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A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

A Great Failure: What Kore-eda Hirokazu Wants to Convey in 〈The Sheep in the Box〉 ②

▶ This article on Kore-eda Hirokazu's 〈The Sheep in the Box〉 continues from Part 1.Recovery of an animistic sensibility The willingness to believe in the unseen connects directly to Japan's traditional animism, which holds that natural objects and phenomena are inhabited by spirits or invisible...
| Chua-young
'14-Year Romance' Ends as Jung Kyung-ho and Choi Soo-young Split

'14-Year Romance' Ends as Jung Kyung-ho and Choi Soo-young Split

Both agencies acknowledged the breakup and said they plan to remain as “good colleagues.”
A 14-year story, drawing a full stopJung Kyung-ho and Choi Soo-young — a symbolic couple in show business — have reached a turning point, shifting their dazzling 14-year journey into support for each other’s separate paths.
| James choi
The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

The Boundaries of an Art Language Are No Limits — Inside Albert Serra’s World (1)

It is the first time that a work by director Albert Serra has received an official theatrical release in South Korea; his “The Solitaire Afternoon” is set to open here.
This is the first time that a work by director Albert Serra has received an official theatrical release in South Korea. 〈The Solitaire Afternoon〉 is a film that closely captures the look of world-renowned bullfighter Andrés Roca Rey, one of the giants of modern bullfighting, created by director...
| Joo Seong-cheol
‘Colony’ Surpasses 4.7 Million Viewers—Amesongho Director’s Overwhelming Zombie Evolution Performance Music Video Released

‘Colony’ Surpasses 4.7 Million Viewers—Amesongho Director’s Overwhelming Zombie Evolution Performance Music Video Released

The thriller masterpiece by Yeon Sang-ho, a director known for building momentum at the box office, features a closed-building story and choreographer-team support for contemporary dance choreography Through ShoBox’s official channel, the zombie evolution is visualized—from four-legged walking to upright standing on two legs, then into a single-body movement through physical unification With scene-stealing performances by an all-star lineup including Jun Ji-hyun, Ku Kyo-hwan, Ji Chang-wook, and more, the film’s memorable moments are reinterpreted through a dance narrative
〈Colony〉 captivated audiences by releasing a music video created by the choreographer team, deepening the film’s lingering aftertaste. 〈Colony〉, which opened on May 21 and has now surpassed 4. 7 million viewers, released a music video on June 8.
| Seongchan Eol
Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Cineplay Critics Weigh the Pluses and Minuses of ‘Colony’

Surpassing 3 million viewers within 10 days of its release, Colony is indisputably the most popular film in theaters right now. Yet despite that box-office success, reactions to Colony are sharply divided — a split that was evident even among Cineplay reporters at a press screening.
| Kim Ji-yeon
Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

Gu Gyo-hwan: 'If I were wearing the emotion watch from 〈Everyone Is Fighting Their Own Worthlessness〉 now, I'd be green all over — down to my veins'

※This interview with Gu Gyo-hwan continues from Part 1. From films to TV dramas, every project Gu Gyo-hwan has appeared in is doing well. Can we call this the 'Gu Gyo-hwan era'. Calling it the 'Gu Gyo-hwan era' is a bit much. When I walk down the street, people sometimes call out, "Dong-man.
| Kim Ji-yeon
In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

In 〈EUREKA〉, Shinji Aoyama Maps a Society Trapped in Endless Pain

Praised as a landmark of 21st-century Japanese cinema, Shinji Aoyama’s 〈EUREKA〉 will open in South Korea on May 27. Originally released in 2000, 〈EUREKA〉 screened in competition at the 53rd Cannes Film Festival and drew lavish praise from leading contemporary critics such as Shigehiko Hasumi, who...
| Chua-young
Korean Folk Music in the Spotlight Inside K-pop in Argentina—Special Exhibition Featuring BTS, Stray Kids, and K-pop Demon Hunters

Korean Folk Music in the Spotlight Inside K-pop in Argentina—Special Exhibition Featuring BTS, Stray Kids, and K-pop Demon Hunters

Joo Argentina Korean Cultural Center holds a special exhibition ‘Good, God, Kkun’ through Aug. 5 in Buenos Aires, shining a light on the elements of Korean folk music that have seeped into K-pop content
A Joseon groove that shook the other side of the globe in South America… ‘K-pop’, dressed in traditional attire In the heart of Buenos Aires, Argentina, in South America, the deep resonance of ‘Korean traditional music’ has arrived.
| James choi
On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

On Their Fourth Team-Up, the Many Faces of Koo Kyo-hwan Through Yeon Sang-ho’s Lens

It started with Yeon Sang-ho. Koo Kyo-hwan was already a star of the independent film scene, an idol of sorts for outsiders. But if you trace the origins of how he came to appear in so many commercial projects, you arrive at Yeon’s 〈Peninsula〉.
| Seongchan Eol
[Photo &] A Live Performance by Jazz Master Herbie Hancock, 86, Sets the Seoul Jazz Festival Stage Ablaze with “The End of Spring Days”

[Photo &] A Live Performance by Jazz Master Herbie Hancock, 86, Sets the Seoul Jazz Festival Stage Ablaze with “The End of Spring Days”

Jazz legend Herbie Hancock, making his first trip to Korea in 11 years, delivers explosive playing that leaves behind his age at 86 and caps the night with a tribute to the late Wayne Shorter
“The audience is part of my family.” Herbie Hancock’s heartfelt confession lit up the night sky over Seoul. “The return of a master,” ruling the keys at age 86 On the 24th at the Olympic Park 88 Grass Square, as darkness deepened, he appeared to close out the 18th Seoul Jazz Festival, blasting out...
| James choi