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[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

[Interview] Trans Women Dreaming of Change Against 1% Odds: Director Kim Il-ran on “Edhi Alice: Take” ①

After transitioning, Alice has only just been able to choose the life she wants. Eddie says her transition is still ongoing. The film portrays not a momentary change, but an ongoing process of facing oneself.
A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.
Kim Min-ha, Lee Hee-jun, Director Kim Da-min and Executive Producer Han Jun-hee Celebrate ‘Dead-End Job’ Press Conference

Kim Min-ha, Lee Hee-jun, Director Kim Da-min and Executive Producer Han Jun-hee Celebrate ‘Dead-End Job’ Press Conference

Set at a bizarre employment agency that offers only “perfect part-time jobs” paying up to 50 times the usual hourly rate, the series follows Hyuk-jun, a young man sent to nightmarish workplaces.
Dead-End Job, a livelihood horror series set at a bizarre employment agency that offers only “perfect part-time jobs” paying up to 50 times the usual hourly rate, follows Hyuk-jun, a young man sent to nightmarish workplaces. The series held a successful press conference on Wednesday the 28th.
85% of the Cast Were Formerly Incarcerated: 5 Behind-the-Scenes Stories That Make ‘Sing Sing’ Even More Moving

85% of the Cast Were Formerly Incarcerated: 5 Behind-the-Scenes Stories That Make ‘Sing Sing’ Even More Moving

A24’s film 〈Sing Sing〉 has been playing for Korean audiences since October 21. It tells the story of Divine G , a man imprisoned for a crime he did not commit at a New York prison, who finds a new purpose in life through a theater program for incarcerated people.
At Last, It Reclaims the Name Pig-Dragon Walled City! ‘Kung Fu Hustle’ Returns to Theaters for the First Time in 20 Years, Part 1

At Last, It Reclaims the Name Pig-Dragon Walled City! ‘Kung Fu Hustle’ Returns to Theaters for the First Time in 20 Years, Part 1

Instead of Pigsty, the film changed the first character of Kowloon Walled City (九龍城砦) to the character for “pig” (豬), creating Pig-Dragon Walled City (豬龍城砦).
〈Kung Fu Hustle〉 is the dream world Stephen Chow brought to life as a director, a work shaped by his abiding love for Bruce Lee and the traditions of Hong Kong martial arts cinema. It could be called Chow’s reinterpretation of the entire history of Hong Kong cinema.
[Seong Chan-eol’s Comic Books] Meet Your Own Team of “Loser Heroes” in Dispatch

[Seong Chan-eol’s Comic Books] Meet Your Own Team of “Loser Heroes” in Dispatch

I’m obsessed with subculture. Whether it’s a movie, webtoon, game, comic book or animated series, I’ll check out anything with an inventive story, premise or characters. Comic books opened the door to fandom for me; now I’m a grown-up kid who reads comics as e-books and webtoons on my phone.
[Interview] A Love Letter to Life, Humanity and Korea: ‘Journey There’ Star Justin H. Min, Part 2

[Interview] A Love Letter to Life, Humanity and Korea: ‘Journey There’ Star Justin H. Min, Part 2

※The interview with Justin H. Min about 〈Journey There〉 continues from Part 1. As we discussed earlier, music plays an important role in this film, and you play a conductor. The concert scene at the end was especially striking. How did you prepare for it.
[Interview] A Love Letter to Life, Humanity and Korea: Justin H. Min on ‘Journey There,’ Part 1

[Interview] A Love Letter to Life, Humanity and Korea: Justin H. Min on ‘Journey There,’ Part 1

A deeply human story has found a deeply human actor. Min-jun (Justin H. Min) uses informal speech with Chun-hee (Kim Hye-ok) the moment they meet. Unaware of the hierarchy, etiquette and subtle distance between formal and informal Korean, the outsider’s familiar way of speaking becomes less an...
A Festival for Everyone: 16th Seoul Barrier Free Film Festival Opens at Cinematheque KOFA in Sangam

A Festival for Everyone: 16th Seoul Barrier Free Film Festival Opens at Cinematheque KOFA in Sangam

From Nov. 11 (Wed.) to 14 (Sat.), the festival will present an opening ceremony and screening, along with 26 films—including eight features and 17 shorts—across 12 screenings, and host a barrier-free forum.
The Korean Film Archive (President Mo Eun-young, hereinafter “KOFA”) is supporting the 16th Seoul Barrier Free Film Festival, taking place Nov. 11 (Wed.) through 15 (Sun.). Hosted and organized by the Korean Barrier Free Film Committee, the festival will be held at Cinematheque KOFA in Sangam and...
[Joo Sung-chul’s Locker] The Still-Enchanting Mambo Dance in the 4K Re-release of *Days of Being Wild*—Leslie Cheung and the Mirror

[Joo Sung-chul’s Locker] The Still-Enchanting Mambo Dance in the 4K Re-release of *Days of Being Wild*—Leslie Cheung and the Mirror

I get fixated on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put a particular object in front of the camera. “Joo Sung-chul’s Locker” is a record of the objects in films that have quietly caught my eye.
What exactly was I watching. The image that has stayed with me throughout 〈Days of Being Wild〉, recently re-released in 4K, is Yuddy looking at himself in a mirror. The same goes for the opening, when he flashes his handsome face and says, “Would you look at my watch with me for just one minute.
A Tragedy Worse Than the First in Dazzling Night City? What to Watch for in ‘Cyberpunk: Edgerunners 2’

A Tragedy Worse Than the First in Dazzling Night City? What to Watch for in ‘Cyberpunk: Edgerunners 2’

Once again, Netflix is offering a trip to Night City. Set to premiere October 20, 〈Cyberpunk: Edgerunners 2〉 (hereafter 〈Edgerunners 2〉) tells a story separate from its predecessor. But it, too, promises the essence of the cyberpunk genre through characters trying to make a life amid the dangers of...