Search results for "Lee Bo-mi"

A genre-film hub that screens the future, completing 30 years of legacy The Bucheon International Fantastic Film Festival , which has led the cutting edge of the world’s genre film scene beyond Asia, opened on the 2nd with an overwhelming scale as it charted its 30th course.

With the release set nationwide in theaters on Wednesday, Aug. 12, the launch poster for 〈OK Madam 2〉 shows 엄정화 as “Mi-young,” a legendary agent who soon gets pulled into a cruise kidnapping case while on vacation, after briefly living as the owner of an ordinary twisted-dough snack shop.

Between purity and audacity, a reopened project to spark romance Last year, Netflix original variety show “Mother Sol, But I Want to Date” (hereafter “Solo Dating”) captivated global viewers with raw, unfiltered feelings and returns in Season 2 equipped with an even more solid narrative and twists...

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.

〈Baseball Queen〉 is a sports variety show in which players who have excelled across various athletic fields join the Black Queens, the 50th women’s baseball team in Korea, and grow with the goal of winning a national women’s baseball tournament.

Actor Lee Hwi-hyang steps into her first big-screen leading role with the upcoming film 〈Family Trip〉, confirmed for release this September. 〈Family Trip〉 is a “dongsang-imong” road movie with one destination and five hidden feelings—telling the story of a family that sets off on a trip with no...

The main poster for 〈The Gorals〉, released, captures with playful flair the distinct personalities and unpredictable adventure of the quartet of ‘Gorals’—drawing attention immediately. The characters look at one another with their own different expressions and gazes, or stare straight ahead,...

This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...

Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.

“Gibeu aen teikeu, ssinyeonbara!” Lines such as “My child’s father is extremely angry,” “School Rights Protection Bureau inspector! I’m Im Han-lim—!” and the stammering “Ju-, ju-, ju-, a juvenile offender” spawned countless memes from 〈Teach You a Lesson〉, but there’s one moment that should have...