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Ryoo Seung-ryong-Ha Ji-won-Kim Si-a ‘Bikwang’ Set for Sept. 2 Release—Launch Posters and Teaser Revealed

Ryoo Seung-ryong-Ha Ji-won-Kim Si-a ‘Bikwang’ Set for Sept. 2 Release—Launch Posters and Teaser Revealed

Top-star couple Jung-gu (Ryoo Seung-ryong) and Nam-mi (Ha Ji-won) face a breakup after Jung-gu’s daughter, Dong-ju (Kim Si-a), suddenly appears, then—eight years later—get pulled into a shocking incident as they risk everything to save Dong-ju.
The movie ‘Bikwang’ is the heartfelt family chronicle directed by Lee Ji-won, in which Jung-gu (Ryoo Seung-ryong) and Nam-mi (Ha Ji-won)—a top-star couple—split up after Jung-gu’s daughter, Dong-ju (Kim Si-a), suddenly shows up, and then eight years later, Dong-ju becomes entangled in a shocking...
| Joo Seong-cheol
BIGBANG 20th Anniversary Goyang Concert Sells Out All Seats, More Tickets Go on Sale With Extra Seating

BIGBANG 20th Anniversary Goyang Concert Sells Out All Seats, More Tickets Go on Sale With Extra Seating

BIGBANG has confirmed additional ticket sales for previously unopened sections and cancelled seats following the third show of its 20th anniversary world tour Goyang concert selling out all seats.
A grand overture to complete 20 years of storytelling heralds the return of a legend The king who reshaped the map of K-pop is back. The group 'BIGBANG' will open up additional seats for its Goyang concert, a major-world-tour kickoff celebrating its 20th debut anniversary.
| James choi
“Kimbu Jang” Breaks 20% Viewer Ratings, Tops Netflix’s Non-English Shows

“Kimbu Jang” Breaks 20% Viewer Ratings, Tops Netflix’s Non-English Shows

After just four episodes, it hits a 21.6% rating and sweeps global OTT platforms, fueling a surge in K-content hits
The Evolution of K-Action That Takes Over Global Living Rooms, the Opening Act of an Overwhelming Sensation Global OTT services and South Korea’s living-room screens are both in turmoil. At the center is ‘Kimbu Jang,’ an action blockbuster that signals the return of actor ‘So Ji-sub.
| James choi
So Ji-sub Leads ‘Manager Kim’ to 21.6% Viewership in Just 4 Episodes…SBS Friday-Saturday Drama Ranks No. 3 of All Time

So Ji-sub Leads ‘Manager Kim’ to 21.6% Viewership in Just 4 Episodes…SBS Friday-Saturday Drama Ranks No. 3 of All Time

So Ji-sub’s brutal revenge drama has taken over home viewing. Breaking past 21.6% in only four episodes, it ranks as the No. 3 biggest hit of all time
The return of the action king that swallowed up the home-viewing audience is relentless. The SBS Friday-Saturday drama 'Manager Kim,' led by actor 'So Ji-sub,' is charging full speed, breaking through the fabled mark of '20% viewership' in one go and writing a new chapter in Korean action thrillers.
| James choi
ATEEZ Takes Billboard 200 No. 1 Again With Third Straight Crown…Sets Record for Most ‘Top 10’ in the 2020s

ATEEZ Takes Billboard 200 No. 1 Again With Third Straight Crown…Sets Record for Most ‘Top 10’ in the 2020s

With its 14th mini album, the group overtakes top pop stars and claims its third No. 1
K-pop’s landscape is once again roiling. The group 'ATEEZ ' has reclaimed the top spot on the U. S. 'Billboard 200' for the third time, proving it’s the ultimate apex predator at the very top of the global pop market. Their 14th mini album 'GOLDEN HOUR : Part.
| James choi
Blackpink’s Jennie Debuts as a Consecutive Headliner for the First Time for K-pop at Major European Festivals

Blackpink’s Jennie Debuts as a Consecutive Headliner for the First Time for K-pop at Major European Festivals

She takes over Denmark’s ‘Roskilde’ and Poland’s ‘Opener’—earning major local praise as her unstoppable global pop-star run continues
‘Global Pop Icon’ that swept across the European continent, with a limitless ability to command the stage Jennie of the girl group ‘Blackpink’ took the stage one after another as a ‘headliner’ at two massive music festivals representing Europe—Denmark’s ‘Roskilde’ and Poland’s ‘Opener’—setting a...
| James choi
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy” The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.
| James choi
Chae Jong-hyeop Pairs Up With Japan’s Top Star Kanna Hashimoto for a Romance in “Vacation Law”

Chae Jong-hyeop Pairs Up With Japan’s Top Star Kanna Hashimoto for a Romance in “Vacation Law”

“I Love You” syndrome’s leading figure Chae Jong-hyeop meets Japan’s top star Kanna Hashimoto. The new drama “Vacation Law” will be released on Netflix on the 31st.
A cross-border visual shock: A mystery romance to be completed by “Hyoksama” and “Thousand-Year Idol” Actor “Chae Jong-hyeop,” who sparked an unprecedented syndrome across the Japanese archipelago, is once again aiming directly at the hearts of fans throughout Asia.
| James choi
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정