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Search results for "Movie Wind"

In 'Odyssey,' Music Maps Odysseus' Shattered Inner Life

In 'Odyssey,' Music Maps Odysseus' Shattered Inner Life

I'm captivated by film music. Music can sometimes reveal a character's intimate emotions that images and dialogue alone cannot convey. It can also open a window onto a creator's hidden intent. For me, understanding a film through its music is one way of reaching the movie itself.
| Chua-young
[Chu A-young's Music Box] How Don Hertzfeldt's 'It's Such a Beautiful Day' and Smetana's 'Vltava' Capture Life's Beauty

[Chu A-young's Music Box] How Don Hertzfeldt's 'It's Such a Beautiful Day' and Smetana's 'Vltava' Capture Life's Beauty

I am drawn to music in films. Music often conveys a character's intimate emotions in ways images and dialogue cannot, and it can open a window onto a creator's hidden intent. For me, understanding a film's music has been one way into the film itself.
| Chua-young
Movies industry braces for tension as Megabox seeks to recover…KOFICE to help with debt claims by next month’s 2nd

Movies industry braces for tension as Megabox seeks to recover…KOFICE to help with debt claims by next month’s 2nd

Deadline to submit creditor lists is Aug. 4…guidance materials for those who did not attend and counseling desks to be in operation
Movies industry hit by Megabox liquidity crunch…KOFICE mounts emergency response by Aug. 4 'deadline'Claim filing for rehabilitation debts begins Aug. 5, with an all-out effort to minimize damage to small and mid-sized distributors and entrusted theaters'Megabox' shakes the ecosystem… 'Korea Film...
| James choi
‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

A film that took a direct hit from the COVID-19 pandemic in 2020 returns with a sequel after six years. Releasing on August 12, 〈OK Madam 2〉 is the follow-up to 〈OK Madam〉 (2020). The comic action film follows former legendary agent Mi-young (Uhm Jung-hwa), who springs back into action after...
| Kim Ji-yeon
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

[Choo A-young's Music Box] 'I Saw the TV Glow' Becomes an Anthem for Anyone Trying to Reclaim Themselves

I get hooked on the music in films. Music often reveals intimate emotions a picture or dialogue alone cannot convey. It can become a window into a creator's hidden intent. For me, listening to a film's music is one way to get closer to what the film is doing.
| Chua-young
‘Okay Madam 2’ Returns After 6 Years — Cruise-Action Led by Uhm Junghwa and Choi Sooyoung

‘Okay Madam 2’ Returns After 6 Years — Cruise-Action Led by Uhm Junghwa and Choi Sooyoung

Set for release on Aug. 12, Uhm Junghwa’s upgraded action and Choi Sooyoung’s first try at playing a villain raise expectations
From 'Flight' to 'Cruise'… The evolution of a comedy action returning after six yearsThe comedy action bible 'Okay Madam', which swept through theaters in 2020, returns at last with a sequel after six years of sharpening. Due to hit theaters on Aug.
| James choi
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
| Joo Seong-cheol
'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

After Josh Safdie split from his brother Benny Safdie, his solo directorial debut 〈Marty Supreme〉 is packed with a different kind of humor and fantasy than before.
〈Marty Supreme〉 is similar to Josh Safdie’s earlier works, but also different. The most decisive factor is that after going through 〈Heaven Knows What〉 (2014), 〈Good Time〉 (2017), and 〈Uncut Gems〉 (2019), which they co-directed under the name “Safdie Brothers” with his younger brother Benny Safdie,...
| Joo Seong-cheol