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“Until the T-Shirt Dries,” “Our Little Sister” Japanese Actress Kaho Announces Surprise Marriage; Partner Is 34-Year-Old Film Director

“Until the T-Shirt Dries,” “Our Little Sister” Japanese Actress Kaho Announces Surprise Marriage; Partner Is 34-Year-Old Film Director

She announced the marriage on her official website on the 15th, tying the knot with film director Sora Hokimoto, who is one year younger
Kaho begins the second act of her life, grounded in an artistic connection Kaho (35), one of Japan’s leading actresses known for her range, has married film director Sora Hokimoto (34), who is one year younger. Major Japanese media outlets, including Kyodo News, reported the marriage on the 15th,...
[Choo A-young’s Music Box] After Anger, ‘Oasis: Don’t Look Back in Anger’ Sings Again

[Choo A-young’s Music Box] After Anger, ‘Oasis: Don’t Look Back in Anger’ Sings Again

I am drawn to music in films. Music often reveals a character's intimate feelings that images and dialogue alone cannot convey. It can also serve as a window into a creator's hidden intentions. For me, understanding film music has been one way to approach a movie.
Lee Seung-chul's 40th Anniversary Takes Center Stage in KBS Chuseok Special's 'Never-Ending Story' Trilogy

Lee Seung-chul's 40th Anniversary Takes Center Stage in KBS Chuseok Special's 'Never-Ending Story' Trilogy

A bold lineup spans a documentary debuting on the 15th, a variety show featuring Tak Jae-hoon and Sunny, and footage of his August concert at Inspire Arena
Four decades in music history bring the emperor of live performance to living rooms A large-scale project celebrating the 40th anniversary of the debut of 'Lee Seung-chul,' a living legend of Korean popular music, is coming to living rooms nationwide this Chuseok holiday.
Oasis: Don't Look Back in Anger Comes to Screen, Telling the Story of a 15-Year Feud's End —

Oasis: Don't Look Back in Anger Comes to Screen, Telling the Story of a 15-Year Feud's End — "A Film About Forgiveness"

Exclusive Lotte Cinema screening on the 9th will feature six weeks of intimate footage and the brothers' first joint interview in 20 years…
The 'Gallagher brothers' break 15 years of silence as Britpop legend returns to the big screen 'Oasis: Don't Look Back in Anger', a documentary closely following British rock legends 'Oasis' on their historic reunion tour, will open exclusively at Lotte Cinema on the 9th.
Lee Chang-dong's 'Possible Love' premieres in Venice, leaving a profound 164-minute impression

Lee Chang-dong's 'Possible Love' premieres in Venice, leaving a profound 164-minute impression

Starring Jeon Do-yeon and Seol Kyung-gu, the film opens in select theaters on the 23rd and arrives on Netflix on Nov. 6
A master's return, a searching gaze into an age of loss At the 83rd Venice Film Festival, director 'Lee Chang-dong' broke an eight-year silence with his new film 'Possible Love,' which made its world premiere. Over 164 minutes, the film closely follows the intersecting lives of two couples and...
'Nam Kyung-joo faces jury trial over alleged sexual assault of student' —

'Nam Kyung-joo faces jury trial over alleged sexual assault of student' — "Musical defense" allowed

Court accepts Nam's request for a jury verdict; proceedings set for Nov. 27 and 30
Fighting charge of sexual intercourse with a person under his supervision while suspended as a Hongik University associate professor Unusual courtroom defense anticipated — Which way will jurors vote? Musical theater actor Nam Kyung-joo, indicted on charges of sexually assaulting a student, will...
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
Review: Ridley Scott's 'Dog Star: Last Hope' Finds Striking Images, Uneven Returns

Review: Ridley Scott's 'Dog Star: Last Hope' Finds Striking Images, Uneven Returns

Ridley Scott's 〈Dog Star: Last Hope〉, adapted from Peter Heller's novel, imagines a virus-ravaged 2035 as both post-apocalyptic drama and road movie — with striking visuals but uneven dramatic payoff. At 88 and still energetically directing on set, Scott adapts the novel into a film about a man's...
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...
Documentary 'The Person in a Blanket' Opens Sept. 9 With Audience-Built Eco-Friendly Photo Wall Workshop

Documentary 'The Person in a Blanket' Opens Sept. 9 With Audience-Built Eco-Friendly Photo Wall Workshop

A documentary follows Jeong-mi as she attempts to live on 0 won at the brink of financial ruin and searches for the true reason to keep living The 'Death Sewing Club,' led by musicians Sun and Young, joins the project for a hand-sewing movement that creates without wasting fabric In a special promotion on Aug. 27, banners made by audience members will be used at official film events and in promotional materials
〈The Person in a Blanket〉 is bringing audiences together for a groundbreaking workshop. The documentary 〈The Person in a Blanket〉 follows Jeong-mi as she attempts to live on 0 won at the brink of financial ruin and searches for the true reason to keep living at the end of that fear.