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'Street Fighter' star Andrew Koji says he drew on Kyokushin karate founder Choi Bae-dal to shape Ryu

'Street Fighter' star Andrew Koji says he drew on Kyokushin karate founder Choi Bae-dal to shape Ryu

Andrew Koji, who plays Ryu, shares behind-the-scenes details about the new film adaptation of the hit fighting game of the same name Deeply inspired by the life of legendary martial artist Choi Bae-dal, known as Fighter in the Wind, who constantly tested his limits as a wanderer The film teases a life-or-death battle royale between destined rivals Ryu and Ken and hits theaters Oct. 14 with a diverse cast
〈Street Fighter〉 has revealed behind-the-scenes details about its characters. The film 〈Street Fighter〉 released behind-the-scenes details about Ryu, as revealed by actor Andrew Koji, on Sept. 28. Based on the fighting game of the same name, 〈Street Fighter〉 follows destined rivals Ryu and Ken...
| Seongchan Eol
[Choo A-young’s Music Box] After Anger, ‘Oasis: Don’t Look Back in Anger’ Sings Again

[Choo A-young’s Music Box] After Anger, ‘Oasis: Don’t Look Back in Anger’ Sings Again

I am drawn to music in films. Music often reveals a character's intimate feelings that images and dialogue alone cannot convey. It can also serve as a window into a creator's hidden intentions. For me, understanding film music has been one way to approach a movie.
| Chua-young
[Choo A-young's Music Box] Ridley Scott's Message of Hope in 〈Dog Star: Last Hope〉 and Hozier's 'Like Real People Do'

[Choo A-young's Music Box] Ridley Scott's Message of Hope in 〈Dog Star: Last Hope〉 and Hozier's 'Like Real People Do'

Film music hooks me first. It often reveals emotions that images and dialogue alone cannot fully carry, and it can open a window onto a filmmaker's hidden intentions. For me, understanding film music has been one path to understanding the film itself.
| Chua-young
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...
| Joo Seong-cheol
In 'Odyssey,' Music Maps Odysseus' Shattered Inner Life

In 'Odyssey,' Music Maps Odysseus' Shattered Inner Life

I'm captivated by film music. Music can sometimes reveal a character's intimate emotions that images and dialogue alone cannot convey. It can also open a window onto a creator's hidden intent. For me, understanding a film through its music is one way of reaching the movie itself.
| Chua-young
[Chu A-young's Music Box] How Don Hertzfeldt's 'It's Such a Beautiful Day' and Smetana's 'Vltava' Capture Life's Beauty

[Chu A-young's Music Box] How Don Hertzfeldt's 'It's Such a Beautiful Day' and Smetana's 'Vltava' Capture Life's Beauty

I am drawn to music in films. Music often conveys a character's intimate emotions in ways images and dialogue cannot, and it can open a window onto a creator's hidden intent. For me, understanding a film's music has been one way into the film itself.
| Chua-young
Movies industry braces for tension as Megabox seeks to recover…KOFICE to help with debt claims by next month’s 2nd

Movies industry braces for tension as Megabox seeks to recover…KOFICE to help with debt claims by next month’s 2nd

Deadline to submit creditor lists is Aug. 4…guidance materials for those who did not attend and counseling desks to be in operation
Movies industry hit by Megabox liquidity crunch…KOFICE mounts emergency response by Aug. 4 'deadline' Claim filing for rehabilitation debts begins Aug. 5, with an all-out effort to minimize damage to small and mid-sized distributors and entrusted theaters 'Megabox' shakes the ecosystem… 'Korea Film...
| James choi
‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

A film that took a direct hit from the COVID-19 pandemic in 2020 returns with a sequel after six years. Releasing on August 12, 〈OK Madam 2〉 is the follow-up to 〈OK Madam〉 (2020). The comic action film follows former legendary agent Mi-young (Uhm Jung-hwa), who springs back into action after...
| Kim Ji-yeon
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol