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Stephen Chow’s ‘Kung Fu Hustle’ returns to theaters after 21 years — legendary comic martial arts film back on the big screen

Stephen Chow’s ‘Kung Fu Hustle’ returns to theaters after 21 years — legendary comic martial arts film back on the big screen

Re-release set for theaters nationwide next month; film features martial arts choreography by Yuen Woo-ping, who worked on ‘The Matrix’
Pig Sty Alley rises again on the big screen, bringing back its singular action aesthetic ‘Kung Fu Hustle,’ a comic martial arts masterpiece created by the singular icon of Chinese-language cinema, Stephen Chow (Chow Sing-chi), is returning to South Korean theaters after 21 years.
| James choi
From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

A first prize in 24 years since the Best Director award for “Oasis,” highlighting the meaning of class and love through a laid-off worker and a “silver-spoon” couple
Director Lee Chang-dong, 72, reaffirmed his stature as a global master by winning the Grand Jury Prize at the 83rd Venice International Film Festival for “Possible Love,” his first film in eight years. After winning Best Director for “Oasis” in 2002, Lee added a new milestone to his international...
| James choi
'Hope' Original Soundtrack Album Released Worldwide! Music Director Michael Abels Unveils a New World!

'Hope' Original Soundtrack Album Released Worldwide! Music Director Michael Abels Unveils a New World!

Michael Abels, the music director who has enriched films including 〈Get Out〉, 〈Us〉 and 〈Nope〉 with his richly layered musical vision, joins the project.
The film 〈Hope〉 is drawing attention with the worldwide simultaneous release of its original soundtrack album, which extends the genre thrills filling the screen through music. Michael Abels, the music director who has deepened films with his richly layered musical vision from 〈Get Out〉 and 〈Us〉 to...
| Joo Seong-cheol
[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

[Jusungcheol’s Locker] Odyssey’s one-eyed giant Cyclops and Ray Harryhausen’s “The Seventh Voyage of Sinbad”

I can’t help getting captivated by the objects in movies. I find myself in deep thought about why, of all things, the director, cinematographer, production designer, or even the actors would put that item in front of the camera. “Jusungcheol’s Locker” is a record of the film objects that have landed gently on my eyes.
One of the most striking scenes in 〈Odyssey〉 is the one-eyed giant Cyclops that Odysseus and his group encounter in a cave they enter after chasing a ram. With his enormous body blocking the cave like a huge boulder, he devours the humans inside two at a time each day, then sleeps.
| Joo Seong-cheol
“Female-character pioneer” Yangzichung (Michelle Yeoh) heads to Busan after 15 years

“Female-character pioneer” Yangzichung (Michelle Yeoh) heads to Busan after 15 years

At the opening ceremony of the 31st BIFF on Oct. 6, she will receive the Asian Filmmaker of the Year award; four special screenings including “Everything Everywhere All at Once”
A living legend in Hollywood and Asia’s film world, actress 'Yangzichung ' will step onto Busan’s red carpet for the first time in 15 years. The 31st 'Busan International Film Festival ' said in an official announcement that it will present her with the Asian Filmmaker of the Year honor at the Oct.
| James choi
Top 6.2% for tvN ‘Undercover Chef’ Spin-Off… This Time, It’s the Overseas Senior Chefs Coming In

Top 6.2% for tvN ‘Undercover Chef’ Spin-Off… This Time, It’s the Overseas Senior Chefs Coming In

Local chefs in Italy and China visit Korea in the first place—program is aiming to air sometime this year
The Evolution of 역지사지 Reality… A Comeback by a Strange Kitchen That’s Set to Hit Home Viewers tvN 'Undercover Chef', which logged a peak viewership rating of 6. 2% and offered a new paradigm for cooking entertainment, is expanding its universe at full speed.
| James choi
Passion Behind the Camera Beyond the Lens! Behind-the-Scenes Stills Shot by Cinematographer Hong Kyung-pyo Unveiled for “Hope”!

Passion Behind the Camera Beyond the Lens! Behind-the-Scenes Stills Shot by Cinematographer Hong Kyung-pyo Unveiled for “Hope”!

Photos directly captured by cinematographer Hong Kyung-pyo bring the atmosphere on set to life.
The released behind-the-scenes stills capture everything from the sweeping scenery at the filming locations to moments that show the intense drive of the staff and actors as they work to complete the production.
| Joo Seong-cheol
In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

In 'Hope,' Na Hong-jin Maps Korea’s Paranoid Faith①

The trailer for 〈Hope〉 promises a showdown between humans and aliens. Instead, director Na Hong-jin delays the alien’s appearance until nearly an hour into the film and focuses first on how a stray rumor spirals into collective panic.
| Chua-young
‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

‘Hope’ Director Na Hong-jin Wins Action Cinema Award at the 25th New York Asian Film Festival

At this year’s festival, director Na Hong-jin met with Ari Aster, the director behind 〈Hereditary〉 and 〈Midsommar〉.
The hot-button release 〈Hope〉, which has been taking the No. 1 spot at the box office day after day since its debut, was selected as the centerpiece screening at the 25th New York Asian Film Festival and held a North American premiere screening on Monday, July 20.
| Joo Seong-cheol
Jo In-sung Struggles to Survive in “HOPE”; Video of Character-Making to Release “Sung-gi” Edition

Jo In-sung Struggles to Survive in “HOPE”; Video of Character-Making to Release “Sung-gi” Edition

“I poured out all the energy I had, and filmed every scene with care, one by one.”
In this video, Jo In-sung can be seen throwing himself into the role of “Sung-gi,” a local young man in Ho-po Port who does whatever it takes to make money. Describing Sung-gi as “a character that reveals the grit to fight for survival,” Jo In-sung proved his standout presence not only through...
| Joo Seong-cheol