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52nd Seoul Independent Film Festival Unveils Submission Schedule for Short and Feature Films, Kicking Off a Season of Independent Cinema

52nd Seoul Independent Film Festival Unveils Submission Schedule for Short and Feature Films, Kicking Off a Season of Independent Cinema

Submissions open for short and feature categories starting July 13, with a slate of films selected for main competition at the Seoul Independent Film Festival in November Building on the record-breaking 51st edition, the 52nd Seoul Independent Film Festival promises the largest-ever showcase of the present and future of Korean independent film After completion in August 2025, films of all types and genres—including live-action features, documentaries, and animation—are eligible
The Seoul Independent Film Festival has released its film submission schedule and begun preparations for the event. Seoul Independent Film Festival 2026, the largest independent film recap festival in South Korea, announced its submission schedule on June 22.
| Seongchan Eol
Beyond OTT and Into Theaters: Independent Film Long-Run Project “Slow Cinema” Launches

Beyond OTT and Into Theaters: Independent Film Long-Run Project “Slow Cinema” Launches

Instead of streaming straight to OTT, it holds onto theater screenings through year-end—kicking off the “Slow Cinema” movement built to share breath with audiences
In an era dominated by exclusive screen access, independent films have launched an all-out counterattack for survival. A nationwide audience coalition project aimed at reclaiming what theaters are for and protecting the value of long-run screenings, the “Slow Cinema” movement, has opened its...
| James choi
Loccаrno Competition Invitation, Director Park Se-young’s “The Fin” to Open in July Confirmed & Three-Poster Set Released!

Loccаrno Competition Invitation, Director Park Se-young’s “The Fin” to Open in July Confirmed & Three-Poster Set Released!

A dystopian SF art cinema depicting a near-future unified South Korea where a genetic mutation called “Omega” and humans coexist.
Director Park Se-young’s dystopian SF art cinema 〈 The Fin 〉—invited to the 78th Locarno Film Festival’s New Directors competition section “Filmmakers of the Present,” unveiled as a world premiere and drawing attention from film festivals worldwide—has released three teaser world-setting posters...
| Joo Seong-cheol
[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

[Interview] Y2K Sensibility, Meeting This Year’s Debut, Director Changrok Han in the Hot Seat, Actors Joo Min-hyeong and Baek Ji-hye (②)

The 〈strong〉Chungchungchung〈/strong〉 (also rendered as 〈strong〉Chung Chung Chung〈/strong〉)—made with the 2018 murder case in Washington, Benton as its inspiration—depicts a catastrophe sparked by the tangled, competing desires of three children.
How did the two of you interpret and approach your respective characters. The name “Courage” suggests an energy that’s overflowing, but the character is also a “pathetic” youth who doesn’t have real, powerful force.
| 이화정
[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

[Interview] Catching This Year’s Debut, a Y2K-Era Sensibility: Director Han Chang-rok, Actors Joo Min-hyung and Baek Ji-hye, Part 1

Inspired by a murder case in Washington, Benton in 2018, 〈Choong-Choong-Choong〉 portrays a catastrophe sparked by the intersecting desires of three kids.
Retro is the trend. In the fashion, music and props of young people in their 20s, there’s nowhere that a Y2K sensibility hasn’t managed to seep in. Director Han Chang-rok, born in 1990 and a graduate of the Korea National University of Arts film school, pulls this retro sensibility straight onto...
| 이화정
Ryu Seung-bum Ends Exclusive Contract With YOne Entertainment After 3 Years… Steps Into Independent Career After Filming ‘Dealer’

Ryu Seung-bum Ends Exclusive Contract With YOne Entertainment After 3 Years… Steps Into Independent Career After Filming ‘Dealer’

On the 22nd, YOne Entertainment said, “We decided to end the exclusive contract after sufficient discussion, and we sincerely support his new steps.” After signing in 2023, Ryu appeared one after another in ‘Moving,’ ‘Family Plan,’ and ‘Good News,’ reaping benefits from global OTT platforms Wrapping up management work as Netflix’s ‘Dealer’ wraps production at the end of May… based in Slovakia
Actor Ryu Seung-bum is leaving his agency.Official announcement of end of exclusive contract with YOne Entertainment In an official statement on the 22nd, his agency, YOne Entertainment, said, “After sufficient discussion, we decided to end the exclusive contract between our company and actor Ryu...
| Seongchan Eol
[Photos] Young Korean Directors Who Lit Up Cannes…Jin Misong Wins Second Prize, Wonjeong Choi Makes New History

[Photos] Young Korean Directors Who Lit Up Cannes…Jin Misong Wins Second Prize, Wonjeong Choi Makes New History

'Silent Voices' takes Jin Misong the Second Prize in Cannes…A major milestone as Wonjeong Choi lands the first invitation for a Korean animation, with the ambitions of the next generation of masters
At the 79th Cannes International Film Festival, director 'Jin Misong' captured the second prize in the short film category of 'La Cinéf' , showing an overwhelming presence on the global stage. The win is expected to be more than just an honor—it is poised to become a strong stepping stone toward...
| James choi
[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

[Interview] “There’s No ‘Gentle Melody’ in Our Desires” ‘Trainer’ Director Seo Eun-seon ②

With the release from prison of Sora (Kim Seung-hwa), her younger sister who has a criminal record, the everyday life of celebrity pet trainer Ha-yeong (Choi Seung-yun) begins to shake.
▶〈Trainer〉 Seo Eun-seon, the director’s interview continues from Part 1. Their relationship, full of mutual hostility, keeps creating tension in the film—and gives it a reason for incidents to happen. ​Yes. It feels like they each hold the other’s leash. Ha-yeong is afraid of Sora because of the past.
| 이화정
[Interview] “I’m Drawn to Dangerous, Problematic ‘Unknown Women’” Director Seon-sun Seo of ‘The Trainer’ ①

[Interview] “I’m Drawn to Dangerous, Problematic ‘Unknown Women’” Director Seon-sun Seo of ‘The Trainer’ ①

After her younger sister Sora (Seung-hwa Kim), who has a criminal record for murder, is released from prison, the day-to-day life of star pet dog trainer Ha-young (Seung-yoon Choi) begins to shake.
A noteworthy “intruder” has appeared in Korean independent cinema. A director who brings uncomfortable things, things you want to hide, and things that get under your skin right to the front—stimulating the audience’s senses.
| 이화정
27th Jeonju International Film Festival Honors: ‘The Night Is Fading Away’ & ‘Summer We Let Slip Away’ Take Top Prizes

27th Jeonju International Film Festival Honors: ‘The Night Is Fading Away’ & ‘Summer We Let Slip Away’ Take Top Prizes

International Competition Best Film: Argentina’s Essayquiel Salinas & Ramiro Soncini Win Korean Competition Best Film: Director Lee Sun-yeon’s ‘Summer We Let Slip Away’… Praised for a New Director’s Sensitivity The film marathon wraps up after the closing film ‘Namtaeryeong’ over eight days
The 27th Jeonju International Film Festival , a festival for independent and alternative cinema from around the world, concludes its eight-day journey by announcing the winners in major categories. This year, the festival simultaneously showcased the strength of Argentine cinema and the rising...
| Yangsimoh