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The Four Daughters Who Kidnapped the Murderer Who Killed Their Youngest…Lee Jungeun, Gong Hyojin, Park Sodam and Lee Yeon’s ‘Gyeongju Trip’ Opens

The Four Daughters Who Kidnapped the Murderer Who Killed Their Youngest…Lee Jungeun, Gong Hyojin, Park Sodam and Lee Yeon’s ‘Gyeongju Trip’ Opens

A revenge drama honed over 8 years…A Florence Korean Film Festival prizewinner riding high on anticipation with Park Sodam and Byun Yohan joining the cast, set to open on Aug. 26 next month.
The Bloody Journey Begins: The Merciless Judgment of Four Daughters Who Overwhelm the Screen StartsEight years of waiting—and a single day of judgment. The four daughters’ harrowing blood-soaked journey, after losing their youngest, finally pulls back the curtain.
| James choi
Namhongjin’s $50 Billion Epic “Hope” Opens Today… 600,000 Tickets Press Ahead to a Dominant No. 1

Namhongjin’s $50 Billion Epic “Hope” Opens Today… 600,000 Tickets Press Ahead to a Dominant No. 1

A return 10 years after “The Wailing.”
[In-Depth Analysis] The Return of a $5 Billion Epic—A Mind-Blowing Sci-Fi Thriller Created by the Namhongjin UniverseThe return of a master who broke a decade of silence is, indeed, overwhelming. 'Hope', which has shaken up the landscape of the Korean film industry, proved its explosive box-office...
| James choi
Hong Sang-soo’s New Film “No Place for Eyes” Wins Official Selection in Locarno Competition

Hong Sang-soo’s New Film “No Place for Eyes” Wins Official Selection in Locarno Competition

Entering the competitive section of the 77th Locarno International Film Festival, it marks the director’s fifth invitation overall The festival hailed Hong as a “great master of our time,” in a series of praises Starring Kim Min-hee, Choi Myeong-gil, Kwon Hae-hyo, and others; after its Swiss premiere screening, a domestic release is planned for the second half of the year
A new film by director Hong Sang-soo has been invited to the Locarno Film Festival. Director Hong Sang-soo’s 35th feature film, 〈No Place for Eyes〉, announced on July 10 that it will be invited to the Locarno Film Festival’s competitive section.
| Seongchan Eol
Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

Jung Hoyeon Says Na Hong-jin’s No-Compromise Style Made Her Freer on Camera in 〈HOPE〉

※ This interview with Jung Hoyeon of 〈HOPE〉 continues from Part 1. Director Na Hong-jin is reputed not to compromise on set. What was it like to experience his filming process firsthand. As a relatively new actor, I felt his unwillingness to compromise was a blessing.
| Seongchan Eol
Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

Hong Sang-soo and Kim Min-hee’s New Film “There’s Nowhere to Look”—Selected in the Locarno Competition

A big win for director Hong Sang-soo as it marks his 35th feature and his fifth-ever invitation to Locarno. Choi Myung-gil joins for the first time, and Kim Min-hee takes part as production chief
Where the gaze of a master lingers, the 35th aesthetics blooming in JejuDirector ‘Hong Sang-soo’, who has quietly carved a path through the trajectory of Korean auteur cinema, has once again received a call from Switzerland’s Locarno.
| James choi
Emmy Rossum Lays Bare the Full Story of Her Secret Marriage and Divorce After 16 Years—“We Picked Either Break Up or Marry Before Getting on the Plane”

Emmy Rossum Lays Bare the Full Story of Her Secret Marriage and Divorce After 16 Years—“We Picked Either Break Up or Marry Before Getting on the Plane”

Rossum Appears on the Popular Podcast “Call Her Daddy” on the 8th, Telling for the First Time the Backstory of Her Marriage to Former Music Producer Justin Siegel
Emmy Rossum (39), the star of the U.S. hit drama Shameless and well known in South Korea for The Phantom of the Opera, laid bare shocking behind-the-scenes details, in her own words, about her secret marriage and divorce with her former husband, music producer Justin Siegel, which took place only a...
| Yangsimoh
‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

‘AI Performer’ Takes the Lead Role… Controversial AI Tilly Norwood Makes World’s First Feature-Length Debut With ‘Misaligned’

A leading casting for the first feature film of a virtual performer AI media studio Particle 6 starts production with a hybrid production model “Taking human actors’ jobs” follows last year’s reports of Hollywood agency contract talks—and more backlash is expected
Amid fierce opposition from Hollywood performers’ union (SAG-AFTRA) and creators, the world’s first AI actor at the center of the controversy, Tilly Norwood , is finally cast as the solo lead in a feature film—signaling what could be the most unconventional screen debut in Hollywood history.
| Yangsimoh
Han Seok-gyu Plays a Notorious Terror Suspect in Drama 'Speaking Dead'; New Stills Released

Han Seok-gyu Plays a Notorious Terror Suspect in Drama 'Speaking Dead'; New Stills Released

Han Seok-gyu, Jung Yu-mi, Lee Hee-jun, Yeom Hye-ran, and Kim Jun-han star
The new drama 〈Speaking Dead〉 , set to premiere in the second half of this year, has unveiled six press stills that capture the series' chilling tension. The suspense thriller follows a long-buried incident colliding with the present.
| Kim Ji-yeon
'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

'Humor and Fantasy in Marty Supreme' and the Freedom Josh Safdie Won

After Josh Safdie split from his brother Benny Safdie, his solo directorial debut 〈Marty Supreme〉 is packed with a different kind of humor and fantasy than before.
〈Marty Supreme〉 is similar to Josh Safdie’s earlier works, but also different. The most decisive factor is that after going through 〈Heaven Knows What〉 (2014), 〈Good Time〉 (2017), and 〈Uncut Gems〉 (2019), which they co-directed under the name “Safdie Brothers” with his younger brother Benny Safdie,...
| Joo Seong-cheol
Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

Choo Ah-young's Music Box: How 'Marty Supreme' and 1980s New Wave Lay Bare Capitalism's Script

I'm drawn to film music. Sometimes music communicates a character's intimate emotions that images and dialogue alone cannot convey. It can become a window onto a creator's hidden intent. For me, understanding film music has been one way into a movie.
| Chua-young