Search results for "Seo Jeong-yeon"

Director Na Hong-jin said he turned to aliens in 〈Hope〉 after exploring supernatural beings in 〈The Wailing〉 (2016). Speaking with Cineplay in Jongno District, Seoul, on the afternoon of the 7th, director Na Hong-jin discussed the release of 〈Hope〉 and the story behind the film.

※ 〈Shadow Child〉 director Yu Eun-jeong interview continues from Part 1. 〈Shadow Child〉 recalls your earlier film 〈The Night's Door Opens〉. Both films depict death as a dark realm, yet each also takes a fundamentally affirmative view of existence — I saw similar imagery running through both.

Two awards will be newly introduced. The 30th Bucheon International Fantastic Film Festival (executive committee chair Shin Cheol, BIFAN) will bring back the “Lee Choon-yeon Film Award” this year and also introduce the “International Federation of Film Critics Award” .

Above all, it’s a genre festival. For its 30th Bucheon International Fantastic Film Festival (Chairman Shin Chul, hereafter BIFAN), the festival screens 321 films from 50 countries (170 feature films, 85 short films, 38 AI titles, and 28 XR titles), and of these 93 are world premieres.

Once again, a high-impact K-content title has burst onto Netflix. The Netflix series 〈Reassignment Education〉, which depicts the relentless efforts of the authority group for protecting teachers’ rights as it takes the side of victims and puts schools back in order, kept its No.

The show case held at Megabox COEX on Tuesday, June 16 brought out all the film’s leading stars, including Hwang Jung-min, Jo In-sung, and Jeong Ho-yeon, delivering a rich stretch of time with everything from talks to events.

The newly released main poster captures a tense moment featuring three figures armed with guns, standing against a dark forest so densely packed with trees that it’s hard to gauge its depth. The heightened alertness shown by “Beom-seok,” the head of the Hopeport Outpost on 출장 duty, and “Seong-gi,”...

An all-devouring predator sweeping the theater scene, the relentless charge of ‘Swarm’South Korea’s box-office ecosystem has been completely reshaped. The ‘K-Zombie’ blockbuster ‘Swarm’, forged by director Yeon Sang-ho’s singular worldview and the explosive on-screen chemistry of actress Jun...

The film 〈Hope〉 , receiving praise from global media and critics through its world premiere at the Cannes Film Festival, has confirmed its IMAX release and promises an overwhelming cinematic experience. 〈Hope〉 did not hold back challenges and efforts to bring every field—production as a whole,...

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.