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A wager staking chastity, love that began as a game, devotion worth risking one's life: The Scandal unveils first-look stills!

A wager staking chastity, love that began as a game, devotion worth risking one's life: The Scandal unveils first-look stills!

The audacious and dangerous wager in love between Lady Jo (Son Ye-jin), a woman of extraordinary talent, and Jo-won (Ji Chang-wook), Joseon's greatest womanizer.
The Netflix series 〈The Scandal〉 has unveiled first-look stills from the story of Lady Jo, a woman whose extraordinary talent cannot be confined to the life prescribed for women in Joseon; Jo-won, Joseon's greatest womanizer; and Hee-yeon, a woman entangled in their audacious and dangerous wager in...
Netflix variety show “Kian’s Bizarre B&B Season 2” unveils first stills of Kian84 and his “Kian wranglers” staff!

Netflix variety show “Kian’s Bizarre B&B Season 2” unveils first stills of Kian84 and his “Kian wranglers” staff!

Kian84, Kim Yeon-koung, Lee Jun-ho and Kazuha bring their chaotic family chemistry to 〈Kian’s Bizarre B&B Season 2〉, premiering Sept. 22 on Netflix.
Premiering Tuesday, Sept. 22, 〈​Kian’s Bizarre B&B Season 2〉​ is a one-of-a-kind guesthouse variety show in which Kian84, Kim Yeon-koung, Lee Jun-ho and Kazuha welcome guests to Kian’s B&B in Daegwallyeong, a place filled with Kian-style romance.
Busan International Film Festival press conference: Michelle Yeoh and Kore-eda Hirokazu to attend as record 315 films screen

Busan International Film Festival press conference: Michelle Yeoh and Kore-eda Hirokazu to attend as record 315 films screen

A total of 246 films from 59 countries, including 14 competition entries, have been invited; festival will open on a Tuesday for the first time to expand viewing opportunities
95 world premieres . . . An unrivaled scale for Asia's film hub The 31st Busan International Film Festival, one of Asia's most prestigious film events, will open next month on a Tuesday with a record lineup of 315 films.
1st Korea Short Drama Awards Close, From Lee Joon-ik Screening to Grand Prize for Lee Ju-seung

1st Korea Short Drama Awards Close, From Lee Joon-ik Screening to Grand Prize for Lee Ju-seung

- Saturday, Aug. 29, at the Korean Film Archive main facility in Sangam-dong; winning works permanently archived by the Korean Film Archive - Grand Prize: "Sarinja Witjip Geunyeo" (editorial transliteration) — Lee Ju-seung · Actor Award: "Red Shadow" — Ji-woo - Excellence Award: "Betting Man: God's Eye" — Director Lee Saet-byeol · New Creator Award: "Gili Boimyeon Castinghae" (editorial transliteration) — Director Lee Yoo-jin - Invited film by Director Lee Joon-ik, "Father's Home-cooked Meal," opened with a theatrical screening and a Q&A
The inaugural Korea Short Drama Awards, jointly hosted by Cineplay (CEO Choi Tae-hyung) and the Korean Film Archive , headed by Mo Eun-young, concluded Saturday, Aug. 29 at KOFA's main facility in Sangam-dong after a program aimed at discovering and supporting the next generation of K-content video...
Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Director Kim Mi-jo on ‘Gyeongju Trip,’ Korea’s Most Provocative Mainstream Film of the Year

Part 2
※〈Gyeongju Trip〉 Director Kim Mi-jo's interview continues from Part 1.One striking aspect of 〈Gyeongju Trip〉 is how it depicts Baek Sang-hyun, the killer (Byun Yo-han). Why did you choose not to give any backstory to the perpetrator Baek Sang-hyun and instead portray him solely as a heinous...
Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo on ‘Gyeongju Trip,’ the Year’s Most Provocative Korean Commercial Film

Kim Mi-jo’s 〈Gyeongju Trip〉 is a brisk, chilly revenge drama that announces a director with a singular, hard-to-pin-down voice. Director Kim Mi-jo said that 〈Little Miss Sunshine〉 (2006) and Bong Joon-ho’s 〈The Host〉 (2006) were the biggest influences on 〈Gyeongju Trip〉.
Press-Screening Reactions: Cineplay Reporters Rate 〈Bi-gwang〉

Press-Screening Reactions: Cineplay Reporters Rate 〈Bi-gwang〉

[Press-screening first impressions] Ryu Seung-ryong, Ha Ji-won and Kim Si-a star in 〈Bi-gwang〉, opening Sept. 2. Directed by Lee Ji-won of 〈Miss Baek〉, the film follows celebrity couple Jung-gu (Ryu Seung-ryong) and Nam-mi (Ha Ji-won), whose marriage collapses after Jung-gu's daughter Dong-ju (Kim...
[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

[Joo Sung-chul's Locker] What Are the Improvised Explosive Devices (IEDs) in 'Warfare' and 'The Hurt Locker'?

I am drawn to objects in movies. I find myself wondering why the director, cinematographer, production designer or actor put that particular object in front of the camera. 'Joo Sung-chul's Locker' records the objects in movies that quietly catch my eye.
“The rush of battle is often a potent and lethal addiction, for war is a drug.” The Hurt Locker (2009), which won the 2010 Academy Award for Best Picture, opens with that title card. Director Kathryn Bigelow drew the quotation from War Is a Force That Gives Us Meaning, a 2002 nonfiction book by...
3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

3 Picks to Watch Amid the Blockbuster Storm: Family, Battlefield and Revenge

Although the heat dome largely spared the Korean Peninsula, cinemas are in the grip of a box-office storm. 〈Spider-Man: Brand New Day〉, which opened July 29, and 〈Odyssey〉, which opened August 5, have each surpassed 7 million and 6 million viewers respectively, and have fueled the summer box...
Nolan’s The Odyssey surpasses 6 million admissions in 17 days, marking first-ever all-IMAX production

Nolan’s The Odyssey surpasses 6 million admissions in 17 days, marking first-ever all-IMAX production

The film holds a commanding 71.8% share of advance bookings as star Matt Damon releases a message of thanks to Korean audiences
Master filmmaker Christopher Nolan’s ambitious epic The Odyssey is fueling a massive box-office surge in theaters. The film surpassed 6 million admissions just 17 days after its release, securing third place among this year’s top-grossing films in South Korea.