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Search results for "D's WAVE"

[Photos &] K-Culture and K-Pop Fandom Rock Colombia’s Election Campaign: Left-Wing Candidate’s “OPPA” and “I Love You” Strategy

[Photos &] K-Culture and K-Pop Fandom Rock Colombia’s Election Campaign: Left-Wing Candidate’s “OPPA” and “I Love You” Strategy

Colombia’s left-wing presidential candidate targets young voters by leaning on the K-pop fandom. Using social messages from K-culture such as BTS to push back against the conservative camp.
An Unexpected Gamble That Shook Colombia’s Presidential Race, Blurring the Lines Between Politics and CultureOn the modern political stage, “image making” is not just packaging—it is the core mechanism of power.
| James choi
A Borderless Art Language: The Work of Albert Serra, Part 2

A Borderless Art Language: The Work of Albert Serra, Part 2

〈Pacifiction〉 and 〈The Afternoon of Solitude〉 pulled off back-to-back feats by topping “Cahiers du cinéma”’s Best 10 lists.
〈Waiting for Sancho〉’s production process and behind-the-scenes stories are included in a documentary he made himself: the film critic Mark Peranson, who serves as editor of the film magazine “Cinemascop,” appeared in the movie as the character Joseph.
| Joo Seong-cheol
[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

[Joo Seong-cheol’s Locker] Zombie Things That Don’t Flinch Even When Shot: Korea’s First Zombie Film, “Kwe-si” (1981)

I can’t help but fixate on the objects in the movies. I find myself getting deeply lost in thought about why—of all things—this director, cinematographer, art director, or even the actor, placed that item in front of the camera. “Joo Seong-cheol’s Locker” is a record of the objects in films that landed on my eyes with a light, delicate stomp.
〈Gun-chae〉surpassed 3 million viewers in just 10 days. According to the Korean Film Commission’s integrated computer network, it reached the 3 million mark on May 30, its 10th day after release, four days earlier than 〈King and the Man〉, which drew 16 million viewers.
| Joo Seong-cheol
“YG’s Root Hip-Hop” Goes On—Treasure Returns With Mini 4th Album ‘New Wave’

“YG’s Root Hip-Hop” Goes On—Treasure Returns With Mini 4th Album ‘New Wave’

The EP includes four tracks such as the title song ‘If I’... and filled the entire album with hip-hop for the first time since debut, signaling a comeback after nine months.
The group Treasure returned to global fans on the afternoon of the 1st by releasing the mini 4th album ‘New Wave ’ on the spot. YG Entertainment said the album is a signal flare marking Treasure’s next leap in music.
| James choi
Is Something Lurking in the Infinite Maze of A24's Horror Film 'Backroom'?

Is Something Lurking in the Infinite Maze of A24's Horror Film 'Backroom'?

The creepypasta known as "Backroom"—an online urban legend that has already spawned countless fan creations and become a cultural phenomenon—has finally been made into a film. Director Kane Parsons drew inspiration from a single image and its original text posted on the U. S.
| Chua-young
IDID Kim Min-jae ‘Ilbe controversy’ spreads... Agency says it was a simple mistake

IDID Kim Min-jae ‘Ilbe controversy’ spreads... Agency says it was a simple mistake

The uproar stems from an upside-down caption in the video and the use of certain words tied to the Ilbe rumor. The agency dismissed it, saying, “It’s a simple mistake, and there was no specific intent.”
Is it a swamp of speculation—or a fatal blunder. . . . Newcomer ‘IDID’ ‘Kim Min-jae’ breaks through the ‘Ilbe’ frame head-onA rookie group that just stepped into the K-pop scene, ‘IDID’ , ran into an unexpected, rough obstacle as key member ‘Kim Min-jae’ faced a wave of accusations.
| James choi
Cortis Hits 700 Million Spotify Streams in Just 10 Months After Debut, Setting K-Pop’s Fastest Record

Cortis Hits 700 Million Spotify Streams in Just 10 Months After Debut, Setting K-Pop’s Fastest Record

The group achieves the milestone in 10 months and keeps the momentum going with a new music video following the success of “RedRed.”
A miracle after 10 months since debut, “Cortis” swallows up the global pop marketIt is a massive tidal wave that goes beyond a tectonic shift in the K-pop scene. The group “Cortis” pulled off the feat of surpassing “700 million streams” on “Spotify,” the world’s biggest music platform.
| James choi
[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

[Lee Hwa-jung’s Deep Detox] “I want to be a giant seedless grape, not a strawberry.” Meeting actor Lee Yeon, Part ② of “The 21st-Century Crown Princess,” “Tango at Dawn,” and “Gyeongju Trip”

A talk that reaches the actor through deep, steady breathing, like a detox. The actors Lee Hwa-jung meets in her film journalism.
▶ The meeting with actor Lee Yeon continues from Part 1. ​〈Juvenile Judgment〉 is a different situation, but it’s a portrayal of the dark side of teenage youths. I can imagine that darkness running counter to Lee Yeon’s brightness must have felt overwhelming.
| 이화정
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young
200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

200-plus Countries Pre-Sales “Hope” Behind-the-Scenes Stills Unveiled From Cannes

In the competition section at the Cannes Film Festival, 〈​Hope​〉—a Korean film making its first foray in four years—will meet audiences in theaters this summer.
The behind-the-scenes stills unveiled this time capture the special ensemble of the stars of 〈​Hope​〉—Director Na Hong-jin, along with Hwang Jung-min, Jo In-sung, Jung Ho-yeon, Michael Fassbender, Alicia Vikander and Taylor Russell—who took part in the Cannes Film Festival.
| Joo Seong-cheol