Search results for "April 18 Premiere"

The film captures the process of two people wounded in both body and mind getting swept up in a whirlwind of complicated emotions, brought to life through Jeong Juri’s signature delicate direction.

Elevator Two-Shot with Gong Myung Creates an Awkward Vibe... A Tense Compliance Romance Set in the Office

Following an invitation to the 79th Cannes International Film Festival’s International Competition section, it signs a partnership with global distributor NEON Chosen by NEON, which distributed six consecutive films that won the Palme d’Or—including “Parasite”—it proves it’s a highly anticipated global release A lavish cast including Hwang Jung-min, Jo In-sung, and Michael Fassbender... After its debut at Cannes, it lands in Korean theaters this summer

Kicking off at the April 11 and 18 dates on the U.S.'s biggest music festival, 'Coachella' (Mojave Stage) Joining the first-ever official lineup for a Korean male solo artist—cementing his distinct global presence Aiming straight at fans worldwide with an all-time hit-song medley and, for the first time on stage, brand-new tracks never released before

Actors Dong-won Gang, Ji-hyun Park, and Tae-gu Uhm boldly transform into the dance group “Triangle” from the film “Wild Thing.” On April 10, the official channel shared member-by-member posters and a teaser video for the new song to generate buzz. “Wild Thing,” which tells the story of a mixed-gender group returning after reuniting more than 20 years after disbanding, will hit theaters in June after the title track is released in advance.

According to Netflix Tudum’s TOP 10 website, the series logged 5,000,000 views within three days of release.

This coming-of-age story follows Kiki, a 13-year-old witch, as she dares to stand on her own in a seaside town. The official release date is April 15.

Her first broadcast on April 22… Passionate sellout show host “Dam Ye-jin” played by Chae Won-bin

Premiering at the Seoul Arts Center in June... New “mystery cell 109” appears that wasn’t in the original work

I get hooked on the objects in movies. I find myself falling into deep thought—why, of all things, did the director, cinematographer, production designer, or even an actor put that item in front of the camera? “Chu Sung-cheol’s Lockers” is a record of the film props that gently but firmly captured my attention.