Search results for "Psycho"

[Weekend Box Office] Swarm Tops for 3rd Week After Surpassing 4.72 Million… Dong-won Kang’s Wild Thing Debuts in 2nd Place

[Weekend Box Office] Swarm Tops for 3rd Week After Surpassing 4.72 Million… Dong-won Kang’s Wild Thing Debuts in 2nd Place

South Korea’s theaters are in an unprecedented state of infection right now. Created by director Yeon Sang-ho, the K-zombie milestone of ‘Swarm’ has completely wrecked the weekend box office while displaying overwhelming dominance for its third week of release.
A Bold Mashup of Teen Drama and Body Horror: “I Want To Be Blonde” Opens on VOD in June

A Bold Mashup of Teen Drama and Body Horror: “I Want To Be Blonde” Opens on VOD in June

The film explores identity and belonging issues facing Asian American teenagers in the U.S. in the format of a genre movie, winning praise A standout from the 2025 SXSW Film Festival featuring Shirley Chen and McKenna Grace delivers an overwhelming sense of immersion Set to land in living rooms in June 2026 through major VOD platforms including the three IPTV providers and Studio Choiсe
I Want To Be Blonde, which combined teen film and body horror and won over audiences, meets Korean viewers on VOD.The film 〈I Want To Be Blonde〉 follows Joann Huang, a Chinese American high school student who lives feeling alienated in American society, and drew major attention after its debut at...
‘The Last-Row Boy’ Character Stills Revealed Featuring Choi Min-sik x Choi Hyun-wook! A Meeting Between a Professor of Korean Literature and a Mysterious Boy!

‘The Last-Row Boy’ Character Stills Revealed Featuring Choi Min-sik x Choi Hyun-wook! A Meeting Between a Professor of Korean Literature and a Mysterious Boy!

The unpredictable aftershocks set in motion by their literature class! 〈The Last-Row Boy〉 will be released on Netflix on June 26.
A suspense drama 〈​The Last-Row Boy〉​ portrays the story of a failed writer and a professor of Korean literature, ‘Heo Moon-oh,’ who discovers the genius of ‘Lee Kang,’ the boy in the very last row of a classroom, and becomes fixated on his writing.
Im Su-jeong Makes Producing Debut in ‘The Second Child,’ Set for July Release

Im Su-jeong Makes Producing Debut in ‘The Second Child,’ Set for July Release

New mystery from director Yu Eun-jeong stars Park So-yi and Yuna and screened in the Vision section of the 30th Busan International Film Festival
Actor Im Su-jeong will make her producing debut with 〈The Second Child〉, which is set for a nationwide theatrical release in July. Distributor Thunder Film released the first production stills on July 1.〈The Second Child〉 is the new film from director Yu Eun-jeong, who directed The Night's Door...
Is Something Lurking in the Infinite Maze of A24's Horror Film 'Backroom'?

Is Something Lurking in the Infinite Maze of A24's Horror Film 'Backroom'?

The creepypasta known as "Backroom"—an online urban legend that has already spawned countless fan creations and become a cultural phenomenon—has finally been made into a film. Director Kane Parsons drew inspiration from a single image and its original text posted on the U. S.
Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Surpassing 3 million viewers within 10 days of its release, Colony is indisputably the most popular film in theaters right now. Yet despite that box-office success, reactions to Colony are sharply divided — a split that was evident even among Cineplay reporters at a press screening.
Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

Rebellion by a 20-Year-Old YouTuber That Shook Hollywood…‘The Backrooms’ Tops U.S. Box Office

A film adaptation of a YouTube horror tale with 25 million views…A 20-year-old director with no Hollywood experience sets an A24 all-time opening-champion record
Internet abyss legends swallow the screen in a visual revolutionThe overwhelming mise-en-scène of 'The Backrooms', which perfectly captures an unknown dread. A city creepypasta that once roamed the digital ecosystem has finally shattered the hard box-office barrier of Hollywood.
Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

Interview: Gu Kyo-hwan Says ‘I Want to Beat Up Seo Yeong-cheol’ Is the Highest Praise for ‘Colony’

It’s fair to call this "Gu Kyo-hwan’s year. " From 《If We》, which helped spark a melodrama boom, to the recently ended series 《Everyone Is Fighting Their Own Sense of Worthlessness》 (hereafter 《Mojamussa》), and the film 《Colony》, released on May 21 and which has surpassed about 2.
Choi Min-sik and Choi Hyun-wook’s Netflix “Notes from the Last Row” Set for Release on June 29 as Trailer Drops

Choi Min-sik and Choi Hyun-wook’s Netflix “Notes from the Last Row” Set for Release on June 29 as Trailer Drops

Directed by Kim Gyu-tae of “Our Blues,” the film depicts the intriguing connection between a Korean literature professor and his genius student Netflix announces May 29 as the release date, then releases a suspenseful teaser poster and trailer An overwhelming acting ensemble from Choi Min-sik and Choi Hyun-wook builds anticipation among global viewers
〈Notes from the Last Row〉, which drew attention for the pairing of Choi Min-sik and Choi Hyun-wook, has confirmed its release date and unveiled its trailer.The Netflix original series 〈Notes from the Last Row〉 follows the events that unfold when Heo Moon-oh (Choi Min-sik), a professor of Korean...
[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.