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Netflix's 30th Korean Film Investment Pays Off With Lee Chang-dong's 'Possible Love' After 8-Year Wait

Netflix's 30th Korean Film Investment Pays Off With Lee Chang-dong's 'Possible Love' After 8-Year Wait

His first film in eight years earns the Grand Jury Prize, capping a long-running partnership that began with 'Okja'
Global platform guarantees master filmmaker's independence, capping 30 investments in Korean cinema Global streaming platform 'Netflix' officially congratulated master filmmaker 'Lee Chang-dong' on 'Possible Love' winning the 'Venice International Film Festival' Grand Jury Prize, reaffirming its...
| James choi
From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

A first prize in 24 years since the Best Director award for “Oasis,” highlighting the meaning of class and love through a laid-off worker and a “silver-spoon” couple
Director Lee Chang-dong, 72, reaffirmed his stature as a global master by winning the Grand Jury Prize at the 83rd Venice International Film Festival for “Possible Love,” his first film in eight years. After winning Best Director for “Oasis” in 2002, Lee added a new milestone to his international...
| James choi
Nolan’s 〈Odyssey〉 Hits 10 Million in Korea — and Raises Bigger Questions

Nolan’s 〈Odyssey〉 Hits 10 Million in Korea — and Raises Bigger Questions

Nolan has surprised audiences again. Director Christopher Nolan's new film 〈Odyssey〉 surpassed 10 million admissions on September 6. To mark the milestone, Cineplay’s reporters revisited the questions and reservations the film left with each of us.
| Kim Ji-yeon
Ha Jung-woo, Vice Chair of National AI Strategy Committee, Praises ‘Stilray’ at Insight Talk

Ha Jung-woo, Vice Chair of National AI Strategy Committee, Praises ‘Stilray’ at Insight Talk

This sci-fi action film follows a man who dons the AI he created and the combat suit his father discarded to take on the deadliest virus and save humanity from a rogue AI.
〈Stilray〉 is a 90-minute robot sci-fi film made entirely with AI. It is not a film that merely used AI in part; it is a feature-length production created with AI tools from planning and video production through postproduction.
| Joo Seong-cheol
Rookie band HartzWave stages turnaround five months in … Alive: “We want to play Lollapalooza”

Rookie band HartzWave stages turnaround five months in … Alive: “We want to play Lollapalooza”

Six tracks, including a feature from RIIZE’s Sungchan, plus a bold concept featuring a masked drummer born in 2022 “We chose synth-pop to show our individuality and worked through the night”
Super rookies armed with synth-pop make bold leap toward global festivals Five-member rookie band ‘HartzWave’ (hrtz. wav) has returned to the music scene just five months in, wielding trendy ‘synth-pop’ as its weapon.
| James choi
Fingernail-eating ‘Mousetrap’ hits the mark, tops Netflix’s global non-English shows

Fingernail-eating ‘Mousetrap’ hits the mark, tops Netflix’s global non-English shows

In its second week, the series landed on the Top 10 lists in 45 countries, including South Korea, Malaysia, Oman, the Philippines and Argentina.
The tracking thriller 〈Mousetrap〉, which follows novelist Moon Jae after a mysterious entity called “Mousetrap” steals his name, face and entire life, as well as loan shark No Ja, who is trying to recover lost money, and detective Sun-yong as they pursue the entity’s identity, has risen to No.
| Joo Seong-cheol
First Review: Korean 〈The Intern〉 Leans on Choi Min-sik’s Appeal; Inside the Press Screening and News Conference

First Review: Korean 〈The Intern〉 Leans on Choi Min-sik’s Appeal; Inside the Press Screening and News Conference

The Hollywood hit 〈The Intern〉 returns as a distinctly Korean remake, folding in local workplace culture, marital realism, and a stronger emotional through-line. Due to open September 16, 〈The Intern〉 begins when Gi-ho (Choi Min-sik), a 37-year veteran "silver intern," joins Sun-woo (Han So-hee)’s...
| Kim Ji-yeon
The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

The Intern Carrying an Executive’s Briefcase: The Paradox of the “Intern” Leather Attaché

I fixate on objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. “Joo Sung-chul’s Locker” records the movie objects that have lightly crossed my path.
“Back in action. ” In Nancy Meyers’ 〈The Intern〉 (2015), Ben says to himself as he prepares for his first day back at work. The expression describes resuming activity after an extended break because of rest or an injury. Strictly speaking, however, he is not talking to himself.
| Joo Seong-cheol
[Photos] Producer-director Pyo Jae-soon reveals six decades of backstage stories at 89 ... A master’s record spanning the 1988 Seoul Olympics to beloved national dramas

[Photos] Producer-director Pyo Jae-soon reveals six decades of backstage stories at 89 ... A master’s record spanning the 1988 Seoul Olympics to beloved national dramas

Publishes first autobiographical essay, “Gya, What’s Your Job?,” titled after a quip by late actor Jang Min-ho ... Yoo In-chon, Shin Goo and other cultural veterans turn out in force
At 89, master reveals the truth behind six decades onstage “I have the surname Pyo, but I spent my whole life trying not to stand out.” Pyo Jae-soon, 89, a living history of South Korea’s broadcasting and performing arts industries, has published his first autobiographical essay, “Gya, What’s Your...
| James choi
[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

One day, just shy of 30, director Park Jung-mi quit her job and set off traveling after deciding she was no longer happy.
In her travel memoir 〈The Faraway Nearby〉, Rebecca Solnit writes that she learned by setting out on the road that “the longest journey a traveler makes is the journey within. ” Travel, she says, “changes not only the location of the body, but also the location of memory and imagination.
| 이화정