Search results for "Im Si-wan"

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How can one not become attached to the character Lee Ho-soo (Park Jin-young). Like a lake that holds deep currents beneath a calm surface, Lee Ho-soo is a character who stands tall after overcoming inner growing pains.

Director Yeon Sang-ho has found success again with a low-budget project following 〈The Ugly〉. His new film, 〈Paradise Lost〉, opened on October 21. The psychological thriller begins when Ryu Seon-woo (Bae Hyun-sung), a son thought to be dead, miraculously returns to his mother, Ryu So-young (Kim...

What if, overnight, it seemed the whole world was pointing fingers at you? Could you endure a flood of condemnation based solely on your background, without even a fair chance to respond? One person lived through an ordeal that sounds like something from a movie and ultimately got the chance to...

The film 〈The Table: Day and Night〉 held a successful press screening and press conference ahead of its November 4 release. A delightful, lovely film about conversations between day and night, who spend time at a café as the seasons pass, 〈The Table: Day and Night〉 wrapped up its press screening...

The opening chapter of a “youth survival romance”: love in the face of harsh reality “The house doesn’t have to be that nice.” The confession shared by lovers Hwaran (Kim Hyang-gi) and Iwan (Ahn Dong-goo), as they promise each other a sweet future, is romantic—but the reality awaiting them is...

From “stage connection” to “lifelong partners”: Acclaimed actors make a meaningful vow Actor “Bae Nara” (35), known for his work on musical stages and the small screen, and “Han Jae-a” (34, born Cho Yeon-jeong) are tying the knot.

The Master returns after weathering the pandemic, bringing warmth back for the first time in 7 years Based on the manga of the same name by Yaro Abe, which has sold more than 9 million copies worldwide, ‘Midnight Diner: Tokyo Stories’ began streaming worldwide on Netflix on the 20th.

※ This interview with director Kim Il-rhan about 〈Eddie Alice: Take〉 continues from the first article. ​ By drawing close to the two people named in the title, Eddie and Alice, the film also seems to invite viewers to compare their choices.

A women’s bathhouse. Perhaps it’s a familiar, ordinary place for most women. The camera is set up, the lights come on, and filming begins. Water—whether sweat or tears, it’s hard to tell—runs down the face of a woman in the bath.