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Search results for "Kim Min-beom"

'New Director Kim Yeon-kyung' · 'Judge Lee Han-young' · 'Our Ballads' win… Korea Broadcasting Awards reveal 30 best works

'New Director Kim Yeon-kyung' · 'Judge Lee Han-young' · 'Our Ballads' win… Korea Broadcasting Awards reveal 30 best works

15 people chosen for individual awards, including Jeong Seon-hee and Lee Sook-young; the coveted grand prize will be announced next month on the 3rd
The 'Korea Broadcasting Awards' 30 works officially confirmed… Where will the grand prize land? MBC drama 'Judge Lee Han-young' and SBS entertainment 'Our Ballads' captured the honor for the Korea Broadcasting Awards top work category, the highest authority in open-air broadcasting in the country...
| James choi
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
| Chua-young
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
| Kim Ji-yeon
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Kim Ji-yeon
Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Few actors throw themselves at the impossible the way Jo In-sung does. He runs, hangs on, endures and throws his body into action. In director Na Hong-jin's new film 〈Hope〉, Jo In-sung delivers raw, unpolished action, exuding a wildness and animal instinct as he faces an extraterrestrial...
| Kim Ji-yeon
First Reactions to ‘Hope’: Cineplay Critics’ Star Ratings

First Reactions to ‘Hope’: Cineplay Critics’ Star Ratings

[First reactions from the press screening] Na Hong-jin’s new film 〈Hope〉, which screened in competition at the 79th Cannes Film Festival, opens July 15. In 〈Hope〉, Beom-seok (Hwang Jung-min), chief of the Hopohang outpost in the Demilitarized Zone, hears from local young men that a tiger has...
| Kim Ji-yeon
Shin Ha-kyun and Oh Jung-se’s Bromance Shines as ‘Fifty Percent’ Wraps With 5.0%

Shin Ha-kyun and Oh Jung-se’s Bromance Shines as ‘Fifty Percent’ Wraps With 5.0%

Finishing a mission 10 years in the making delivers catharsis, as praise for B-movie-style humor and action lands it a 5.0% finale rating to close things out on a high note
‘Fifty Percent’’s Brilliant Exit, the Evolution of a Well-Made Genre Series That Surpassed Rating Limits MBC’s Friday-Saturday drama ‘Fifty Percent’, which sparked a playful revolt in living rooms, closed out its long run with a lingering aftertaste.
| James choi
Revisiting The Scam's Memorable Lines in the KOSPI 7,000 Era

Revisiting The Scam's Memorable Lines in the KOSPI 7,000 Era

The days when the word 'stock' would make you think of 'rice' or 'a bowl of rice' are over. Since the KOSPI crossed 7,000 on May 6, this is an era in which everyone invests in stocks rather than thinking of 'rice' or a meal.
| Seongchan Eol
Remembering Cinematographer Yoo Young-gil, Why You Should Watch “December 12.3” Again

Remembering Cinematographer Yoo Young-gil, Why You Should Watch “December 12.3” Again

On May 4, it reached 200,000 cumulative admissions and hit the break-even point about two weeks after its release.
There’s still a long way to go. Director Lee Myeong-se’s documentary 〈The December 12. 3〉 surpassed 200,000 cumulative viewers and reached the break-even point about two weeks after its release on May 4. With that, 〈The December 12.
| Joo Seong-cheol