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[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

[Lee Yeo-jeong’s Deep Detox] “Thank You to My Past Self.” Lee Yeon on “the ‘Dynasty Lady of the 21st Century,’” “Tango at Dawn,” and “Journey to Gyeongju” — Part 1

A talk that approaches the actor with deep, cleansing breaths. Actors Lee Yeo-jeong meets.
“I should get paid a really big amount of money.” Borrowing a line from Dobby-seo, she delivered a compliment aimed at the Dobby-seo of 〈the Dynasty Lady of the 21st Century〉. Lee Yeon’s performance, which breaks the mold of what a typical secretary in a drama looks like, gives off a lively, bouncy...
[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

[Interview] Yeon Sang-ho on 〈Colony〉: ‘I Drew Inspiration From the Extreme Game Mechanics of Escape Rooms and the Operating Principles of AI’

Yeon Sang-ho has done it again. Released on May 22, 〈Colony〉 passed 2 million viewers in its opening week. The overseas response has been as strong as the domestic reaction: advance international sales have already generated significant revenue, and in Malaysia the film ranked third among all...
Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Jeon Ji-hyun on 〈Colony〉: Fun Set, On-Time Days and Yeon Sang-ho’s Clear Worldbuilding

Returning after 11 years, she is, as director Yeon Sang-ho put it, “a film actor. ” Actress Jeon Ji-hyun appears as Kwon Se-jung in 〈Colony〉, which opened on May 22, marking her first appearance before audiences since 〈Assassination〉 (2015).
[Holiday Box Office] Jun Ji-hyun X Yeon Sang-ho’s ‘Swarm’ Surpasses 2 Million Admissions…Beats the Pace of ‘The King and the Man’

[Holiday Box Office] Jun Ji-hyun X Yeon Sang-ho’s ‘Swarm’ Surpasses 2 Million Admissions…Beats the Pace of ‘The King and the Man’

Within 5 days of release, during the Buddha’s Birthday holiday, the theaters are dominated at a sprint; tickets for the action-stuffed ‘Wild Thing’ starring Kang Dong-won are in 2nd place as it charges hard
The evolution of a K-zombie thriller that takes over theaters, ‘Swarm’ sparks box-office surgeSouth Korea’s screens have been fully taken over. During the Buddha’s Birthday holiday, the film that instantly reshaped the theater landscape was Director Yeon Sang-ho’s ambitious work ‘Swarm’.
On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

It started with Yeon Sang-ho. Koo Kyo-hwan was already a star of the independent film scene, an idol of sorts for outsiders. But if you trace the origins of how he came to appear in so many commercial projects, you arrive at Yeon’s 〈Peninsula〉.
Director Award: Park Chan-wook (Film) and Kang Yoon-sung (Series), The 24th Directors Cut Awards Conclude in Grand Style!

Director Award: Park Chan-wook (Film) and Kang Yoon-sung (Series), The 24th Directors Cut Awards Conclude in Grand Style!

Male Actor Award went to Yoo Hae-jin (Film) and Hyun Bin (Series), and the Female Actor Award went to Seo Soo-bin (Film) and Im Soo-jung (Series).
‘The 24th Directors Cut Awards,’ which Korean film directors select and present themselves, was held in grand style at Edeuls on May 19 at 6:00 p. m. , hosted by directors Jang Hang-jun, Bong Man-dae, and Kim Cho-hee.
The identity of the Korea-Japan joint production created by Sang-ho Yeon is finally revealed—“Gas Man” teaser preview and poster unveiled!

The identity of the Korea-Japan joint production created by Sang-ho Yeon is finally revealed—“Gas Man” teaser preview and poster unveiled!

During a live TV broadcast, a horrifying murder shocks the world: a person’s body suddenly swells and explodes.
Netflix will exclusively release its Netflix series 〈Gas Man〉 worldwide on Thursday, July 2, 2026. Director Sang-ho Yeon, who has consistently delivered global hit titles such as the film 〈Train to Busan〉 and the Netflix series 〈Kingdom〉 〈Parasite: The Grey〉 and more, serves as executive producer...
Hyunbin Shin Takes Center Stage With DinDin in a Perfect Synergy…Yeon Sang-ho’s New Work <Colony> Joins Promotion

Hyunbin Shin Takes Center Stage With DinDin in a Perfect Synergy…Yeon Sang-ho’s New Work Joins Promotion

Actress Hyunbin Shin will appear on YouTube channel 'DinDin is DinDin' on May 5 at 6:00 PM to promote the movie Hyunbin Shin, DinDin’s little sister’s friend, and a past “Nemo’s Dream” episode connection that once caused a stir Yeon Sang-ho’s new film , boasting an all-star cast including Jun Ji-hyun, Koo Kyo-hwan, and Hyunbin Shin, opens on May 21
Hyunbin Shin will step out to promote 〈Colony〉 with a fantastic on-screen chemistry with DinDin.Appearing on YouTube 'DinDin is DinDin' and a Special Connection Actress Hyunbin Shin, who appears in the movie 〈Colony〉, previewed her appearance on a video to be released on May 5 on the 'DinDin is...
[TV Rating] Cineplay Reporter Ratings for the JTBC Drama “We Are All Trying Here”

[TV Rating] Cineplay Reporter Ratings for the JTBC Drama “We Are All Trying Here”

[TV Rating]Koo Kyo-hwan and Go Yoon-jung’s meeting, JTBC 〈We Are All Trying Here〉(hereafter 〈Mojamu-ssa〉) has aired through episode 2. 〈Mojamu-ssa〉 is a drama about a person trying to find peace amid the envy and jealousy that spring up in a world of good-looking, well-liked friends.
‘Hope’ by Na Hong-jin Enters Cannes Competition…Yeon Sang-ho’s ‘Colony’ and Jun Ji-hyun’s Return Film Invited to the Non-Competition Midnight Screening

‘Hope’ by Na Hong-jin Enters Cannes Competition…Yeon Sang-ho’s ‘Colony’ and Jun Ji-hyun’s Return Film Invited to the Non-Competition Midnight Screening

Korean Films Set Sights on the Palme d’Or for the First Time in Four Years…Park Chan-wook First to Serve as Jury Chair, and Jun Ji-hyun’s Return Project Added to the Good News
A Glorious Comeback for Korean Cinema, Taking Over the 79th ‘Cannes Film Festival’Korea’s film industry sent a triumphant signal at the 79th ‘Cannes Film Festival’, marking a spectacular return. It erased last year’s painful slump—when not a single invited title made it—in the ‘Competition...