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‘The King of Chicago’ CM Punk takes a surprise return—and immediately becomes a new champion, defeating Sami Zayn to win the Undisputed WWE Title

‘The King of Chicago’ CM Punk takes a surprise return—and immediately becomes a new champion, defeating Sami Zayn to win the Undisputed WWE Title

On June 6 (local time), at the Allstate Arena in Rosemont, Illinois, the WWE RAW main event erupted After Cody Rhodes was sidelined by Gunther’s surprise attack, Punk returned as a substitute and recreated the Money in the Bank miracle from 15 years ago In his hometown Chicago, Punk reaches the very top of WWE for the first time in 15 years—then needles fans’ dopamine with a post-match “Refrigerator Belt” photo
‘The King of Chicago’ CM Punk (CM Punk·47) broke through the aftereffects of his injury and made a surprise return to the ring, immediately pulling off a shocking championship coronation that will be remembered in WWE history.
| Yangsimoh
Young Breakout Directors Who Injected New Blood Into Hollywood in 2026

Young Breakout Directors Who Injected New Blood Into Hollywood in 2026

Hollywood is changing — and getting younger. Three directors behind some of 2026's biggest horror stories, from 〈Backrooms〉 to 〈Obsession〉 and 〈Iron Lung〉, are helping redraw the industry's map.Kane Parsons 〈Backrooms〉 $10 million =〉 $270 million Among the many gifted figures in Hollywood, the most...
| Seongchan Eol
Cannes Film Festival Two Wins: “Secret Agent” Brings the Stench of Authoritarianism Into 1970s Brazil’s Everyday Life

Cannes Film Festival Two Wins: “Secret Agent” Brings the Stench of Authoritarianism Into 1970s Brazil’s Everyday Life

A political thriller that swept 102 festival awards worldwide. It exposes the absurdity of military dictatorship through an ordinary citizen’s attempt to flee.
When brutality reigns, being ordinary becomes a crime Brazil under the hard-edged blade of a military dictatorship in 1977. The reality facing ‘Marcelo’ (played by Wagner Moura) is pure, surreal terror. A rotting corpse sprawled on a gas station floor, and the ugly face of state power—geared more...
| James choi
Choo A-young's Music Box: Steven Spielberg and John Williams Reunite for Their 30th Film, 〈Disclosure Day〉

Choo A-young's Music Box: Steven Spielberg and John Williams Reunite for Their 30th Film, 〈Disclosure Day〉

I am captivated by music in film. Music often conveys a character's intimate emotions that images and dialogue alone cannot fully express. It can be a window into a creator's hidden intent. For me, understanding film music is one path to understanding the film itself.
| Chua-young
Yeon Sang-ho and Jun Ji-hyun’s <i>Swarm</i> surpasses 5 million viewers… a second record of the year

Yeon Sang-ho and Jun Ji-hyun’s Swarm surpasses 5 million viewers… a second record of the year

Takes the 5 million mark in just 24 days after release. Culture Minister Choi Hwi-young praises the overwhelming zombie acting as “an art form.”
Overwhelming terror that swallowed up theaters, “Swarm” takes the 5 million-viewer milestone Yeon Sang-ho’s universe keeps evolving. “Swarm”, the K-zombie thriller that opens a new chapter for the genre, drove a long run by surpassing 5 million cumulative viewers just 24 days after its release.
| James choi
[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

[Photo&] Kim Jae-joong makes a bold transformation as a shaman… Tackles Japan-South Korea horror collaboration “Shinsa: Whispers of the Demon” — at the press screening event

Kim Jae-joong takes on the horror challenge with “Shinsa: Whispers of the Demon,” a differentiated kind of fear built on the fusion of a Korean shaman and Japanese occult lore.
This is the most daring transformation he has made since his debut. ‘Kim Jae-joong’ took on his first ‘horror genre’ in his life and stepped forward for the role of ‘a shaman’ through the film ‘Shinsa: Whispers of the Demon’.
| James choi
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Surpassing 3 million viewers within 10 days of its release, Colony is indisputably the most popular film in theaters right now. Yet despite that box-office success, reactions to Colony are sharply divided — a split that was evident even among Cineplay reporters at a press screening.
| Kim Ji-yeon
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol