Search results for "Unknown Seoul"

A Deluded Fan Mindset Even in Court: Disruptions as BTS Jin’s First Trial Over Alleged Sexual Assault Stalls The first trial in a case involving a “sudden kiss” aimed at BTS member Jin, a global superstar whose actions shocked people worldwide, ended in farce after the defendant made a blatant...

Few actors throw themselves at the impossible the way Jo In-sung does. He runs, hangs on, endures and throws his body into action. In director Na Hong-jin's new film 〈Hope〉, Jo In-sung delivers raw, unpolished action, exuding a wildness and animal instinct as he faces an extraterrestrial...

A Meeting of Masters Set to Rattle the Landscape of South Korean Film A massive forum for a renaissance in South Korean cinema finally lifts the veil. For Na Hong-jin’s SF blockbuster 'Hope', the director’s long-awaited return after a decade of silence since 'The Wailing', world-renowned masters...

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.

Director Na Hong-jin said he turned to aliens in 〈Hope〉 after exploring supernatural beings in 〈The Wailing〉 (2016). Speaking with Cineplay in Jongno District, Seoul, on the afternoon of the 7th, director Na Hong-jin discussed the release of 〈Hope〉 and the story behind the film.

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.

Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.

The film 〈Dora〉 tells the story of a family who leave Seoul behind and settle into a seaside villa in mid-summer, as Dora—who has been ill with an unknown condition—comes to understand love for the very first time, and everything begins to slowly unravel.

Ahead of the May 17 world premiere in the Directors’ Fortnight at the Cannes Film Festival, director Jeong Juri’s new work 〈Dora〉 has confirmed the Cannes joint attendance of director Jeong Juri and actors Kim Do-yeon and Ando Sakura, unveiling the trio’s invitation-day remarks.

The 62nd Baeksang Arts Awards: A Triumphant Joint Win for Yoo Hae-jin and Ryu Seung-ryong—Friends for 30 Years The top honor at the 62nd 'Baeksang Arts Awards' went to 'Yoo Hae-jin' from the film 'The Man Who Lives in a King', and 'Ryu Seung-ryong' from the drama 'Kim Bu-jang, Working for a Large...