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‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

‘Hope’ Finally Meets Moviegoers. Here’s How Cineplay’s Critics Rated It

Advance bookings alone topped 600,000. That opening-day figure shows that 〈Hope〉 has become a national talking point, not just a movie-industry event. 〈Hope〉 is the new film from director Na Hong-jin, known for the tense, audacious intensity of 〈The Chaser〉, 〈The Yellow Sea〉 and 〈The Wailing〉.
Queer Horror 'Leviticus' and Thriller 'Knock' Win Top Honors at Bucheon Film Festival (BIFAN)

Queer Horror 'Leviticus' and Thriller 'Knock' Win Top Honors at Bucheon Film Festival (BIFAN)

Queer horror 'Leviticus' and crime thriller 'Knock' were named best at the 30th Bucheon International Fantastic Film Festival The festival also revealed winners of the newly created AI film award
A film industry's paradigm shift for what's next — BIFAN's take on genre upheaval and an AI revolution The 30th edition of the Bucheon International Fantastic Film Festival — where the imaginations of 321 films from 50 countries across the world collided — has finally unveiled the faces set to...
Review: ‘Hope’ Is Stunning by Design — for Better and Worse

Review: ‘Hope’ Is Stunning by Design — for Better and Worse

Few Korean films this year have arrived with expectations as high as 〈Hope〉. The film 〈Hope〉 has, true to its name, been framed as a much‑needed sign of hope for the Korean film industry and carries enormous expectations. Each of those factors has helped make the film a major draw.
Na Hong-jin: 〈Hope〉 explores how a small incident can spiral out of control

Na Hong-jin: 〈Hope〉 explores how a small incident can spiral out of control

Interview on the release of the film 〈Hope〉
Director Na Hong-jin said he turned to aliens in 〈Hope〉 after exploring supernatural beings in 〈The Wailing〉 (2016). Speaking with Cineplay in Jongno District, Seoul, on the afternoon of the 7th, director Na Hong-jin discussed the release of 〈Hope〉 and the story behind the film.
[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

[BIFAN 2026] How to Enjoy Bucheon 30 Years, 100 Times Over ① Bucheon Is a Genre! 99 Asian Genre Films, 11 Genre Films Directed by Women

On the occasion of its 30th edition, the festival announced the start of its three-year project, “Asian Genre Films 99” (Asian Genre Films 99).
Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.
Just 1,000 won…Seoul City holds “FHFP Film Festival” with 23 universities nationwide

Just 1,000 won…Seoul City holds “FHFP Film Festival” with 23 universities nationwide

Seoul City holds the “FHFP 2026 Film Festival” with 23 universities across the country on the 26th Admission is 1,000 won, and all proceeds from merchandise sales are donated
A Z-generation challenge transplanted onto the screen, asking what comes next for Korean cinema A seismic shift in the Korean film industry has already begun. The “FHFP 2026 Film Festival,” hosted by Seoul City at the Seoul Film Center on the 26th, is more than a simple coalition event for college...
[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

[New Film] Yuji Sakamoto’s New Work “Kataomoi Sekai” Is a Special Coming-of-Age Story for Three Ghost Girls

A meeting of the director of “Hanataba” and the screenwriter of “Monster.” It follows the warm journey of three ghost girls who keep growing even after the world they left behind is gone.
A strange co-living arrangement of three girls growing up in a world where time has stopped Can growth continue even after death? The Japanese film “Kataomoi Sekai,” which traces the original and bittersweet trajectory of three girls who have said goodbye to the world, finally makes its way onto...
‘Hope’ Hwang Jung-min, Jo In-sung, and Jeong Ho-yeon Hold a Show Case With Big Turnout!

‘Hope’ Hwang Jung-min, Jo In-sung, and Jeong Ho-yeon Hold a Show Case With Big Turnout!

The June 16 show case brought out the film’s main stars, including Hwang Jung-min, Jo In-sung, and Jeong Ho-yeon.
The show case held at Megabox COEX on Tuesday, June 16 brought out all the film’s leading stars, including Hwang Jung-min, Jo In-sung, and Jeong Ho-yeon, delivering a rich stretch of time with everything from talks to events.
US True-Crime Motif, Busan Indie Film Festival Winning Film ‘ChungChungChung’... Dangerous Impulses of Late-Twentieth-Century Teens

US True-Crime Motif, Busan Indie Film Festival Winning Film ‘ChungChungChung’... Dangerous Impulses of Late-Twentieth-Century Teens

A look at teens’ lack and desire shaped by the collision of impulses... The winner of the Busan International Film Festival jury’s special award will open on the 17th.
Fragmented Desires, a Portrait of a Perilous Solidarity The pathological signs of modern society show up in the most fragile gaps—'lack' among teenagers. A boy gripped by blind duty, convinced he can save the world, and a girl, Jisuk, who tries to prove control with a self-destructive mechanism...
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...