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Search results for "Wi Ha-jun"

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

[Interview] “Stand by Me for Girls—Even if They Give Up the CSAT, They Can’t Lose the Animals!” Director Yoo Jae-uk, Actress Park Hye-jin ②

〈/LANGLE_BRACKET/〉The worries of the girls in “Please, My Cat”〈/RANGLE_BRACKET/〉 and the adventures of the boys on the road in “Stand by Me”〈/RANGLE_BRACKET/〉 come together as a homegrown coming-of-age film.
In Hye is an earnest kid who pours her heart into caring for poultry even as the CSAT approaches. Park Hye-jin Actually, I’m not the kind of person who studies that hard either, so her actions really resonated with me. Honestly, because it’s the CSAT, does everyone just study.
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
'Free 19' ends after 10 years… bids farewell with episode 530 hosted by Jun Hyunmoo and Oh Sang-jin

'Free 19' ends after 10 years… bids farewell with episode 530 hosted by Jun Hyunmoo and Oh Sang-jin

The final episode airs at 9:50 p.m. on the 27th… wrapping up 10 years and 2 months after its first broadcast in May 2016
The evolution of the ranking show that ends its decade-long flight, leaving behind an intellectual footprint in the entertainment industry ‘Free 19,’ tvN SHOW’s flagship entertainment program led by a former announcer trio, is putting a period at the end of its 10-year, 2-month run.
| James choi
How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.
| Chua-young
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
| Chua-young
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
| Kim Ji-yeon
Oh Jung-sei Becomes the New Face of Kkokkalcorn as Accumulated Sales Hit 1 Trillion Won, With the Line “I Like You, I Like You Because You’re Pretty”

Oh Jung-sei Becomes the New Face of Kkokkalcorn as Accumulated Sales Hit 1 Trillion Won, With the Line “I Like You, I Like You Because You’re Pretty”

The “Romantic Snack for Our Times” campaign rolls out, with full-scale online and offline marketing including pop-up stores
The Myth of Cumulative Sales of 1 Trillion Won, Evolving Into a “Romantic Snack” for Generation Z and Millennials Since its debut in 1983, “Kkokkalcorn”, which changed the landscape of South Korea’s snack market, is making another leap forward.
| James choi
[Photo&] ENHYPEN Breaks Through to Its First Ever Comic-Con—Dark Moon Brings Together a Fandom of 200 Million Views

[Photo&] ENHYPEN Breaks Through to Its First Ever Comic-Con—Dark Moon Brings Together a Fandom of 200 Million Views

SDCC panel talk and a bustling booth spotlight the film “Twilight” director and the vampire world
K-pop idols have made their first entry into San Diego Comic-Con , the world’s largest pop-culture festival. The protagonists are the group ‘ENHYPEN’. On the 23rd , they attended the event at the San Diego Convention Center in the United States as panel guests and met the global fanbase of the...
| James choi
Kim Dae-ho and Song Gain team up… SBS’ first rural variety in 16 years since “Family Outing” goes off the air on June 26

Kim Dae-ho and Song Gain team up… SBS’ first rural variety in 16 years since “Family Outing” goes off the air on June 26

Kim Dae-ho joins SBS as a permanent fixture for the first time since going freelance… Park Eun-young joins the cast of “Black and White Chef: Battle of Cooking Classes,” and TXT’s Soobin and CRAVITY’s Hyeongjun make their first guest appearances
A return after 16 years, a new paradigm for SBS rural variety After the legendary variety program 'Family Outing. ' ended, SBS declared the revival of rural variety after a full 16 years with its sights set high. Scheduled to unveil on June 26 at 10:55 a. m.
| James choi
[Weekend Movie Theater Roundup] Film “Hope” sprints to No. 1 at the box office for 9 straight days… topping 3 million weekend admissions

[Weekend Movie Theater Roundup] Film “Hope” sprints to No. 1 at the box office for 9 straight days… topping 3 million weekend admissions

Cumulative admissions surpass 2.64 million, with an audience-satisfaction Egg Index of 83%… reservation-rate No. 1 is “Spider-Man: Brand New Day,” opening on the 29th
“Hope” inches past 3 million… Na Hong-jin’s alien thriller takes over theaters Director Na Hong-jin’s new film “Hope” has held on to the top spot in the domestic box office for the ninth day since its release, cementing its status as an unchallenged force on weekend theater screens.
| James choi