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Search results for "Make A Wish"

A Mysterious ‘Code’ App That Grants Wishes: Nam Joo-hyuk, Lee Yi-dam, Kim Eui-sung and Park Hoon to Be Released on Disney+ in 2027

A Mysterious ‘Code’ App That Grants Wishes: Nam Joo-hyuk, Lee Yi-dam, Kim Eui-sung and Park Hoon to Be Released on Disney+ in 2027

〈Weak Hero Class 1 and 2〉 director Yoo Soo-min, widely regarded as one of the most talked-about creators, returns with the Disney+ original series 〈Code〉.
Yoo Soo-min, the director who has been singled out as one of the most watched creators after 〈Weak Hero Class 1 and 2〉 sparked explosive worldwide reactions, is set to return with Disney+ original series 〈Code〉.
| Joo Seong-cheol
[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

[Joo Seong-cheol’s Locker] David’s Stone That Took Down Goliath, “David” All the Way Through

I can’t help getting captivated by the objects in movies. I fall into deep thought over why, whether it’s the director, the cinematographer, the art director—or even the actor—someone felt compelled to place that particular item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the movie objects that came down on my eyes like stepping onto a soft stair.
Is there anyone who doesn’t know David’s stone. The story of David and Goliath that is told in 〈Robot Taekwon V〉(1976), and 〈General Tolly〉, and the 〈Ureomei〉 series, and countless other children’s animations and feature films—was also made by director Kim Cheong-gi, known for creating them all.
| Joo Seong-cheol
Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Interview: Jo In-sung Leapt Into 'Hope' for the Cinematic Thrill Only Humans Can Deliver

Few actors throw themselves at the impossible the way Jo In-sung does. He runs, hangs on, endures and throws his body into action. In director Na Hong-jin's new film 〈Hope〉, Jo In-sung delivers raw, unpolished action, exuding a wildness and animal instinct as he faces an extraterrestrial...
| Kim Ji-yeon
500x Production Budget Windfall…‘Obsession,’ Top Horror of the Year, Set for September Release

500x Production Budget Windfall…‘Obsession,’ Top Horror of the Year, Set for September Release

A debut film by a 1999-born YouTuber director that pulled in 600 billion won on 1.1 billion won—surpassing ‘Backroom’ to claim No. 1 at the box office for horror.
‘500x Production Budget Jackpot’… A new playbook for horror hits from a 1999-born prodigy directorA once-in-a-lifetime horror craze that has swept through North American theaters has finally arrived on the Korean Peninsula.
| James choi
Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.
| Seongchan Eol
Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

Interview: Director Yu Eun-jeong Says the House in 〈Shadow Child〉 Was Designed by Kim Chung-up

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.
| Seongchan Eol
[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

[Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2: ‘〈Chamgyoyuk〉 gave me the courage to believe my sincerity can reach viewers’

▶ [Interview] Pyo Jihoon on 〈Chamgyoyuk〉, Part 2 — continues from Part 1. There’s also a romantic thread between Bong Geundae and Im Hanlim. At first there wasn’t any obvious romantic tension, but it intensifies in the back half of the series.
| Chua-young
Interview: Jin Ki-joo Says Im Han-lim’s Shouts in 〈Chamgyoyuk〉 Came From a Desperate Need to Be Stronger

Interview: Jin Ki-joo Says Im Han-lim’s Shouts in 〈Chamgyoyuk〉 Came From a Desperate Need to Be Stronger

“You catch a crazy person with another crazy person. ” Im Han-lim — someone who acts without hesitation when convinced they are right — confronts those who have undermined the educational environment, often with behavior that exceeds common sense.
| Chua-young
Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

Who’s Your 'Triangle'? Mixed-Gender Groups That Come to Mind After Watching 〈Wild Sing〉

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.
| Joo Seong-cheol
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon