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Han Ye-ri signs exclusive contract with new agency Studio Viewtyque, poised for post-'Minari' breakthrough

Han Ye-ri signs exclusive contract with new agency Studio Viewtyque, poised for post-'Minari' breakthrough

Actress Han Ye-ri joins new entertainment agency Studio Viewtyque as its first signed artist Acclaimed performance in 'Minari' put her on the global stage; wide-ranging work across genres ahead Co-directed short film 'Finding the Lost Heart,' further proving her versatility as an artist
Actress Han Ye-ri is embarking on a new chapter after signing with the newly launched entertainment agency Studio Viewtyque. Fresh start as Studio Viewtyque's first signed actress Studio Viewtyque officially announced on the 18th that it had signed Han Ye-ri, whose distinctive acting ability and...

"A three-page note from my mother was the original concept": Yeon Sang-ho brings 500 million-won film 'Lost Paradise' to screens, confronting AI dilemma

Opening Oct. 21, the film follows a mother who reunites with a son recreated by AI after nine years, showcasing Kim Hyun-joo's 30 years of acting experience and Bae Hyun-sung's dramatic transformation
The hottest human dilemma forged by the coldest technology Director 'Yeon Sang-ho', who established a distinctive universe with this year's film 'Colony', returns with 'Lost Paradise', a low-budget film made for around 500 million won. Set for release Oct.
[Lee Hwa-jung’s Deep Talk] “Even after taking the college entrance exam four times, I shamelessly made it this far.” Meeting Noh Jae-won, star of ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ③

[Lee Hwa-jung’s Deep Talk] “Even after taking the college entrance exam four times, I shamelessly made it this far.” Meeting Noh Jae-won, star of ‘Tazza: The Song of Belzebub’ and ‘Made in Korea Season 2’ ③

A talk that approaches actors through deep breaths, like a detox. Film journalist Lee Hwa-jung meets the actors who inspire it.
It seems that Noh Jae-won’s potential continues to grow through his work. I’m curious what his past was like. Given his deeply introverted personality, I imagine he was never the type to put himself forward. That’s really true. I’m not good at putting myself forward, and I am shy.
Seoul International Children’s Film Festival unveils ‘BirdBoy,’ caps six-day run

Seoul International Children’s Film Festival unveils ‘BirdBoy,’ caps six-day run

The 14th edition wrapped up in Eunpyeong-gu from the 10th to the 15th, with youth-led participatory programs significantly expanded.
From audience members to cultural leaders: The festival’s 14th edition sparked dialogue across generations The 14th Seoul International Children’s Film Festival, where children and teenagers connect through films from around the world, successfully completed its six-day run.
Lee Chang-dong’s ‘Possible Love’ wins Korea’s first Ebert Award; Seol Kyung-gu makes surprise confession after 23 years

Lee Chang-dong’s ‘Possible Love’ wins Korea’s first Ebert Award; Seol Kyung-gu makes surprise confession after 23 years

Eight years after his last film, the director unveils his new work at the Toronto International Film Festival, with Jo In-sung and Jo Yeo-jeong joining the cast ahead of its Nov. 6 Netflix release.
Master Korean filmmaker 'Lee Chang-dong' has captivated North America with his new film 'Possible Love. ' He became the first Korean director to win the 'Ebert Director Award' at the Toronto International Film Festival , once again demonstrating his standing on the world stage.
Netflix's 30th Korean Film Investment Pays Off With Lee Chang-dong's 'Possible Love' After 8-Year Wait

Netflix's 30th Korean Film Investment Pays Off With Lee Chang-dong's 'Possible Love' After 8-Year Wait

His first film in eight years earns the Grand Jury Prize, capping a long-running partnership that began with 'Okja'
Global platform guarantees master filmmaker's independence, capping 30 investments in Korean cinema Global streaming platform 'Netflix' officially congratulated master filmmaker 'Lee Chang-dong' on 'Possible Love' winning the 'Venice International Film Festival' Grand Jury Prize, reaffirming its...
From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

From Novelist to Global Master: Lee Chang-dong’s 30-Year Gaze on Society

A first prize in 24 years since the Best Director award for “Oasis,” highlighting the meaning of class and love through a laid-off worker and a “silver-spoon” couple
Director Lee Chang-dong, 72, reaffirmed his stature as a global master by winning the Grand Jury Prize at the 83rd Venice International Film Festival for “Possible Love,” his first film in eight years. After winning Best Director for “Oasis” in 2002, Lee added a new milestone to his international...
[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

[Interview] ‘Finding My True Self Without Spending a Dime’: Director Park Jung-mi of ‘The Man Who Wore a Blanket’

One day, just shy of 30, director Park Jung-mi quit her job and set off traveling after deciding she was no longer happy.
In her travel memoir 〈The Faraway Nearby〉, Rebecca Solnit writes that she learned by setting out on the road that “the longest journey a traveler makes is the journey within. ” Travel, she says, “changes not only the location of the body, but also the location of memory and imagination.
Lee Chang-dong's 'Possible Love' premieres in Venice, leaving a profound 164-minute impression

Lee Chang-dong's 'Possible Love' premieres in Venice, leaving a profound 164-minute impression

Starring Jeon Do-yeon and Seol Kyung-gu, the film opens in select theaters on the 23rd and arrives on Netflix on Nov. 6
A master's return, a searching gaze into an age of loss At the 83rd Venice Film Festival, director 'Lee Chang-dong' broke an eight-year silence with his new film 'Possible Love,' which made its world premiere. Over 164 minutes, the film closely follows the intersecting lives of two couples and...
Lee Joon-ik Makes the Case for a 'Vertical Revolution' at 'Father's Home Cooking' Q&A

Lee Joon-ik Makes the Case for a 'Vertical Revolution' at 'Father's Home Cooking' Q&A

“If horizontal film is a landscape painting, the vertical frame is a portrait. You can focus more deeply on a character’s inner life, and on set every actor gets a solo shot — it becomes a kind of liberated space for cinema where everyone stands equal.