Search results for "Any Perspective"

※The interview with 〈Hope〉 director Na Hong-jin continues from Part 1. ※This interview contains spoilers and interpretations of the ending. Before the film was finished, you said that the actors who play the aliens—including Michael Fassbender and Alicia Vikander—are the protagonists.

“All tragedy begins with perspective. ” Director Na Hong-jin wrote that line in the director's note for 〈Hope〉. On July 15, the director's new film 〈Hope〉, invited to compete in the competition section at the 79th Cannes Film Festival, is set for release.

※ This interview with 〈Notes from the Last Row〉 star Choi Hyun-wook continues from Part 1. 〈Notes from the Last Row〉 sets up Lee Gang’s decision to take revenge after an offhand remark from Heo Mun-o, whom he met at the orphanage as a child, becomes a wound.

※〈Notes from the Last Row〉 actor Choi Min-sik interview continues from Part 1. Among viewers' reactions to 〈Notes from the Last Row〉, many say, "It feels like my most embarrassing, hidden complex has been stripped bare and exposed — it's funny but very uncomfortable.

I am obsessed with subculture. I look into anything that handles fresh stories, themes, or characters—not only films but webtoons, games, manga, and animation. Having entered fandom through comics, I’ve grown into the kind of adult who reads manga as e-books and webtoons on a smartphone while still...

This is a structure that connects the filming set of the late Edo period with that of a modern-day historical drama. The former is an era in which the shogunate was in decline ahead of the Meiji Restoration, while the latter is a period that came after the heyday of 1970s-80s historical dramas—when...

Even watching it again is surprising. 〈Don’t stop the camera. 〉(2017) is the case in point. With a modest production budget of 3 million yen (about 28. 5 million won), the film—made as a workshop project and initially screened in two theaters—went on to rake in a whopping 3 billion yen (about 28.

In Netflix's 〈Husbands in Action〉, released on the 19th, Gong Myung delivers a performance that most fully showcases the actor’s coined "bright-eyed mania" charm. The film is a comedy-action story about an unpredictable rescue mission in which an ex-husband and a current husband, who unexpectedly...

In 〈True Education〉, Bong Geun-dae emerges as an unlikely standout — a socially awkward genius whose growth gives the series some of its emotional balance. A genius who finished KAIST two years early yet often comes across as awkward and withdrawn, he provides a counterbalance among the series'...

The aftershocks of the masterfully crafted masterpiece chosen by the Cannes Film Festival are rippling beyond the screen, creating a seismic shift in the publishing world. The ‘Bring Me to the Back Seat Original Novel’, released through official channels in South Korea on the 15th, regained...