Search results for "Obsession"

The Bitter Taste of Loss, the Sweet Taste of Obsession, Movie ‘Chocolate’ Main Poster and Main Trailer Released!

The Bitter Taste of Loss, the Sweet Taste of Obsession, Movie ‘Chocolate’ Main Poster and Main Trailer Released!

A psychological drama depicting the process of a woman, Yeon-hee (Lim Chae-young), who lives only on chocolate after losing her family, gradually descending into destructive instincts in a world devoid of compassion.
The movie 〈Chocolate〉 with its bizarre charm set against a backdrop of a white snowy field, will be released on November 19, and has unveiled its main poster and main trailer. The film 〈Chocolate〉 is a psychological drama that portrays the process of a woman, ‘Yeon-hee (Lim Chae-young)’, who lives...
[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.
One of the most striking scenes in 〈Odyssey〉 is the one-eyed giant Cyclops that Odysseus and his group encounter in a cave they enter after chasing a ram. With his enormous body blocking the cave like a huge boulder, he devours the humans inside two at a time each day, then sleeps.
[Photo&] Yoo Hae-jin and the ‘Assassins’ … Turning a Gunshot Into the Truth Behind the Plot — The Production Report Meeting for “The Assassins”

[Photo&] Yoo Hae-jin and the ‘Assassins’ … Turning a Gunshot Into the Truth Behind the Plot — The Production Report Meeting for “The Assassins”

Director Heo Jin-ho’s 10-year mystery pursuit drama tracks down the truth … Hae-il Park and Min-ho Lee join the cast to recreate the 1970s in full
‘The Assassins’ First-Ever Film Adaptation in South Korea … The Hidden Truth of August 15, 1974Fact Check With Yoo Hae-jin and Hae-il Park, Releasing on Chuseok After a Decade in the MakingOn August 15, 1974, a turning point in modern South Korean history is finally brought to the screen.
[Photo &] “Odyssey” Dumps CGI, Builds a 10m Trojan Horse and Drinks in 640km of Film—A 10m Trojan Horse and an 18m One-Eyed Monster

[Photo &] “Odyssey” Dumps CGI, Builds a 10m Trojan Horse and Drinks in 640km of Film—A 10m Trojan Horse and an 18m One-Eyed Monster

Matt Damon calls it “the toughest project” … Real-life set work covering 10,000㎡ and even an 18m monster brought to the screen after a 20-year dream
Christopher Nolan’s masterpiece “Odyssey” is sending shockwaves through movie theaters worldwide. By bucking the complacent current of the modern film industry that relies on computer graphics —and even directly constructing a full-size Trojan Horse on a 10m scale—the result maximizes Nolan’s...
Addictive ‘Same-Old Flavor’ Star-Crossed Romance! Netflix Series “Our Sticky Love” Wraps Production-Launch Event

Addictive ‘Same-Old Flavor’ Star-Crossed Romance! Netflix Series “Our Sticky Love” Wraps Production-Launch Event

A romantic comedy that follows Go Eun-sae (Ha-young), a prosecutor with amnesia, and Jang Tae-ha (Jeong Hae-in), a boxing coach who insists he is her boyfriend, as they move in and live together.
A romantic comedy depicting the thrilling, stick-to-your-soul cohabitation of prosecutor Go Eun-sae (Ha-young), who is suffering from amnesia, and boxing coach Jang Tae-ha (Jeong Hae-in), who claims—on his own—that he is her boyfriend, has held a successful production-launch event today (the 5th).
Busan International Film Festival Selects 25 Source IP Titles… Including “A Genius Doctor Who Reads Comments” and 15 Korean Works

Busan International Film Festival Selects 25 Source IP Titles… Including “A Genius Doctor Who Reads Comments” and 15 Korean Works

After a contest among 138 submissions, IPs are handpicked from four Asian countries; a second rights-focused business meeting is set to take place at BEXCO in October.
A battleground for K-content’s source IPs: Masterpieces from 25 titles reveal themselvesIn Busan International Film Festival , the AsiaContents&Film Market—Asia’s biggest arena for content deals—shook up the second rights market by unveiling 25 officially selected titles for the “Busan StoryMarket”.
How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

How Na Hong-jin’s ‘Hope’ Maps Korea’s Paranoid Beliefs, Part 2

▶〈Hope〉: this piece continues Part 1. Director Na Hong-jin deliberately disorients the audience by showing Beom-seok misidentify the alien's location. Beom-seok and Jong-gu are both police officers, but they are timid and incompetent.
‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
Ultra-Scaled K-pop Group Identity Releases New Album Itsnotover

Ultra-Scaled K-pop Group Identity Releases New Album Itsnotover

With 20 of 24 members taking the stage, the group promises a once-in-a-generation performance; the title track “Kids Return” expands its coming-of-age story.
Identity makes its grand return— a turning point in youth shaped by 20 boys“Identity,” which is redefining the paradigm for ultra-scale K-pop, has finally pulled back the curtain. On the 13th, the group hit the ground running with the release of its new album “itsnotover” and threw down a heavy...
Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

Interview: Choi Min-sik on stripping insecurity bare in 〈Notes from the Last Row〉

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.