Search results for "Son Seung-won"

Director Lee Joon-ik’s short drama 〈Father’s Home-Cooked Meal〉 opens the door to the 1st Korea Short Drama Awards. It was selected as an invited work for the awards ceremony to be held at KOFA Cinematheque, the main venue of the Korea Film Archive located in Sangam-dong, on Aug. 29 .

A genre-film hub that screens the future, completing 30 years of legacyThe Bucheon International Fantastic Film Festival , which has led the cutting edge of the world’s genre film scene beyond Asia, opened on the 2nd with an overwhelming scale as it charted its 30th course.

Between purity and audacity, a reopened project to spark romanceLast year, Netflix original variety show “Mother Sol, But I Want to Date” (hereafter “Solo Dating”) captivated global viewers with raw, unfiltered feelings and returns in Season 2 equipped with an even more solid narrative and twists...

〈Marty Supreme〉 is a table tennis movie. For Korean film fans, the Sharpdy brothers are well known for 〈Heaven Knows What〉(2014), 〈Good Time〉(2017), and 〈Uncut Gems〉(2019), but 〈Marty Supreme〉 is a feature film that older brother Josh Safdie directed on his own for the first time in nearly 10 years.

'A Symbol of Journalism' Returns, Breaking a 13-Year Silence to Ask Again About the EssenceFormer anchor 'Son Suk-hee', who left a weighty mark on South Korea’s media landscape, is once again taking hold of the 'MBC Radio' microphone at his alma mater after a staggering 13 years.

'17 Years of Silence' Seoul National University dentist who broke it, 'Trot' shaking up the sceneLee Ji (Lee Ji-young), returning to the music industry after a long 17-year hiatus, is proving anything but ordinary.

It’s one of those songs you’ve never heard before, but it sounds familiar. The stage looks new, yet you get a strong sense of déjà vu. If you saw the film that opened on June 3, 〈Wild Sing〉, you probably felt that.

The 6th Pride Gala, hosted by the nonprofit Singnaneun Center (Chairman Kim Jo-gwang-soo), was held with great success on May 22 at the Grand Ballroom of the FKI Hall in Yeouido, Seoul. At this event, held in commemoration of ‘IDAHO (International Day Against Homophobia, Transphobia and Biphobia),’...

‘SEVENTEEN,’ reshaping the landscape of the Asian music market, fully seized control of Japan’s music scene. With a stunning feat of drawing “180,000 people” across just four shows, it imprinted once again the group’s uniquely unreplaceable stature.

[Yonhap News photo materials]