LoginSign up
My PageLog out
Cineplay

Find your next favorite work.

Search results for "AI films"

Jecheon International Music Film Festival Breaks Reliance on 4 Billion Won 'Singer Performances' with 188 Screenings—Major Expansion, 'Fly Together' Slogan

Jecheon International Music Film Festival Breaks Reliance on 4 Billion Won 'Singer Performances' with 188 Screenings—Major Expansion, 'Fly Together' Slogan

Moves the main venue to downtown Art Center Jecheon... Built a star-studded lineup led by Committee Chair Jang Hang-jun, featuring Park Chan-wook and Bong Joon-ho
'Jecheon International Music Film Festival' A Reversal with a 4 Billion Won Investment… A Sharp Knife for a 20% Drop in Audience 188 Screenings Expand Genres and Move the Main Venue Entirely to Art Center Jecheon in the Heart of the City The 'Jecheon International Music Film Festival' , which pours...
| James choi
‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

‘OK Madam 2’ sets sail after a COVID-era setback, with sequel mixing bigger action and familiar comedy

A film that took a direct hit from the COVID-19 pandemic in 2020 returns with a sequel after six years. Releasing on August 12, 〈OK Madam 2〉 is the follow-up to 〈OK Madam〉 (2020). The comic action film follows former legendary agent Mi-young (Uhm Jung-hwa), who springs back into action after...
| Kim Ji-yeon
[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

[Interview] “Stand by Me for Girls—Even if They Give Up the College Entrance Exam, They Can’t Lose the Animals!” ‘San-yang-deul’ director Yoo Jae-wook, actress Park Hye-jin ①

With the college entrance exam days away, the four girls—In-hye (Park Hye-jin), Seo-hee (Lee Seung-yeon), Jeong-ae (Park Hyo-eun), and Su-min (Choi Soo-in)—are shaken by news that the animals at the school’s animal-keeping facility will be euthanized.
In 2001, what were the girls from 〈Please Take Care of My Cat〉 doing about now? Maybe they’ve already grown up by now. Somewhere, they’re surely doing well. Even so, the descendants of the daydreamer Tae-hee (Bae Doo-na), who kept caring for strays, are being born again—and growing up—somewhere, as...
| 이화정
[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

[Joo Seong-cheol’s Locker] See ‘Hope’ Again Through the Driver-Grade Cap Joo Seong-cheol Wears While Racing Across Seong-gi Bridge in ‘The Yellow Sea’ and ‘Goksung’

I get hooked on the objects in the movies. I end up deep in thought about why the director—whether it was the director, the cinematographer, the production designer, or even an actor—put that particular item in front of the camera. ‘Joo Seong-cheol’s Locker’ is a record of the objects in films that delicately landed on my eyes.
Park Chan-wook’s 〈The Handmaiden〉 and Na Hong-jin’s 〈Goksung〉 were released in 2016, on June 1 and May 12, respectively, in the same year. Coincidentally, both films were invited to the Cannes Film Festival that year—Park Chan-wook’s to the competition section and Na Hong-jin’s to the...
| Joo Seong-cheol
‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

‘He’s at my house!’ Facts you may not know about Eum Moon-seok, the bizarre carpenter in 〈Hope〉

Add one more signature Na Hong-jin line to '4885, it's you. ' (〈The Chaser〉) and 'What matters. ' (〈The Wailing〉): 'He's at my house. ' delivered by the bizarre carpenter Yang Bae (Eum Moon-seok), who speaks in a Chungcheong dialect in 〈Hope〉.
| Kim Ji-yeon
Orfeo Hannam: Tony Leung Special Exhibition: Tang Wei’s Untold Stories of Tony Leung ②

Orfeo Hannam: Tony Leung Special Exhibition: Tang Wei’s Untold Stories of Tony Leung ②

〈In Chace and Rage〉’s Tang Wei, no one could have believed she was a newcomer. The turbulent years of Japanese colonial rule and the shadows of a restless desire are compressed entirely into Tang Wei’s expressions and gestures.
| Joo Seong-cheol
Interview: Nam Joo-hyuk on ‘The East Palace,’ Action Scenes and What’s Next

Interview: Nam Joo-hyuk on ‘The East Palace,’ Action Scenes and What’s Next

※ This interview with 〈The East Palace〉 star Nam Joo-hyuk continues from Part 1. You made Gu-cheon look noticeably different in the real world and in the realm of spirits. How did you approach the styling differences.
| Kim Ji-yeon
Films Featuring Songs by Overseas Bands Playing Korea's 2026 Rock Festivals

Films Featuring Songs by Overseas Bands Playing Korea's 2026 Rock Festivals

With hip-hop cooling and rock back in vogue in 2026, rock festivals are springing up across the country. Going to a rock festival in Korea means seeing international artists you rarely encounter live. Here are films that feature songs by international bands set to visit Korea for the upcoming One...
| 문동명 객원기자
Yeon Sang-ho’s 'Paradise Lost' Officially Invited to Toronto Film Festival, Set for October Release

Yeon Sang-ho’s 'Paradise Lost' Officially Invited to Toronto Film Festival, Set for October Release

Following last year’s 〈Face〉, Yeon returns to TIFF’s Special Presentations for a second consecutive year
Director Yeon Sang-ho's new film 〈PARADISE LOST〉 has been officially invited to the Special Presentations section at the 51st Toronto International Film Festival. CJ ENM said on July 21 that 〈PARADISE LOST〉 will screen in the Special Presentations section at the 51st Toronto International Film...
| Kim Ji-yeon
'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

'Hope' cinematographer Hong Kyung-pyo marvels at Na Hong-jin’s madness and Jo In-sung’s performance

Na Hong-jin and Hong Kyung-pyo reunited after 'The Wailing.' Jo In-sung’s standout performance, Jeong Ho-yeon’s bold reinvention, and overwhelming SF action—here’s why you need to see it in theaters
Cinematographer Hong Kyung-pyo on 'Hope': "There's madness in 'Hope'...A film you can't find anywhere else" Cinematographer Hong Kyung-pyo said of the film 'Hope,' "Madness is embedded in the work." He added that he wanted to "put the director Na Hong-jin and deliver original images that no one has...
| James choi