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Search results for "Korean classic films"

WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

Based on the universe of the original work, the show has been reborn as a completely original story in eight episodes.
Netflix unveiled its Netflix Original series 〈​Gas Human〉 worldwide on July 2. Taking its premise from Toho’s legendary tokusatsu film 《​Gas Human No. 1》 released in 1960, the new series has been reimagined from scratch as a fully original story spanning a total of eight episodes built on the...
| Joo Seong-cheol
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정
[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

Inspired by a murder case in Washington, Benton in 2018, 〈Choong-Choong-Choong〉 portrays a catastrophe sparked by the intersecting desires of three kids.
Retro is the trend. In the fashion, music and props of young people in their 20s, there’s nowhere that a Y2K sensibility hasn’t managed to seep in. Director Han Chang-rok, born in 1990 and a graduate of the Korea National University of Arts film school, pulls this retro sensibility straight onto...
| 이화정
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Kim Ji-yeon
Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Returning after 11 years, she is, as director Yeon Sang-ho put it, “a film actor. ” Actress Jeon Ji-hyun appears as Kwon Se-jung in 〈Colony〉, which opened on May 22, marking her first appearance before audiences since 〈Assassination〉 (2015).
| Seongchan Eol
Revisiting The Scam's Memorable Lines in the KOSPI 7,000 Era

Revisiting The Scam's Memorable Lines in the KOSPI 7,000 Era

The days when the word 'stock' would make you think of 'rice' or 'a bowl of rice' are over. Since the KOSPI crossed 7,000 on May 6, this is an era in which everyone invests in stocks rather than thinking of 'rice' or a meal.
| Seongchan Eol
Why Do People Love “Love” in Korean Films? Korea Film Archive’s New Special Exhibition “Title Exhibition (展)”

Why Do People Love “Love” in Korean Films? Korea Film Archive’s New Special Exhibition “Title Exhibition (展)”

The Korea Film Archive (Director Mo Eun-young) will hold a new special exhibition 〈Title Exhibition (展) – Text, Typography, and Moving Images〉 at the Korea Film Museum starting May 8.
The Korea Film Archive (Director Mo Eun-young, hereafter “Korea Film Archive”) will host the new special exhibition 〈Title Exhibition (展) – Text, Typography, and Moving Images〉(hereafter “Title Exhibition (展)”) at the Korea Film Museum (located in Sangam-dong) starting Friday, the 8th.
| Joo Seong-cheol
Cannes Film Festival Queer Palm Award “Fatima, the Season She Loved” Releases May 13!

Cannes Film Festival Queer Palm Award “Fatima, the Season She Loved” Releases May 13!

〈Carol〉 〈Portrait of a Burning Woman〉 〈Monster〉 and other major works have newly added their names to the Queer Palm lineup, a distinguished line of LGBTQIA+ films that have been showcased at Cannes.
The Queer Palm Award is an LGBTQIA+ film prize that has been independently run during the Cannes Film Festival since 2010. It honors the best LGBTQIA+ film among the official selections and the competing films shown in the parallel sections, awarding one feature-length and one short each year.
| Joo Seong-cheol
[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

[Joo Seong-cheol’s Lockers] Lee Cronin’s The Mummy and Murderous People Season 2 — and a Scorpion Jacket That Feels Like the Rise of Drive

I get hooked on the objects in movies. I can’t help but get lost in questions about why the director, cinematographer, production designer, or even the actors put that thing right in front of the camera. “[Joo Seong-cheol’s Lockers]” is a record of those movie objects that land lightly—right onto my eyes.
Watching 〈Lee Cronin’s The Mummy〉 , you can feel the full-on force of Blumhouse as it revives a franchise that seemed long dead: 〈Mummy〉. The first 〈Mummy〉 (1932), powered by the charisma of actor Boris Karloff, was basically the flagship of the “Universal Horror” era.
| Joo Seong-cheol
[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up With the Five Muses of “Bite me Sweet” ① Im Seong-gyun

[Exclusive Interview] This Time, It’s a K-Dessert Variety Show! A Meet-Up With the Five Muses of “Bite me Sweet” ① Im Seong-gyun

〈Bamis〉 is a K-dessert variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities form teams in pairs of two. They create creative desserts using K-style ingredients.
This time, it’s all about K-desserts. 〈Bite me Sweet〉(Bite Me Sweet, hereafter 〈Bamis〉) is a variety show where five famous female pastry chefs from across Southeast Asia and five rising Korean male celebrities team up in pairs of two to create creative desserts using K-style ingredients.
| Joo Seong-cheol