LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "interpretation"

Bumjeop Has Turned Everything Upside Down. 'World of SWF' Mega Crew Mission Review

Bumjeop Has Turned Everything Upside Down. 'World of SWF' Mega Crew Mission Review

How can we wait another week? To catch Bumjeop's victory (?) live, sighs continued from those who awaited the 10 PM broadcast of 'World of Street Woman Fighter' on June 24. This was because the reaction to the Mnet 'World of Street Woman Fighter' (hereafter 'World of SWF') Mega Crew Mission video,...
| Joo Seong-cheol
〈The Unknown Seoul〉 The Reason Why Lee Ho-soo and Park Jin-young Resemble Each Other

〈The Unknown Seoul〉 The Reason Why Lee Ho-soo and Park Jin-young Resemble Each Other

How can one not become attached to the character Lee Ho-soo (Park Jin-young). Like a lake that holds deep currents beneath a calm surface, Lee Ho-soo is a character who stands tall after overcoming inner growing pains.
| Kim Ji-yeon
Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

※ This interview with 〈Notes from the Last Row〉 star Choi Hyun-wook continues from Part 1. 〈Notes from the Last Row〉 sets up Lee Gang’s decision to take revenge after an offhand remark from Heo Mun-o, whom he met at the orphanage as a child, becomes a wound.
| Kim Ji-yeon
[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.
| Kim Ji-yeon
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
Choi Min-sik × Choi Hyun-wook Netflix “The Boy at the Back Line” Released Today (26) — Three Things to Watch

Choi Min-sik × Choi Hyun-wook Netflix “The Boy at the Back Line” Released Today (26) — Three Things to Watch

A gripping suspense that digs into raw, private emotions and a cliffhanger ending that upends expectations are previewed ‘A-list actor’ Choi Min-sik and ‘top-billed’ Choi Hyun-wook deliver an airtight on-screen ensemble and overwhelming character command Director Kim Gyu-tae’s meticulous production and a frame-within-a-story setup with strong pull
Netflix has revealed three things to watch ahead of the release of 〈The Boy at the Back Line〉.Turbulent psychology and intense suspense Netflix original series 〈The Boy at the Back Line〉 depicts what happens when Heo Mun-oh, a professor but a failed writer, meets Lee Kang, a young man with...
| Seongchan Eol
[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

A meeting of the director of “Hanataba” and the screenwriter of “Monster.” It follows the warm journey of three ghost girls who keep growing even after the world they left behind is gone.
A strange co-living arrangement of three girls growing up in a world where time has stoppedCan growth continue even after death? The Japanese film “Kataomoi Sekai,” which traces the original and bittersweet trajectory of three girls who have said goodbye to the world, finally makes its way onto...
| James choi
[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

I can’t stop fixating on the objects in the movies. I get pulled into deep thought over why—director, cinematographer, production designer, maybe even an actor—someone put that object in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects from films that landed in my eyes, as if they gently stepped over them.
〈Toy Story 2〉 (1999)’s opening begins as if it were a scene from the 〈Star Wars〉 series. And in the moment of crisis, Woody recites the lines “Think about it, think about it,” like the way Dong-su (Kim Sang-kyung) does in 〈Theater Jeon〉 (2005) or Yeon-hong (Son Ye-jin) does in 〈No Secrets〉 (2016).
| Joo Seong-cheol
'Maurice Ravel' Marks 150th Birth Anniversary with 'Ravel: A Thousand Lights' — Megabox Launches Exclusive Theatrical Release on the 21st

'Maurice Ravel' Marks 150th Birth Anniversary with 'Ravel: A Thousand Lights' — Megabox Launches Exclusive Theatrical Release on the 21st

A dazzling performance documentary featuring Klaus Mäkelä and the Paris Orchestra. Special GV with cellist Song Min-je and critic Kim Moon-kyung
The return of a maestro beyond time, 'A Thousand Lights' stitched across the screenThe astonishing musical world of the great 'Maurice Ravel' of French impressionist music comes to life flawlessly on screen. Megabox, commemorating the 150th anniversary of Ravel’s birth, has confirmed the release of...
| James choi
Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

Short-Drama Boom! Director Lee Jun-ik’s “Father’s Home-Cooked Meal” and Director Lee Won-seok’s “Beloved Death” Take Part in Bucheon Release Event

The two works were invited to the Bucheon International Fantastic Film Festival’s [Platform Planning Exhibition: Short-Form Cinema],
The Bucheon International Fantastic Film Festival, which marks its 30th anniversary this year, is a leading domestic festival that has actively introduced new formats and content, focusing on genre films. The two works were invited to [Platform Planning Exhibition: Short-Form Cinema] within the...
| Joo Seong-cheol