Find your next favorite work.

Search results for "One-person production era"

‘Assassin(s)’ Aims for Chuseok With Mystery and Period Drama, Cast and Director Say

‘Assassin(s)’ Aims for Chuseok With Mystery and Period Drama, Cast and Director Say

The first lady was shot. Yet the investigation is riddled with questions. If "the scene does not lie," who is lying. The film 〈Assassin 〉 reconstructs South Korea's social landscape around the 1974 assassination of First Lady Yuk Young-soo.
The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. “Joo Sung-chul’s Locker” records the movie objects that have lightly crossed my path.
“Back in action. ” In Nancy Meyers’ 〈The Intern〉 (2015), Ben says to himself as he prepares for his first day back at work. The expression describes resuming activity after an extended break because of rest or an injury. Strictly speaking, however, he is not talking to himself.
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...
“To Devote Himself to the Final Day of His Life” Director Ahn Pan-seok of “White Tower” Dies… A Vast Wave of Mourning, With Kim Hye-soo and Others

“To Devote Himself to the Final Day of His Life” Director Ahn Pan-seok of “White Tower” Dies… A Vast Wave of Mourning, With Kim Hye-soo and Others

He died on the 12th after battling a cerebral hemorrhage… Leaving behind acclaimed works that skewered society, including “The Lady in Dignity” and “Spring Night”
Director Ahn Pan-seok of “White Tower” Dies on the 12th… The Real Legacy the 38-Year Veteran Left Behind After debuting in 1987 and producing landmark works such as “The Lady in Dignity,” he died after a battle with a cerebral hemorrhage Director Pan-seok Ahn, who left a major mark on South Korea’s...
EBS Documentary Series

EBS Documentary Series "Witness of the Era"... From 91-year-old Shin Goo and 99-year-old Nora No to Son Suk-hee, Kim Yoon-a, and Lee Se-dol — 12 masters in a weighty spotlight

Premiering Aug. 2, the series shines a light on 12 icons of pop-culture. Behind-the-scenes stories include Yoo Hae-jin’s “Shin Goo Scholarship” anecdotes
The views of 12 people who span the era, tracing turning points in pop culture EBS presents the documentary series “Witness of the Era. ” On its Aug. 2 premiere, actor Shin Goo is in the spotlight. On the Sept. 9 second broadcast, it will spotlight Nora No, a living legend of Korean fashion.
Missed Them the First Time? Five Animated Films Returning to Theaters From August Through September

Missed Them the First Time? Five Animated Films Returning to Theaters From August Through September

We’re in the era of big animated hits. It sounds like a joke, but it’s true. After DreamWorks and Disney set box-office records with theatrical animated features, Japanese animation has taken up the baton and is winning over devoted audiences.
A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

Was the pathetic breadwinner secretly a special agent? The thrilling twist and box-office formula behind “middle-age” heroes from webtoon-based dramas including “Kim Bu-jang”
Power in the living room is shifting. Those who had been weighed down by the burden of an ordinary breadwinner responsible for the household are now waking the savage instincts they had buried when a crisis hits, and reinventing themselves as “middle-aged heroes”.
‘Reality Queen’ Rachel Reilly, Returns to BB28 in a Flash—and Plunges Into a Fake Volcanic Eruption, ‘Death’ Elimination Shock… Who’s the Real Third Guest?

‘Reality Queen’ Rachel Reilly, Returns to BB28 in a Flash—and Plunges Into a Fake Volcanic Eruption, ‘Death’ Elimination Shock… Who’s the Real Third Guest?

Rachel Reilly returns with gusto, but during the Jurassic competition she falls into a fake volcano and gets “out” in less than a minute Host Julie Chen Moonves, personally barging into the house and dropping a “Dec. 20, 2023” bomb… Fans’ dopamine hits max volume ‘Survivor 45’ winner Dee Valladares is floated as a top contender… Her identity is revealed on Friday’s ‘Big Brother: Unlocked’
Rachel Reilly, widely regarded as one of the most distinctive characters in the history of American reality TV, made a dazzling return to Season 28 of ‘Big Brother’—only to plunge into a fake volcano within minutes of the broadcast and deliver an all-time wild “death(.
Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

A big win for director Hong Sang-soo as it marks his 35th feature and his fifth-ever invitation to Locarno. Choi Myung-gil joins for the first time, and Kim Min-hee takes part as production chief
Where the gaze of a master lingers, the 35th aesthetics blooming in Jeju Director ‘Hong Sang-soo’, who has quietly carved a path through the trajectory of Korean auteur cinema, has once again received a call from Switzerland’s Locarno.
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...