LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "MY CINEMA"

Interview: Na Hong-jin on 〈Hope〉 — The Massive Attraction Built on a Decade of Obsession, Part 2 (Contains spoilers)

Interview: Na Hong-jin on 〈Hope〉 — The Massive Attraction Built on a Decade of Obsession, Part 2 (Contains spoilers)

Contains spoilers and interpretations of the ending.
※The interview with 〈Hope〉 director Na Hong-jin continues from Part 1. ※This interview contains spoilers and interpretations of the ending. Before the film was finished, you said that the actors who play the aliens—including Michael Fassbender and Alicia Vikander—are the protagonists.
| Kim Ji-yeon
Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

Na Hong-jin on the 10-Year Obsession Behind 〈Hope〉: Part 1

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.
| Kim Ji-yeon
The $3 Billion Hit Myth Continues… ‘Minions & Monsters’ Opens on the 15th

The $3 Billion Hit Myth Continues… ‘Minions & Monsters’ Opens on the 15th

A behind-the-scenes film production story about the Minions’ bumpy entry into 1920s Hollywood. ‘Yellow’ dreamers who want to direct: ‘Minions & Monsters’ opens on the 15th
A yellow rebellion that swept through 1920s Hollywood, rewriting screen history The ‘Minions’ series, which has built up an astonishing $2 billion worldwide box-office cumulative haul (about 346 billion won), will take over domestic theaters on the 15th with its third masterpiece, ‘Minions &...
| James choi
‘Wife Assassin’ Movie ‘Assassins (or ‘Killers’)’ Invites Toronto Premiere

‘Wife Assassin’ Movie ‘Assassins (or ‘Killers’)’ Invites Toronto Premiere

A new film by Heo Jin-ho reimagining the 1974 assassination of a first lady. Takes a spot in the gala section at North America’s biggest film festival; one of the top bets for this coming Chuseok
‘Gunfire in August 1974’ Returns to the Screen With a Hidden Side of History—and Praise on a Global Stage One of the most shocking mysteries in modern South Korean history comes to the global stage to reveal the truth first.
| James choi
‘The Assassins’ Gets an Official Gala Presentation Invite for the 51st Toronto International Film Festival

‘The Assassins’ Gets an Official Gala Presentation Invite for the 51st Toronto International Film Festival

A story that traces the allegations and the forces behind the assassination attempt on the First Lady that rocked South Korea on Aug. 15, 1974.
The film 〈The Assassins〉 has received an official invitation to the gala presentation section of the 51st Toronto International Film Festival, drawing attention even before its release. The film 〈The Assassins〉 has been officially invited to the gala presentation section of the 51st Toronto...
| Joo Seong-cheol
‘Twitch Emperor’ Kai Cenat Returns After a 9-Month Hiatus… ‘Streamer University 2026’ Unveils a Massive Lineup

‘Twitch Emperor’ Kai Cenat Returns After a 9-Month Hiatus… ‘Streamer University 2026’ Unveils a Massive Lineup

On April 6 (local time), returns to streaming with the first-ever simultaneous broadcast on Twitch and YouTube More than 1 million artists and creators worldwide supported… selects about 100 people from the fierce competition A ‘Harry Potter’ parody teaser triggers a dopamine rush… thousands pour into an Atlanta in-person audition, leading to a chaos incident that briefly shuts things down
Twitch’s top streamer, Kai Cenat, 24, who has been enjoying the most all-out popularity around the world, has returned in a blaze of glory after roughly nine months of extended hiatus. With his comeback, the spotlight is now fixed on his newly unveiled creator-mentorship project, ‘Streamer...
| Yangsimoh
[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

[Photo &] From Choi Min-sik in “Oldboy” to “The Last Line Boy,” a luxury performance and a master’s gaze

A professor consumed by jealousy and resentment. Choi Hyun-wook, 40 years her junior, earns lavish praise as the master pursues authenticity over box-office results through his acting philosophy
The weight of a tongue that brings disaster, from “Oldboy” to “The Last Line Boy” The Netflix original series “The Last Line Boy”, starring actor Choi Min-sik, brings back the lingering impact of “Oldboy,” a landmark work in the history of Korean cinema.
| James choi
Christopher Nolan’s Perfect Cinematic Blockbuster, ‘Odyssey’ Reveals Final Trailer!

Christopher Nolan’s Perfect Cinematic Blockbuster, ‘Odyssey’ Reveals Final Trailer!

Ahead of its Aug. 5 release in South Korea, 〈Odyssey〉 finally unveiled the final trailer, beginning with the voice of its protagonist, Odysseus (Matt Damon).
Ahead of its Aug. 5 release in South Korea, 〈Odyssey〉 finally unveiled its final trailer and revealed the overwhelming grandeur of a new mythology that director Christopher Nolan is set to bring to the screen. The released trailer opens in pitch-black darkness, with a voice that awakens ‘Odysseus’...
| Joo Seong-cheol
[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

[Interview] “I believed the box-office myth from 100 years ago would return.” Director Yasuda Junichi of “Samurai Timeslipper” ②

At the end of last year, at the Japan Academy, the awards beat hot releases such as “Last Mile” and “Kingdom 4” to win seven categories: best picture, best director, best screenplay, best actor, best cinematography, best lighting, and best editing.
This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...
| 이화정
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
| 이화정