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Twice’s Sana Makes Screen Debut in Fantasy Romance with Takeru Satoh

Twice’s Sana Makes Screen Debut in Fantasy Romance with Takeru Satoh

‘Goblin’ director-led Japan-South Korea co-production romance ‘Cat: Your World, Your Reach’ casting confirmed...Sana’s first screen challenge
The Curtain Rises on a Fantasy Romance Beyond Borders, as a Global Idol Meets Japan’s Top Star‘Sana,’ from Twice , a group reigning at the very top of the K-pop world, is finally stepping in as the lead of a major motion picture.
‘Nambal’ Finalizes Casting of Go Yoon-jung! Builds a Perfect Lineup Following Lee Byung-hun

‘Nambal’ Finalizes Casting of Go Yoon-jung! Builds a Perfect Lineup Following Lee Byung-hun

The character Ae-ryeong, played by Go Yoon-jung, loses her family in an attack by Japanese pirates, and takes to the battlefield herself to rescue her younger brother held in Tsushima.
The film 〈Nambal〉, following Lee Byung-hun, has confirmed Go Yoon-jung’s casting, adding weight to the lineup. 〈Nambal〉 is a hardboiled martial-arts action set in the early Joseon period in which nine swordsmen—each with differing abilities and ranks—move toward Tsushima to rescue captives who have...
“Kimbu Jang” Breaks 20% Viewer Ratings, Tops Netflix’s Non-English Shows

“Kimbu Jang” Breaks 20% Viewer Ratings, Tops Netflix’s Non-English Shows

After just four episodes, it hits a 21.6% rating and sweeps global OTT platforms, fueling a surge in K-content hits
The Evolution of K-Action That Takes Over Global Living Rooms, the Opening Act of an Overwhelming SensationGlobal OTT services and South Korea’s living-room screens are both in turmoil. At the center is ‘Kimbu Jang,’ an action blockbuster that signals the return of actor ‘So Ji-sub.
Hirokazu Kore-eda’s Live-Action 〈Look Back〉 to Open in South Korea in October

Hirokazu Kore-eda’s Live-Action 〈Look Back〉 to Open in South Korea in October

Live-action adaptation of Tatsuki Fujimoto’s acclaimed manga, starring Natsuki Deguchi and Aju Makita.
The live-action film 〈Look Back〉 , directed and written by acclaimed Japanese filmmaker Hirokazu Kore-eda, will open in South Korea this October. Megabox JoongAng Co. , Ltd. , the importer and distributor, announced the release and unveiled a teaser trailer on Sept. 7.
'Look Back' novel author, Hirokazu Kore-eda helms live-action adaptation debuting in October

'Look Back' novel author, Hirokazu Kore-eda helms live-action adaptation debuting in October

The animation that thrilled audiences around the world with 20.4 billion yen in box office now carries that emotion to live action. A coming-of-age film that has drawn attention as celebrated filmmaker Hirokazu Kore-eda himself writes and directs.
A pen line of loss and growth, blooming beyond the master’s viewfinderA living legend in Japan’s film industry, 'Hirokazu Kore-eda' takes the reins of the live-action adaptation of 'Look Back', a global phenomenon.
Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.
WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

WOWPOINT x Toho and Yeon Sang-ho team up on Netflix series “Gas Human,” released worldwide today

Based on the universe of the original work, the show has been reborn as a completely original story in eight episodes.
Netflix unveiled its Netflix Original series 〈​Gas Human〉 worldwide on July 2. Taking its premise from Toho’s legendary tokusatsu film 《​Gas Human No. 1》 released in 1960, the new series has been reimagined from scratch as a fully original story spanning a total of eight episodes built on the...
[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

[Interview] “I believed the box-office myth of 100 years would happen again.” Director Yasuda Junichi of “Samurai Timeslipper” ①

With a production budget of 3 million yen (about 28.5 million won), the film pulled in a staggering 3 billion yen (about 28.4 billion won) at the box office, rewriting Japanese film history.
Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.
[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

A meeting of the director of “Hanataba” and the screenwriter of “Monster.” It follows the warm journey of three ghost girls who keep growing even after the world they left behind is gone.
A strange co-living arrangement of three girls growing up in a world where time has stoppedCan growth continue even after death? The Japanese film “Kataomoi Sekai,” which traces the original and bittersweet trajectory of three girls who have said goodbye to the world, finally makes its way onto...
[Seong Chan-eol’s Comics] I hesitated to recommend it, but 30,000 moviegoers leaves me saying ‘Give it a try’: 「The Dangers in My Heart」

[Seong Chan-eol’s Comics] I hesitated to recommend it, but 30,000 moviegoers leaves me saying ‘Give it a try’: 「The Dangers in My Heart」

I go crazy for subculture. I check out anything with fresh stories, settings or characters — not only films but webtoons, games, comics and animation. I entered the world of fandom through comics: as an adult I read comics as e-books and webtoons on my smartphone, a self-described 'kidult.' But it's less fun alone. I write Seong Chan-eol's Comics to share things that are more enjoyable together, seen from the perspective of an omnivorous fan.
To be frank, this is one of my current favorite comics, but it’s one I avoided writing about for a while. It’s wildly fun and genuinely heart-fluttering, but the barrier to entry is high. If even I, a fan of the series, felt that hesitation, I wasn’t sure how many readers would go along with it.