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Search results for "TIME OF CINEMA"

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
| Seongchan Eol
[Weekend Theater Scene] Jun Ji-hyun and Koo Kyo-hwan’s “Swarm” Dominates the Box Office…300 Million Won? Breakthrough Likely This Weekend

[Weekend Theater Scene] Jun Ji-hyun and Koo Kyo-hwan’s “Swarm” Dominates the Box Office…300 Million Won? Breakthrough Likely This Weekend

“Intelligence-hunting zombies” and the bold premise win praise as “Swarm” surpasses 2.5 million cumulative viewers, setting up expectations to reach the break-even point this weekend
A new benchmark for evolving K-zombies: “Swarm,” a main poster that reflects Yeon Sang-ho director’s relentless universe. The overwhelming horror and a philosophy of survival are perfectly condensed into a single image.
| James choi
Timothée Chalamet’s ‘Marty Supreme’ Wins in 44 Categories at 44 Overseas Film Festivals and Awards, Raising Anticipation for Its Release!

Timothée Chalamet’s ‘Marty Supreme’ Wins in 44 Categories at 44 Overseas Film Festivals and Awards, Raising Anticipation for Its Release!

Josh Safdie’s new film depicts the ambition of a young man who barrels forward with table tennis as the steppingstone for a life-changing comeback.
When it was released overseas, ‘Marty Supreme’ rose to the shortlist in 287 categories at major film festivals and award ceremonies, winning in 44 categories, proving its outstanding cinematic quality. It is a bold, high-energy film that follows Marty Mauzer, a man consumed by a dream that no one...
| Joo Seong-cheol
200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

In the competition section at the Cannes Film Festival, 〈​Hope​〉—a Korean film making its first foray in four years—will meet audiences in theaters this summer.
The behind-the-scenes stills unveiled this time capture the special ensemble of the stars of 〈​Hope​〉—Director Na Hong-jin, along with Hwang Jung-min, Jo In-sung, Jung Ho-yeon, Michael Fassbender, Alicia Vikander and Taylor Russell—who took part in the Cannes Film Festival.
| Joo Seong-cheol
Interview: Jun Ji-hyun on 〈Colony〉 — ‘I looked good in my previous project, too … there really was no special makeup treatment’

Interview: Jun Ji-hyun on 〈Colony〉 — ‘I looked good in my previous project, too … there really was no special makeup treatment’

※ The interview with Jun Ji-hyun about 〈Colony〉 Part 1 continues here. Also note that the following contains spoilers for the film 〈Colony〉. Many people said she still looked great even in a blood-soaked raincoat. I’m just grateful people saw it that way.
| Seongchan Eol
[Holiday Box Office] Jun Ji-hyun X Yeon Sang-ho’s ‘Swarm’ Surpasses 2 Million Admissions…Beats the Pace of ‘The King and the Man’

[Holiday Box Office] Jun Ji-hyun X Yeon Sang-ho’s ‘Swarm’ Surpasses 2 Million Admissions…Beats the Pace of ‘The King and the Man’

Within 5 days of release, during the Buddha’s Birthday holiday, the theaters are dominated at a sprint; tickets for the action-stuffed ‘Wild Thing’ starring Kang Dong-won are in 2nd place as it charges hard
The evolution of a K-zombie thriller that takes over theaters, ‘Swarm’ sparks box-office surge South Korea’s screens have been fully taken over. During the Buddha’s Birthday holiday, the film that instantly reshaped the theater landscape was Director Yeon Sang-ho’s ambitious work ‘Swarm’.
| James choi
[Photo &] Christian Mungiu wins his second Palme d’Or at the 79th Cannes Film Festival with “Fjord,” while Na Hong-jin’s “Hope” misses out

[Photo &] Christian Mungiu wins his second Palme d’Or at the 79th Cannes Film Festival with “Fjord,” while Na Hong-jin’s “Hope” misses out

A dazzling 12-day journey, the artistic questions Cannes left behind
A Master Returns, Reaching the Peak of Cannes The eyes of cinephiles around the world were on the 79th Cannes Film Festival, and its top honor, “Palme d’Or,” went to Romanian master “Christian Mungiu.” The winning film, “Fjord,” is a sharp examination of modern society’s extremism through the...
| James choi