LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "interpretation"

Seo Jang-hoon and Lee Chan-won Make First Pair as 'Inheritance Pre-Eve' MCs, Join Inheritance and Gift Tax Specialists for Practical Advice Ahead of Jan. Debut

Seo Jang-hoon and Lee Chan-won Make First Pair as 'Inheritance Pre-Eve' MCs, Join Inheritance and Gift Tax Specialists for Practical Advice Ahead of Jan. Debut

tvN STORY’s new inheritance-solution reality show pairs “bloodline capital” consulting aimed at preventing family tragedies.
“Bloodline capital” consulting to prevent family tragedies… A synergy of a cool mind and warm empathy A new-dimension solution program where harsh reality and human comfort intersect is set to launch. Broadcaster 'Seo Jang-hoon' and singer 'Lee Chan-won' have been tapped as the joint MCs of tvN...
| James choi
Actor Kim Minha Selected as Sole Host for Busan International Film Festival Opening Ceremony

Actor Kim Minha Selected as Sole Host for Busan International Film Festival Opening Ceremony

The 31st Busan International Film Festival (BIFF), opening on October 6, has named actor Kim Minha as the sole host of the opening ceremony A mainstream move that spans both screen and TV, including Apple TV+ global hit “Pachinko” Elevating BIFF’s stature as the festival takes a new leap with insightful interpretations and a bold streak
Actor Kim Minha will serve as the sole host of the opening ceremony for the 31st Busan International Film Festival . Chosen as the face of BIFF for a new leap The Busan International Film Festival said on the 31st, “Actor Kim Minha was selected as the sole host for the opening ceremony of the 31st...
| Seongchan Eol
“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

“Were the parents too harsh?” The behind-the-scenes story from director Tomoaki Fujino about a sister who spent 25 years locked away

The film ‘What Should We Have Done?’ opens… It portrays the realities of psychiatric medicine in the 1980s and a family’s anguish, setting a record of 55 straight sellouts in Japan
“What Should We Have Done?” 25 years of seclusion… A painful choice by doctor parents A hot-ticket release in Japan with 55 consecutive sellouts, shining a light on psychiatric medical realities of the 1980s and the family’s dilemma Beyond one slice of tragedy: reflection on the other side of the...
| James choi
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

Interview: Rising Star Choi Hyun-wook of ‘Notes from the Last Row’ ②

※ This interview with 〈Notes from the Last Row〉 star Choi Hyun-wook continues from Part 1. 〈Notes from the Last Row〉 sets up Lee Gang’s decision to take revenge after an offhand remark from Heo Mun-o, whom he met at the orphanage as a child, becomes a wound.
| Kim Ji-yeon
[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

[Interview] Rising star Choi Hyun-wook takes on a tiger-like co-star in 'Notes from the Last Row' ①

Choi Hyun-wook, born in 2002, squares off with Choi Min-sik, born in 1962, in Netflix's 〈Notes from the Last Row〉 — and, furthermore, few expected he'd end up literally playing on top of the veteran; still, he never gives ground.
| Kim Ji-yeon
Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Interview: Choi Min-sik Lays Bare the Raw Face of an Inferiority Complex in 〈Notes from the Last Row〉, Part 1

Forty-five years into his career, Choi Min-sik can still reveal a new side. In Netflix’s 〈Notes from the Last Row〉, he trades his usual untouchable charisma for the exposed, raw face of an intellectual consumed by an inferiority complex — a petty man trapped in his own world and steeped in a sense...
| Kim Ji-yeon
Choi Min-sik × Choi Hyun-wook Netflix “The Boy at the Back Line” Released Today (26) — Three Things to Watch

Choi Min-sik × Choi Hyun-wook Netflix “The Boy at the Back Line” Released Today (26) — Three Things to Watch

A gripping suspense that digs into raw, private emotions and a cliffhanger ending that upends expectations are previewed ‘A-list actor’ Choi Min-sik and ‘top-billed’ Choi Hyun-wook deliver an airtight on-screen ensemble and overwhelming character command Director Kim Gyu-tae’s meticulous production and a frame-within-a-story setup with strong pull
Netflix has revealed three things to watch ahead of the release of 〈The Boy at the Back Line〉. Turbulent psychology and intense suspense Netflix original series 〈The Boy at the Back Line〉 depicts what happens when Heo Mun-oh, a professor but a failed writer, meets Lee Kang, a young man with...
| Seongchan Eol
[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

A meeting of the director of “Hanataba” and the screenwriter of “Monster.” It follows the warm journey of three ghost girls who keep growing even after the world they left behind is gone.
A strange co-living arrangement of three girls growing up in a world where time has stopped Can growth continue even after death? The Japanese film “Kataomoi Sekai,” which traces the original and bittersweet trajectory of three girls who have said goodbye to the world, finally makes its way onto...
| James choi
[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

[Joo Seong-cheol’s Locker] Do You Know the Origin of Woody in “Toy Story”?

I can’t stop fixating on the objects in the movies. I get pulled into deep thought over why—director, cinematographer, production designer, maybe even an actor—someone put that object in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects from films that landed in my eyes, as if they gently stepped over them.
〈Toy Story 2〉 (1999)’s opening begins as if it were a scene from the 〈Star Wars〉 series. And in the moment of crisis, Woody recites the lines “Think about it, think about it,” like the way Dong-su (Kim Sang-kyung) does in 〈Theater Jeon〉 (2005) or Yeon-hong (Son Ye-jin) does in 〈No Secrets〉 (2016).
| Joo Seong-cheol