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Search results for "Cannes 2026"

Hirokazu Kore-eda's 'Look Back' Set for Oct. 8 Release

Hirokazu Kore-eda's 'Look Back' Set for Oct. 8 Release

First live-action film adaptation of any work by Tatsuki Fujimoto; invited to compete at the 83rd Venice International Film Festival
Hirokazu Kore-eda’s new film 〈Look Back〉 will open Oct. 8. Megabox JoongAng Co. , Ltd. , which is importing and distributing the film, said it will open Oct. 8 and has been invited to compete at the 83rd Venice International Film Festival.
| Kim Ji-yeon
Beyond an Acting Reinvention: Elliot Page of 〈Odyssey〉 and Other Transgender Filmmakers in Hollywood

Beyond an Acting Reinvention: Elliot Page of 〈Odyssey〉 and Other Transgender Filmmakers in Hollywood

As Christopher Nolan’s 〈Odyssey〉 finds box-office success, one actor is earning a reassessment after months of controversy over the casting: Elliot Page, who plays Sinon. Before the film’s release, rumors that "Elliot Page would play Achilles" spread as if they were fact, and Page and Nolan faced...
| Seongchan Eol
“My Dracula Is an Aesthete”: Luc Besson’s “Dracula” Opens on the 26th After a 400-Year Wait

“My Dracula Is an Aesthete”: Luc Besson’s “Dracula” Opens on the 26th After a 400-Year Wait

Starring Caleb Landry Jones and Christoph Waltz, the fantasy romance is based on Bram Stoker’s novel
Luc Besson’s New Film “Dracula: A Love Tale” Follows a Vampire’s 400-Year Wait The fantasy romance, starring Caleb Landry Jones, opens on the 26th Luc Besson, a leading figure in European cinema, presents “Dracula: A Love Tale”, his reimagining of the legendary vampire as a mesmerizing aesthete.
| James choi
Yeon Sang-ho, Hirokazu Kore-eda to Hold Conversation at Toronto Film Festival

Yeon Sang-ho, Hirokazu Kore-eda to Hold Conversation at Toronto Film Festival

Invited to TIFF's official industry program at the 51st Toronto International Film Festival
Yeon Sang-ho, whose film 〈PARADISE LOST〉 has been invited to the Special Presentation section of the 51st Toronto International Film Festival, will take part in a TIFF Summit: Dialogues conversation with Japanese filmmaker Hirokazu Kore-eda at 4 p. m. local time on Sept.
| Kim Ji-yeon
Na Hong-jin’s ‘Hope’ invited to San Sebastian, set to hit North America on the ninth next month

Na Hong-jin’s ‘Hope’ invited to San Sebastian, set to hit North America on the ninth next month

Officially selected for the 74th festival’s Perlak section, the film stars Hwang Jung-min, Jo In-sung and Jung Ho-yeon in a struggle against an unknown life-form
K-creature films evolve, commanding Europe’s most prestigious screens ‘Hope’, the latest film from South Korea’s unrivaled thriller auteur Na Hong-jin, is making an overwhelming impact on the global cinema landscape.
| James choi
Bong Joon-ho and Park Chan-wook Take the Stage… Jecheon International Music Film Festival Screens a Record 189 Films

Bong Joon-ho and Park Chan-wook Take the Stage… Jecheon International Music Film Festival Screens a Record 189 Films

A new video directed by Kim Cho-hee features Executive Committee Chair Jang Hang-jun and writer Kim Eun-hee, who both appear in person to grab attention
A gathering of masters returns, bigger than ever '22nd Jecheon International Music Film Festival' , the only music film festival in Asia, announced its dazzling return with record-high screenings and an overwhelming roster of guests. Running from Sept.
| James choi
4 Venice Film Festival Picks Headed to Korea This Year

4 Venice Film Festival Picks Headed to Korea This Year

The Venice International Film Festival, counted among the world’s three major film festivals along with the Berlin International Film Festival and the Cannes Film Festival, has announced the lineup for its 83rd edition. The festival runs Sept. 2–12 in Venice, Italy.
| Seongchan Eol
HSAD AI Thriller “Even” Wins Best at Film Festivals in the U.S. and France, Securing a Double First on the Global Stage

HSAD AI Thriller “Even” Wins Best at Film Festivals in the U.S. and France, Securing a Double First on the Global Stage

Directed by Park Chan-soo (CD), the parking-lot hit-and-run thriller… follows last May’s five wins with another AI creative triumph
Wins Two Major Global Festival Honors… Opens a New Chapter for “AI Creative” in South Korea’s Ad Industry HSAD’s artificial intelligence short film ‘Even’ brought back a string of good news on the world stage, elevating South Korea’s ad industry’s “AI creative” capabilities to their highest level.
| James choi
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
| Kim Ji-yeon