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Search results for "Kim Min-young"

[Photo&] Lee Dong-wook Says Action Is Bigger Than Season 1 as “Killer Mall” Season 2 Debuts on the 22nd

[Photo&] Lee Dong-wook Says Action Is Bigger Than Season 1 as “Killer Mall” Season 2 Debuts on the 22nd

Back after 2 years and 6 months… Kim Hye-jun gunfight action and Okada Masaki join the first Korean project
A 2-year-and-6-month wait that broke the silence—an even bigger world of killers Disney+’s well-made action thriller “Killer Mall” finally opens its second chapter. A Season 2 equipped with a more finely tuned universe and an overwhelming scale—led by actor “Lee Dong-wook”—will unveil on the 22nd.
| James choi
'Sangbyeong' Park Min-seok and 'Sahsa' Choi Il-gu return… 'New Recruit 4' premieres next month on the 24th

'Sangbyeong' Park Min-seok and 'Sahsa' Choi Il-gu return… 'New Recruit 4' premieres next month on the 24th

A reunion between Park Min-seok, newly promoted to sangbyeong, and Choi Il-gu, back as a sahsa. With new faces joining the lineup, 'New Recruit 4' grows even more powerful.
ENA’s original series “New Recruit 4: Sabotage”, which opened a new chapter for reality in South Korea’s military world, finally lifts the veil. On the 24th of next month at 10 p. m. , another massive new wave hits the living room.
| James choi
Analog Scent in the AI Era… Park Hak-gi Launches a Talk Concert, “Filling in the Blanks,” With Audience Members

Analog Scent in the AI Era… Park Hak-gi Launches a Talk Concert, “Filling in the Blanks,” With Audience Members

First Episode on YouTube on July 7… A Relay of Support From Star Social Media First guest is Yurisangja (Jang Park Seung-hwa & Lee Se-jun), delivering the emotional pull and connection of a small-venue concert that brings back the memories of the ’80s and ’90s
Amid an onslaught of digital, ‘solid comfort’ delivered by analog In today’s era, when artificial intelligence and advanced digital technology have encroached on everyday life, a distinctive YouTube content series that brings back the warm sensibilities of the 1980s and 1990s is finding its way to...
| James choi
‘Hope’ Posts the Best Opening Score of the Year as Its First Day Tops 330,000

‘Hope’ Posts the Best Opening Score of the Year as Its First Day Tops 330,000

〈The Chaser〉(113,673 viewers), 〈Hwanghae〉(120,482 viewers), 〈The Wailing〉(310,042 viewers)—it is the highest opening score among filmmaker Na Hong-jin’s works to date.
With the movie 〈Hope〉 proving an unmistakable presence at this summer’s theaters, it drew 333,899 viewers on its first day of release to take the No. 1 spot at the box office. That makes it the highest opening score among Na Hong-jin’s works to date, surpassing 〈The Chaser〉(113,673 viewers),...
| Joo Seong-cheol
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
| Kim Ji-yeon
[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

[Kim Ji-yeon’s Jewel Box] Han Ji-eun Gives the Best Scene-Stealing Performance of the First Half in 〈Notes from the Last Row〉

I am curious about people. Even actors already in the spotlight can be at their least visible moment right now. "Kim Ji-yeon's Jewel Box" introduces performers who are hitting new highs day by day. Buy the dip on tomorrow's breakout stars.
I would go so far as to say she has renewed a career-defining role — specifically Seon Min-hee in 〈Notes from the Last Row〉. For an actor in her 21st year since debut, this represents a new peak. Viewers and theatergoers who have followed Han Ji-eun for years already consider her well known, yet...
| Kim Ji-yeon
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
| Joo Seong-cheol
[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

[Interview] Jo In-sung on ‘Hope’: Taking a bold leap for a cinematic thrill only humans can deliver, Part 2

※This interview with 〈Hope〉 actor Jo In-sung continues from Part 1. Imagining and acting opposite an imagined being must have been a major challenge. In particular, when Seong-gi confronts a gigantic alien intelligence late in the film, his subtle eye movements and tiny facial shifts were striking.
| Kim Ji-yeon
Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Few actors throw themselves at the impossible the way Jo In-sung does. He runs, hangs on, endures and throws his body into action. In director Na Hong-jin's new film 〈Hope〉, Jo In-sung delivers raw, unpolished action, exuding a wildness and animal instinct as he faces an extraterrestrial...
| Kim Ji-yeon
Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

A big win for director Hong Sang-soo as it marks his 35th feature and his fifth-ever invitation to Locarno. Choi Myung-gil joins for the first time, and Kim Min-hee takes part as production chief
Where the gaze of a master lingers, the 35th aesthetics blooming in Jeju Director ‘Hong Sang-soo’, who has quietly carved a path through the trajectory of Korean auteur cinema, has once again received a call from Switzerland’s Locarno.
| James choi