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'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

After Josh Safdie split from his brother Benny Safdie, his solo directorial debut 〈Marty Supreme〉 is packed with a different kind of humor and fantasy than before.
〈Marty Supreme〉 is similar to Josh Safdie’s earlier works, but also different. The most decisive factor is that after going through 〈Heaven Knows What〉 (2014), 〈Good Time〉 (2017), and 〈Uncut Gems〉 (2019), which they co-directed under the name “Safdie Brothers” with his younger brother Benny Safdie,...
'Direct Request' Christopher Nolan makes his first trip to Korea… with Matt Damon in tow

'Direct Request' Christopher Nolan makes his first trip to Korea… with Matt Damon in tow

Nolan, bringing his new film 'Odyssey' for the first time in his career, lands in South Korea for the first time… Hollywood’s top stars including Matt Damon and Charlize Theron will all arrive together on Aug. 3 next month.
A flawless reimagining of myth, Nolan’s team makes a powerful return—and makes its first landing in Seoul Hollywood’s undisputed titan, director 'Christopher Nolan', is finally stepping onto Korean soil. It’s his first time ever deciding to come to Korea, ahead of the release of his new film...
Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

※ This interview with 〈Notes from the Last Row〉 star Choi Hyun-wook continues from Part 1. 〈Notes from the Last Row〉 sets up Lee Gang’s decision to take revenge after an offhand remark from Heo Mun-o, whom he met at the orphanage as a child, becomes a wound.
[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.
Disco King ‘Village People’ Vocalist Victor Willis Dies at 74

Disco King ‘Village People’ Vocalist Victor Willis Dies at 74

The main vocalist of ‘Village People’ and co-writer of legendary hits ‘Y.M.C.A.’ and ‘Macho Man,’ as well as a charismatic police-officer look A maestro who led the disco era of the 1970s to its golden age leaves the world Deep mourning across the global pop world… “A hero who delivered the most joyful dance to humanity, transcending generations and borders”
Victor Willis (Victor Willis·74), the main vocalist and co-founder of the legendary American six-member group ‘Village People,’ which shook club scenes and the pop world around the globe in the 1970s and led disco music’s golden age, has died.
The legend of “Lethal Weapon,” Danny Glover, discloses he’s battling Alzheimer’s… “My heart still hasn’t fully accepted it”

The legend of “Lethal Weapon,” Danny Glover, discloses he’s battling Alzheimer’s… “My heart still hasn’t fully accepted it”

A veteran detective from the “Lethal Weapon” film series, the master won love around the world—In an interview on July 1 (local time), he said he was diagnosed three years ago and that symptoms have recently been progressing; “I don’t think this is the end of my life, life goes on”… A wave of support follows the courageous disclosure with backing from his family
In the action buddy movie ‘Lethal Weapon’ series, actor and human rights advocate Danny Glover, who captivated fans worldwide as veteran detective ‘Roger Murtaugh,’ Gibson’s partner, is drawing deep resonance inside and outside the film industry after bravely admitting that he is battling...
Christopher Nolan’s Perfect Cinematic Blockbuster, ‘Odyssey’ Reveals Final Trailer!

Christopher Nolan’s Perfect Cinematic Blockbuster, ‘Odyssey’ Reveals Final Trailer!

Ahead of its Aug. 5 release in South Korea, 〈Odyssey〉 finally unveiled the final trailer, beginning with the voice of its protagonist, Odysseus (Matt Damon).
Ahead of its Aug. 5 release in South Korea, 〈Odyssey〉 finally unveiled its final trailer and revealed the overwhelming grandeur of a new mythology that director Christopher Nolan is set to bring to the screen. The released trailer opens in pitch-black darkness, with a voice that awakens ‘Odysseus’...
‘David’ Unveils Concept Art Perfected by the Craftsmanship of Global Artists

‘David’ Unveils Concept Art Perfected by the Craftsmanship of Global Artists

From the song of his mother to his showdown with the giant Goliath feared across the world, ordinary shepherd David faces his fate as king.
The film 〈David〉 has released concept art that offers a glimpse into how the work was created. The film 〈David〉 tells the story of how an ordinary shepherd named David encounters the destiny of a king, from the song of his mother to his confrontation with the giant Goliath whom the world feared.
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.