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Jodie Foster’s First French Thriller “Vie Privée” Opens on the 15th

Jodie Foster’s First French Thriller “Vie Privée” Opens on the 15th

It follows the truth hidden behind a patient’s death… A French-language mystery thriller that marks Jodie Foster’s first starring role in French
A Perfect Crack in “Jodie Foster,” Digging Into the Depths of Paris Jodie Foster, a Hollywood intellectual acclaimed actress, will bring to Korean screens on the 15th “Vie Privée,” a mystery psychological thriller that marks her first-ever starring role in French since her debut.
| James choi
Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

Bucheon Fantastic Film Festival Closes 30th Edition With Record Crowds, Attendance Up 27%

321 films from 50 countries screened and about 137,000 visitors were counted; launch of Bucheon AI Content Summit points to the cinema of the future
The 30th Bucheon International Fantastic Film Festival (BIFAN, executive chair Shin Chul) wrapped its 11-day run on Sunday, July 12, drawing record crowds as attendance rose 27% from last year. Marking its 30th anniversary, the festival adopted "newness and expansion" as its themes and drew strong...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
| Joo Seong-cheol
'Madame Gao'—the Most Powerful Villain in 'Marvel's Defenders'—Wai Ching Ho Dies at 82

'Madame Gao'—the Most Powerful Villain in 'Marvel's Defenders'—Wai Ching Ho Dies at 82

Foreign media reports on the 13th (local time)… a standout scene-stealer on Netflix's Marvel series Also excelled as 'Madame Gao,' the leader of the criminal organization 'The Hand,' in 'Daredevil' and 'Iron Fist' Co-star actor Peter Shinkoda broke the news on social media, saying, “My coolest friend in the world—I learned something every single moment”
In Netflix-Marvel’s cinematic universe series, the Hong Kong-born veteran actress Wai Ching Ho (Wai Ching Ho·82) died. She had left a deep impression on genre fans worldwide for her portrayal of the mysterious, powerful villain “Madame Gao. ” She was 82.
| Yangsimoh
Tom Holland’s Spider-Man: A Brand New Day Locks in Hollywood’s First 4-Screen SCREENX Showing

Tom Holland’s Spider-Man: A Brand New Day Locks in Hollywood’s First 4-Screen SCREENX Showing

The new Marvel Cinematic Universe installment, Spider-Man: A Brand New Day, sets up a new threat from DNA mutations. The first “Shot for SCREENX” produced through close collaboration from the early stages, bringing viewers a three-screen experience in a 90-minute runtime A heightened sense of immersion with highlights that stretch all the way up to the ceiling, including web-swing action, with the film set to open July 29
〈Spider-Man: A Brand New Day〉 delivers even more pulse-pounding moments through a four-sided SCREENX presentation. Spider-Man faces an uncontrollable force In the movie 〈Spider-Man: A Brand New Day〉, Tom Holland plays Peter Parker, a Spider-Man whose identity everyone has forgotten, as he confronts...
| Seongchan Eol
Hong Sang-soo’s New Film “No Place for Eyes” Wins Official Selection in Locarno Competition

Hong Sang-soo’s New Film “No Place for Eyes” Wins Official Selection in Locarno Competition

Entering the competitive section of the 77th Locarno International Film Festival, it marks the director’s fifth invitation overall The festival hailed Hong as a “great master of our time,” in a series of praises Starring Kim Min-hee, Choi Myeong-gil, Kwon Hae-hyo, and others; after its Swiss premiere screening, a domestic release is planned for the second half of the year
A new film by director Hong Sang-soo has been invited to the Locarno Film Festival. Director Hong Sang-soo’s 35th feature film, 〈No Place for Eyes〉, announced on July 10 that it will be invited to the Locarno Film Festival’s competitive section.
| Seongchan Eol
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.
| Kim Ji-yeon
Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Few actors throw themselves at the impossible the way Jo In-sung does. He runs, hangs on, endures and throws his body into action. In director Na Hong-jin's new film 〈Hope〉, Jo In-sung delivers raw, unpolished action, exuding a wildness and animal instinct as he faces an extraterrestrial...
| Kim Ji-yeon
Queer Horror 'Leviticus' and Thriller 'Knock' Win Top Honors at Bucheon Film Festival (BIFAN)

Queer Horror 'Leviticus' and Thriller 'Knock' Win Top Honors at Bucheon Film Festival (BIFAN)

Queer horror 'Leviticus' and crime thriller 'Knock' were named best at the 30th Bucheon International Fantastic Film Festival The festival also revealed winners of the newly created AI film award
A film industry's paradigm shift for what's next — BIFAN's take on genre upheaval and an AI revolution The 30th edition of the Bucheon International Fantastic Film Festival — where the imaginations of 321 films from 50 countries across the world collided — has finally unveiled the faces set to...
| James choi
Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.
| Seongchan Eol