Search results for "Obsession"

‘The Assassins’ First-Ever Film Adaptation in South Korea … The Hidden Truth of August 15, 1974 Fact Check With Yoo Hae-jin and Hae-il Park, Releasing on Chuseok After a Decade in the Making On August 15, 1974, a turning point in modern South Korean history is finally brought to the screen.

Christopher Nolan’s masterpiece “Odyssey” is sending shockwaves through movie theaters worldwide. By bucking the complacent current of the modern film industry that relies on computer graphics —and even directly constructing a full-size Trojan Horse on a 10m scale—the result maximizes Nolan’s...

A romantic comedy depicting the thrilling, stick-to-your-soul cohabitation of prosecutor Go Eun-sae (Ha-young), who is suffering from amnesia, and boxing coach Jang Tae-ha (Jeong Hae-in), who claims—on his own—that he is her boyfriend, has held a successful production-launch event today (the 5th).

A battleground for K-content’s source IPs: Masterpieces from 25 titles reveal themselves In Busan International Film Festival , the AsiaContents&Film Market—Asia’s biggest arena for content deals—shook up the second rights market by unveiling 25 officially selected titles for the “Busan...

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.

Identity makes its grand return— a turning point in youth shaped by 20 boys “Identity,” which is redefining the paradigm for ultra-scale K-pop, has finally pulled back the curtain. On the 13th, the group hit the ground running with the release of its new album “itsnotover” and threw down a heavy...

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...

※Spoilers for 〈The Boy in the Last Row〉. ​ We live in the age of binge-watching. The days of waiting one or two episodes a week, predicting the next twist and musing about what comes next are gone. Netflix originals routinely end each episode with cliffhangers designed to make viewers hit the...