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[Interview] Jeon Do-yeon on 'Possible Love,' Part 1: “I Did What I Always Do. Why All This Praise?”

[Interview] Jeon Do-yeon on 'Possible Love,' Part 1: “I Did What I Always Do. Why All This Praise?”

What does Jeon Do-yeon look like through Lee Chang-dong's lens, 19 years after 〈Secret Sunshine〉 (2007). She says she doubted herself during 〈Secret Sunshine〉 when the director offered no answers. This time, she arrived on set with an open heart and a clear mind.
| Kim Ji-yeon
[New Film] ‘Gongmudohwa,’ Winner of the Yubari Grand Prix and Other Major International Awards, Brings a Powerful Story to Theaters on the 25th

[New Film] ‘Gongmudohwa,’ Winner of the Yubari Grand Prix and Other Major International Awards, Brings a Powerful Story to Theaters on the 25th

A North Korean defector’s story of survival echoes the ancient Korean song ‘Gongmudohwaga’; the film has won four international awards
A harsh reality awaits across the Tumen River; bonds forged amid deprivation The independent film ‘Gongmudohwa’, which follows the grueling struggle for survival of a girl who loses her family and arrives alone in South Korean society, opens to audiences on the 25th.
| James choi
[Interview] 'Possible Love' Director Lee Chang-dong, Part 2: “There Is Always a Line Between When to Point the Camera and When to Turn It Away”

[Interview] 'Possible Love' Director Lee Chang-dong, Part 2: “There Is Always a Line Between When to Point the Camera and When to Turn It Away”

※ This interview with 〈Possible Love〉 director Lee Chang-dong continues from Part 1. I imagine considerable effort went into casting the four actors: Sul Kyung-gu, Jeon Do-yeon, Cho Yeo-jeong and Zo In-sung. Are there any behind-the-scenes casting stories.
| Seongchan Eol
Jeju 4·3 Film Festival to Offer Free Screenings of All Films; Opens on the 22nd With 32-Film Lineup

Jeju 4·3 Film Festival to Offer Free Screenings of All Films; Opens on the 22nd With 32-Film Lineup

Opening film ‘Ash’ and closing film ‘Diary for My Parents’ among selections; advance reservations open on the 16th Festival runs from the 22nd to the 28th at BeIN Theater, with all films free and a record 526 submissions
The Jeju 4·3 Film Festival is embarking on its fourth edition, revisiting the historical wounds of Jeju 4·3 and exploring on screen state violence, conflict and human rights around the world. A spectrum of remembrance and solidarity, with global peace discourse across five sections The Jeju 4·3...
| James choi
‘2026 ACC Big Door Cinema’ Wraps Up to Cheers from More Than 3,000 Attendees, Bringing an Urban Cinema Picnic to Autumn Nights

‘2026 ACC Big Door Cinema’ Wraps Up to Cheers from More Than 3,000 Attendees, Bringing an Urban Cinema Picnic to Autumn Nights

Three Korean cinema renaissance classics screened: ‘200 Pounds Beauty,’ ‘The Contact’ and ‘Shiri’… Star guests included Ju Jin-mo, Kim Tae-woo and director Kang Je-gyu
The 2026 ACC Big Door Cinema, a signature outdoor film festival hosted by the National Asian Culture Center , under the Ministry of Culture, Sports and Tourism, and organized by the National Asian Culture Center Foundation , drew more than 3,000 attendees and wrapped up on October 31 to great...
| Kim Ji-yeon
‘The Lobster’ Returns to Theaters Nov. 11: The Bizarre Film World of Yorgos Lanthimos, Part 2

‘The Lobster’ Returns to Theaters Nov. 11: The Bizarre Film World of Yorgos Lanthimos, Part 2

A perfectly strange love story set in a world where people become animals if they can’t fall in love within 45 days—and find their destined partners in a place where love is forbidden.
〈The Lobster〉 ​※ This article continues from the first installment on the re-release of 〈The Lobster〉 and the film world of Yorgos Lanthimos. (4) 〈The Lobster〉 and the secret of its final scene The most controversial aspect of 〈The Lobster〉 was its final scene: Did David run away and leave behind...
| Joo Seong-cheol
‘The Lobster’ Returns to Theaters on Nov. 11: The Bizarre World of Yorgos Lanthimos, Part 1

‘The Lobster’ Returns to Theaters on Nov. 11: The Bizarre World of Yorgos Lanthimos, Part 1

A perfectly strange love story about a world where people turn into animals if they can’t find love within 45 days—and where two people meet their destined match in a place where love is forbidden.
​ (1) 〈The Lobster〉, the first Yorgos Lanthimos protagonist to finally have a name Before directing 〈The Killing of a Sacred Deer〉 (2017) and 〈The Favourite〉 (2018), Yorgos Lanthimos’s characters never had names.
| Joo Seong-cheol
10 Standout Films at the Jeonju International Film Festival, Including ‘The Summer We Let Go,’ to Screen at Four CGV Theaters

10 Standout Films at the Jeonju International Film Festival, Including ‘The Summer We Let Go,’ to Screen at Four CGV Theaters

Ten acclaimed Korean and international films spotlighted at four major Seoul theaters over 10 days, Nov. 13–22
10 Korean and international independent and art films with distinctive perspectives come to four Seoul screens Acclaimed films that drew attention from critics and audiences alike at the 27th Jeonju International Film Festival are coming to Seoul.
| James choi
Andong Heritage Film Festival Debuts, Bringing Nine Days of Cinema Starting on the 7th

Andong Heritage Film Festival Debuts, Bringing Nine Days of Cinema Starting on the 7th

Events will be held at Seonseonghyeon Cultural Complex and around Woryeonggyo Bridge; Jia Zhangke’s Still Life selected as opening film
The 2026 Andong Heritage Film Festival, which explores the long history and cultural heritage of Andong, North Gyeongsang Province, as well as the lives and memories of the people who have lived there, opens with a grand ceremony on the 7th.
| James choi
Experimental Filmmaker Lynne Sachs to Visit Korea for First Time, Showing 21 Films in 16 Years

Experimental Filmmaker Lynne Sachs to Visit Korea for First Time, Showing 21 Films in 16 Years

Special retrospective runs Nov. 14–16 at Indie Space and Sorigurim… A close look at more than 40 years of work by Maya Deren Award winner
Four decades of poetic cinema that dissolves the boundaries between memory and history A special retrospective, Films About Lynne Sachs Who, surveying the artistic trajectory of Lynne Sachs (65), a leading figure in American independent and experimental cinema, will run for three days, Nov.
| James choi