this, Jeong has achieved the rare feat of three consecutive Cannes appearances, with every feature film—from her...
Kim Do-yeon × Ando Sakura in the Lead! Jeong Juri’s New Film ‘Dora’ Invited to the Directors’ Fortnight at the Cannes Film Festival!

Kim Do-yeon × Ando Sakura in the Lead! Jeong Juri’s New Film ‘Dora’ Invited to the Directors’ Fortnight at the Cannes Film Festival!

The film captures the process of two people wounded in both body and mind getting swept up in a whirlwind of complicated emotions, brought to life through Jeong Juri’s signature delicate direction.
On Tuesday, April 14, the Executive Committee of the Directors’ Fortnight of the 79th Cannes Film Festival announced Jeong Juri’s new film 〈Dora〉 as an invited title. Following Jeong Juri’s previous works 〈Dohyiya〉 and 〈The Next So-hee〉 (Closing Film of Critics’ Week), this marks a further...
Korea-Japan Comedy Heavyweights Unite… MetaComedy × Yoshimoto Kogyo Joint Performance

Korea-Japan Comedy Heavyweights Unite… MetaComedy × Yoshimoto Kogyo Joint Performance

MetaComedy from Korea and Japan’s Yoshimoto Kogyo will hold a joint show at Sogang University on the 10th of next month.
'MetaComedy' X 'Yoshimoto Kogyo', Laughter Without Borders… Launching a New Chapter in Korea-Japan Comedy
Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

Big Ocean ENM Targets the Global Content Market in 2026… Unveils a Record-Breaking Lineup Featuring Dramas, Films, and Stage Productions

A New IP Strategy Through OSMU to Build Diverse Content and Cross Over Between Audiences Expect Steady Revenue Through Season-Based Content and Market Expansion via Co-Productions With Global Production Companies Expect a Sharp Sales Jump in 2026 With Global Content Planning and Production
Big Ocean ENM (CEO Shin In-soo, Lee Seong-jin) has officially unveiled its latest lineup of productions and development projects, and in 2026 it continues to draw strong expectations from audiences both at home and abroad.
[Interview] Lee Sung-jin and Charles Melton from “BEEF” Season 2② “I can say it’s the highlight of my career”

[Interview] Lee Sung-jin and Charles Melton from “BEEF” Season 2② “I can say it’s the highlight of my career”

※〈BEEF〉 Season 2 interview with Lee Sung-jin and Charles Melton continues from Part 1. ​The idea of casting actors Youn Yuh-jung and Song Kang-ho as a married couple was so fresh. It became even more of a buzz in Korea.
AKMU Leaves YG to Go Solo… Releases New Full-Length Album in 7 Years, “FLOWERING”

AKMU Leaves YG to Go Solo… Releases New Full-Length Album in 7 Years, “FLOWERING”

A full-length album 7 years after “NAVIGATION (Voyage).” Lee Chan-hyuk produced the entire album, and the 11-track lineup signals a bold new step forward.
A New Leap for “AKMU” Blooming After Going Solo Sibling duo “AKMU” has opened the second act of its own musical universe by releasing its first full-length album in 7 years at its new agency, “Inspiration Spring”, titled “FLOWERING”. Return After 7 Years: Full-Length Vol.
[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

[Interview] “Who Do You Build for?” Director Lim Pil-seong, Part ② of “How to Become a Landlord in the Republic of Korea”

Last weekend, the show reached episode 8 and is now past the midpoint of its 12-episode run.
▶ 〈How to Become a Landlord〉 The interview with Director Im Pil-seong continues from Part 1. After episode 7, it felt like the ending was shaped by the director’s point of view. But it’s pretty rare for both the writer and the director to be making a drama together for the first time.