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Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.

Anyone who follows Japanese pop culture likely knows one writer by name: Sakamoto Yuji. A steady source of acclaimed TV dramas, Sakamoto has in recent years also produced consistently strong film screenplays. He teamed with Koreeda Hirokazu on 〈Monster〉 and with Tsukahara Ayuko on 〈The First Kiss〉.

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.

SBS drama 〈Agent Kim Reactivated〉 is dominating both television and streaming, drawing a 21. 6% rating for Episode 4 on July 4, according to Nielsen Korea, and reaching No. 1 globally among non-English Netflix series.

Marking its 30th anniversary this year, the Bucheon International Fantastic Film Festival will be held from July 2 to July 12 around Bucheon City Hall. As South Korea’s only fantastic genre film festival, BIFAN again presents works armed with genre playfulness and a bold experimental spirit.

※The interview with 〈Hope〉 director Na Hong-jin continues from Part 1. ※This interview contains spoilers and interpretations of the ending. Before the film was finished, you said that the actors who play the aliens—including Michael Fassbender and Alicia Vikander—are the protagonists.

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.

Few Korean films this year have arrived with expectations as high as 〈Hope〉. The film 〈Hope〉 has, true to its name, been framed as a much‑needed sign of hope for the Korean film industry and carries enormous expectations. Each of those factors has helped make the film a major draw.

[First reactions from the press screening]Na Hong-jin’s new film 〈Hope〉, which screened in competition at the 79th Cannes Film Festival, opens July 15. In 〈Hope〉, Beom-seok (Hwang Jung-min), chief of the Hopohang outpost in the Demilitarized Zone, hears from local young men that a tiger has...

※Spoilers for 〈The Boy in the Last Row〉.​We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...