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[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.
| Chua-young
[Photo]& Kwak Dong-yeon Spent Just 3 Hours on Special Makeup for Netflix’ “Kingdom of the Crown Prince” … “Poison Shot” Ad-Lib Before Enlistment

[Photo]& Kwak Dong-yeon Spent Just 3 Hours on Special Makeup for Netflix’ “Kingdom of the Crown Prince” … “Poison Shot” Ad-Lib Before Enlistment

He is set to enter the active-duty Army on Sept. 25 next month. He handled wire-action for five months as a prince possessed by an evil spirit. “The military gap is an intermission for my acting career”
In the Netflix occult historical drama "Kingdom of the Crown Prince", actor "Kwak Dong-yeon", who seized global viewers’ attention with an overwhelming portrayal of an evil spirit, poured himself into a final burst of effort before enlisting.
| James choi
Review: Christopher Nolan’s ‘Odyssey’ Turns Greek Epic Into a Grand Human Drama

Review: Christopher Nolan’s ‘Odyssey’ Turns Greek Epic Into a Grand Human Drama

One phrase immediately came to mind: Christopher Nolan has pushed past his own limits in 〈Odyssey〉, his adaptation of Homer’s 「The Odyssey」, which opens on Aug. 5. 「The Odyssey」 tells the story of King Odysseus’s return to his homeland of Ithaca after the Trojan War, a foundational epic that still...
| Seongchan Eol
Interview: Nam Joo-hyuk on ‘The East Palace,’ Action Scenes and What’s Next

Interview: Nam Joo-hyuk on ‘The East Palace,’ Action Scenes and What’s Next

※ This interview with 〈The East Palace〉 star Nam Joo-hyuk continues from Part 1. You made Gu-cheon look noticeably different in the real world and in the realm of spirits. How did you approach the styling differences.
| Kim Ji-yeon
Lee Chang-dong: “Na Hong-jin’s ‘Hope’ is a crazy movie”…The high point of entertainment cinema

Lee Chang-dong: “Na Hong-jin’s ‘Hope’ is a crazy movie”…The high point of entertainment cinema

In a conversation with the audience, Lee Chang-dong praised his new film ‘Hope’…“Suspense that pushes past the limit, with Jo In-sung’s action a standout”
A titan of the Korean film industry, ‘Lee Chang-dong’, offered praise for ‘Na Hong-jin’’s new work ‘Hope’ that felt less like a compliment and more like awe. “The absolute peak that an entertainment film can reach—that’s a crazy movie, plain and simple.
| James choi
A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

A Cooling Fantasy for Middle-Aged Guys, Action Hits Home: “K-Ajussi” Takes Over the Living Room

Was the pathetic breadwinner secretly a special agent? The thrilling twist and box-office formula behind “middle-age” heroes from webtoon-based dramas including “Kim Bu-jang”
Power in the living room is shifting. Those who had been weighed down by the burden of an ordinary breadwinner responsible for the household are now waking the savage instincts they had buried when a crisis hits, and reinventing themselves as “middle-aged heroes”.
| James choi
Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Few actors throw themselves at the impossible the way Jo In-sung does. He runs, hangs on, endures and throws his body into action. In director Na Hong-jin's new film 〈Hope〉, Jo In-sung delivers raw, unpolished action, exuding a wildness and animal instinct as he faces an extraterrestrial...
| Kim Ji-yeon
Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.
| Seongchan Eol