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Joo Sung-chul's Locker: What's Wrong With Talking About 'Assassins' and the Missing Bullet?

Joo Sung-chul's Locker: What's Wrong With Talking About 'Assassins' and the Missing Bullet?

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor placed that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
〈Assassins〉 has canceled all events tied to the Busan International Film Festival, which opens today, Oct. 6. The cancellations began with actor Lee Min-ho's absence from Actors' House, a program that brings actors together with audiences, and were followed by the cancellation of one stage greeting...
Interview: Lee Hwi-hyang on ‘Family Trip,’ Her First Film Lead in 44 Years: ‘It’s Embarrassing to Hear’

Interview: Lee Hwi-hyang on ‘Family Trip,’ Her First Film Lead in 44 Years: ‘It’s Embarrassing to Hear’

In 〈Family Trip〉, the story opens when a granddaughter who has never had full-fledged work experience asks her grandmother, who is nearing the end of her life, a blunt question: "Grandma, how long do people have to suffer.
How Did Bong Joon-ho and Park Chan-wook Become Directors? 31 Masters Recall “My First Action” and Their Brilliant Debuts

How Did Bong Joon-ho and Park Chan-wook Become Directors? 31 Masters Recall “My First Action” and Their Brilliant Debuts

The debut struggles of leading Korean filmmakers, from a screenplay rewritten 30 times to seven years of financial hardship
Even the masters who now define Korean cinema had humble, uncertain beginnings. “The Outlaws” (2017) director Kang Yoon-sung’s arduous journey to the director’s chair at the late age of 47 is among the stories collected in the new book “My First Action”, along with the debut tales of 31 top...
'Salmokji' followed by 'Obsession' in box office jackpot… Horror film turns 10 billion won into 690 billion won

'Salmokji' followed by 'Obsession' in box office jackpot… Horror film turns 10 billion won into 690 billion won

From 'Salmokji,' the all-time No. 1 film that surpassed 'A Tale of Two Sisters,' to 'Obsession,' which earned 660 times its budget, here's the fall theater lineup
'Obsession' delivers 660-fold return… The secret behind horror's box office breakthrough beyond summer rules 'Salmokji' tops 3.24 million viewers to become the all-time No. 1, with 'Alpha,' opening Sept. 30, taking aim at year-round success Movie theaters are enjoying an unusual horror-film boom...
Lee Hwi-hyang’s First Film Lead ‘Family Trip’ Holds Press Screening

Lee Hwi-hyang’s First Film Lead ‘Family Trip’ Holds Press Screening

The film 〈Family Trip〉, opening Sept. 30, held a press and distribution screening attended by co-directors Jeong Jong-seop and Kim Jeong-tae and lead actors Lee Hwi-hyang, Seo Young-hee, Nam Kyeong-eup and Hong Jeong-min.
One destination, five hidden agendas. 〈Family Trip〉, a road movie about a family closer to strangers than relatives, held a well-attended press and distribution screening at 4:30 p. m. Tuesday, Sept. 15, at Lotte Cinema Konkuk University Entrance.
[First Reaction] ‘Family Trip’ Cineplay Reporter Star Rating

[First Reaction] ‘Family Trip’ Cineplay Reporter Star Rating

[First Reaction] ​ Family Trip, the first screen starring role in the 44-year acting career of Lee Hwi-hyang, beloved as the godmother of Korean television, and the directorial debut of Kim Jeong-tae, a “10 million-viewer actor” who has helped lead Korean cinema, opens Sept. 30.
‘Family Trip’ Director Jeong Jong-seop Reveals Why He Co-Directed With Kim Jeong-tae and Wrote the Screenplay

‘Family Trip’ Director Jeong Jong-seop Reveals Why He Co-Directed With Kim Jeong-tae and Wrote the Screenplay

〈Family Trip〉 follows five family members headed to one destination but harboring five different agendas in a road movie about a family worse than strangers embarking on a hopeless journey.
Jeong Jong-seop, director of the film 〈Family Trip〉, which opens Sept. 30, has shared behind-the-scenes stories about Lee Hwi-hyang, who is meeting audiences in her first leading screen role, and “10-million-ticket actor” Kim Jeong-tae, who is set to make his directing debut as a co-director.
[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

One day, just shy of 30, director Park Jung-mi quit her job and set off traveling after deciding she was no longer happy.
In her travel memoir 〈The Faraway Nearby〉, Rebecca Solnit writes that she learned by setting out on the road that “the longest journey a traveler makes is the journey within. ” Travel, she says, “changes not only the location of the body, but also the location of memory and imagination.
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.