Search results for "Collective"

“It’s a place where we all confirm each other’s existence!” Masterclass, performances, forums, exhibitions, and more wrap up the 12th Pride Expo 2026

“It’s a place where we all confirm each other’s existence!” Masterclass, performances, forums, exhibitions, and more wrap up the 12th Pride Expo 2026

Held for two days from Saturday, May 30 to Sunday, May 31 at Seoul Dongdaemun Design Plaza (DDP), the event drew more than 2,500 visitors and closed out successfully.
Based on six values—Diversity, Equality, Inclusion, Pride, Love, and Solidarity—the country’s largest LGBTQ culture and arts fair, the “12th Seoul Pride Expo 2026,” wrapped up successfully at Seoul Dongdaemun Design Plaza over the two days from Saturday, May 30 to Sunday, May 31.
Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Surpassing 3 million viewers within 10 days of its release, Colony is indisputably the most popular film in theaters right now. Yet despite that box-office success, reactions to Colony are sharply divided — a split that was evident even among Cineplay reporters at a press screening.
Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

It’s fair to call this "Gu Kyo-hwan’s year. " From 《If We》, which helped spark a melodrama boom, to the recently ended series 《Everyone Is Fighting Their Own Sense of Worthlessness》 (hereafter 《Mojamussa》), and the film 《Colony》, released on May 21 and which has surpassed about 2.
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

[Interview] Yeon Sang-ho on 〈Gunche〉②: 'Seo Young-chul Is a Demagogue and the Swarm's Error ... I Wanted to Show the Fear of a Society Bound Only by Universal Thinking.'

※ The interview with 〈Gunche〉 director Yeon Sang-ho continues from Part 1. It's been 10 years since 〈Train to Busan〉. Did returning to zombies come with any pressure. "I didn't come in thinking, 'I have to do something new.
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...
Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Returning after 11 years, she is, as director Yeon Sang-ho put it, “a film actor. ” Actress Jeon Ji-hyun appears as Kwon Se-jung in 〈Colony〉, which opened on May 22, marking her first appearance before audiences since 〈Assassination〉 (2015).
Mun Sang-hoon of BDNS Reviews His Favorite Comedy Film of the Year, 〈Nirvana the Band〉

Mun Sang-hoon of BDNS Reviews His Favorite Comedy Film of the Year, 〈Nirvana the Band〉

After searching for more than a year through Cannes, Los Angeles and Hong Kong for the best comedy film, BDNS leader Mun Sang-hoon settled on a single title: 〈Nirvana the Band: Not related to the legendary band ‘Nirvana’ — the duo Matt and Jay.
Yeon Sang-ho-Style Zombie Film Makes Another Leap, ‘Colony’ — Brief Review and What They Had to Say (feat. Koo Kyo-hwan's Zombie Greeting)

Yeon Sang-ho-Style Zombie Film Makes Another Leap, ‘Colony’ — Brief Review and What They Had to Say (feat. Koo Kyo-hwan's Zombie Greeting)

Yeon Sang-ho has once again led the evolution of zombie cinema. The film 〈Colony〉 finished its screening at the recent Cannes Film Festival and met with Korean reporters on May 20 ahead of its May 21 release. 〈Colony〉, which depicts events after biologist Seo Young-cheol injects himself with a...
[Photo&] Yeon Sang-ho’s New Work ‘Swarm’ Earns High Praise at Cannes…The Joy of Cannes, the Return of a Master, and Park Chan-wook’s Embrace, Birth of an ‘Evolved Zombie’

[Photo&] Yeon Sang-ho’s New Work ‘Swarm’ Earns High Praise at Cannes…The Joy of Cannes, the Return of a Master, and Park Chan-wook’s Embrace, Birth of an ‘Evolved Zombie’

‘Swarm,’ Yeon Sang-ho’s new film that heated up the Cannes Film Festival. An evolutionary zombie creature that combines AI and collective intelligence, starring Jun Ji-hyun and Ji Chang-wook
[A Master’s Return That Captivated Global Film Circles]‘Train to Busan’ after 10 years, South Korea’s genre-master ‘Yeon Sang-ho’ has once again placed himself at the center of the worldwide film scene with his new work ‘Swarm’.